El barón

I have the Network DVD. The print quality is mediocre. The color skews to a dull yellow/green. Sound mix: The audio of the dialogue is low while the music is too loud so I'm constantly adjusting the volume. Technically, it's a disappointment but the series is enjoyable even if there is too much hitting people over the head with a cosh. This is such a tired plot point by lazy writers to this day. The American executives were right about giving Forrest a female assistant. Sue Lloyd was perfect casting. She talks about the show in a DVD extra but this was a major dissapointment. She never discusses Cordelia's relationship with The Baron or her character's place in TV heroine history. Her character was believable, not a superwoman. She would become fatigued escaping with The Baron from villains or make errors in judgement. However the Network DVD of The Champions is beautiful, with vibrant, rich colors. The worst episode is Countdown with Edward Woodward playing a posh villain. The plot was okay but action was stupid such as Mannering punching out the baddie but not taking his pistol away so naturally the criminal wakes up and starts shooting at him.

Many of the episodes look like they were filmed in a November, such is the dark moody atmosphere. In the worst episodes, the pace of some of the acting and stories might be considered plodding by today's standards? In fact the worst episodes can be narrowed down to the work of a couple of nonchalant shoddy directors doing the rounds of British TV at the time. However the editing, music and good use of early colour still give even these shows an appealing style. The best episodes were first rate at its premier (usually have good character actors) and still stand up well today. The title sequence with its beautifully cut 'in your face' visuals and punchy memorable theme tune, was a revelation in 1966. The Baron was premiered in the USA ahead of the UK, but did not make any waves and only 13 episodes were bought there.However it proved a very popular series in the UK and elsewhere.

I watched this series first time round and remembered it fondly, never got to see it again when it was last repeated in the '70's but am now trawling through the entire series on DVD. And it holds up well enough too filmed on the usual ITC shoestring budget, old fashioned though it must look to most now used to flashy nervous roving cgi camera techniques. I've only read one Creasey novel - can't even remember the title now, but I believe the series was based more upon the TV Saint, there certainly was a similarity. They both had great theme tunes as well!

"Diplomatic Immunity" broadcast 28.09.66: The first episode shown on UK ITV introduced us to Steve Forrest playing Captain John Mannering (not Mainwaring), and his London-centric world of antiques and cutting-edge British security issues. Over the eps plenty of gadgets cropped up for his use a la Bond, but post-digital they all look ancient enough to be made from Bakelite! Mannering is miffed when an expensive antique is stolen by an Iron Curtain (Pamaranea) state official and he decides (with UK Govt help) to get it back with no-holds barred. Sue Lloyd playing Cordelia is invaluable to him in this aim, but mainly to us as eye-candy. Nicely judged script, but along with most of the rest of the series unfortunately almost impossible to film in such a non-pc way nowadays - a lot of pre-'70's TV is in the same boat of course.

Forrest was very similar in his style to his brother Dana Andrews - chunky, chiselled and dependable, I thought the Baron suited him down to the ground and something he never bettered. Great memories of ye olde TV programme entertainment standards.

I.T.C. made 'The Baron' as a follow-up to 'The Saint' series starring Roger Moore. Terry Nation, Dennis Spooner and Brian Clemens ignored John Creasey's books and invented wholly original plots. Some such as 'Storm Warning/The Island' had a strong 'U.N.C.L.E./Avengers' flavour. The casting of Steve Forrest as 'John Mannering' worked because there were no previous screen incarnations to judge him by. As per the books, Mannering owned an antiques shop in London, but was now a part-time agent for British Intelligence, headed by John Templeton-Greene ( Colin Gordon ), hence the scope of the plots ran from crime to espionage to mystery. The presence of luscious Sue Lloyd ( as 'Cordelia' ) further distanced the show from the Moore series. While 'The Baron' failed to replicate the success of 'The Saint' in the U.S.A., it remains an enormously entertaining show and the only screen incarnation of the character to date. It also has one of Edwin Astley's best theme tunes!

I know that my mark is nostalgia-influenced, but I really can't mark down any of the 60's ITC escapist adventure series as they were such a fun part of my childhood, watching classic shows like The Avengers, The Saint, Randall & Hopkirk Deceased, The Champions, Man In A Suitcase, Department S, The Persuaders and this.

Yes, The Baron is a minor-league Simon Templar, a globe-trotting adventurer with an unlikely cover as an antiques dealer who invariably ends up in some foreign intrigue, yes, the production values are fairly low, with studio-bound sets and stock footage of international airports dropped in to futilely attempt to convince the audience the locations are authentic but it's all shot briskly and efficiently, routinely delivering 50 minutes of easily digestible thrills and spills before the stirring theme music comes around again to signal the end (almost every ITC show and certainly the ones I mentioned above all had memorable theme tunes).

Steve Forrest, brother of Dana Andrews, lacks his sibling's personality and charisma but otherwise makes for an acceptable, well-dressed, chisel-jawed leading man while Sue Lloyd provided the glamour, parading the fashions of the day with no little humour, although she invariably is reduced to playing the damsel in distress, no Emma Peel her.

The Baron is a somewhat derivative and fairly light entertainment and probably wouldn't appeal much to anyone who doesn't, like me, remember first watching it on a black and white TV as a child in the mid-60's. But that child was me and decades later, I still can't bring myself to criticise it too much for all its derivation and lack of originality.