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6.8/10
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Agrega una trama en tu idiomaDuring World War II, just before the liberation of France, a beautiful lady finds herself in the midst of bizarre doings from her admirers.During World War II, just before the liberation of France, a beautiful lady finds herself in the midst of bizarre doings from her admirers.During World War II, just before the liberation of France, a beautiful lady finds herself in the midst of bizarre doings from her admirers.
- Dirección
- Guionistas
- Elenco
- Premios
- 2 premios ganados y 1 nominación en total
Christian Barbier
- French Colonel
- (sin créditos)
Valérie Camille
- English Girl
- (sin créditos)
Marc Dudicourt
- Schimmelbeck
- (sin créditos)
Anne Guegan
- Waitress in Bar
- (sin créditos)
Paul Le Person
- Roger
- (sin créditos)
Marie Marc
- Dimanche's Housekeeper
- (sin créditos)
Alexis Micha
- L'enfant
- (sin créditos)
Robert Moor
- Plantier the Gardener
- (sin créditos)
Jean-Pierre Moulin
- Lieutenant
- (sin créditos)
Donald O'Brien
- American Officer
- (sin créditos)
Pierre Rousseau
- German Orderly
- (sin créditos)
Carroll Saint Paul
- Elegant woman
- (sin créditos)
Opiniones destacadas
Yet another worthwhile past-time of old French movies. A bit of everything, anti-war, comedy, love story, what else?
The story isn't great, but Rappeneau with Deneuve, Noiret, Brasseur, this one must not be missed.
A flawlessly made catch of love, hate and boredom of a bunch of people in 1945, while the allied assault on the French coast is underway.
Actually, with paratroopers about to be landing on the lawn of that castle! From the first minutes you wouldn't dare guessing that this is what is going to happen, with everyone concerned about apples (or just not).
I can only rate it as seven, alas, because of the unbelievable story. Starting with counting of apples, and ending with a complete transformation of one of the heroins, it's just not realistic.
Enjoy watching it, and don't expect a movie of serious narration.
The story isn't great, but Rappeneau with Deneuve, Noiret, Brasseur, this one must not be missed.
A flawlessly made catch of love, hate and boredom of a bunch of people in 1945, while the allied assault on the French coast is underway.
Actually, with paratroopers about to be landing on the lawn of that castle! From the first minutes you wouldn't dare guessing that this is what is going to happen, with everyone concerned about apples (or just not).
I can only rate it as seven, alas, because of the unbelievable story. Starting with counting of apples, and ending with a complete transformation of one of the heroins, it's just not realistic.
Enjoy watching it, and don't expect a movie of serious narration.
Another delightful French pastiche, this time set around the time of the D-Day landings in Normandy; a fine cast headed by Catherine Deneuve, Pierre Brasseur and Philippe Noiret lend themselves admirably to the spirit of the thing. LA VIE DE Château takes in everything from the issues of class difference (farm girl Deneuve is married to wealthy good-for-nothing Noiret), collaboration (Noiret's family flaunts its supposed Nazi sympathies for their own material gain while secretly despising their oppressors) and heroism (it's Noiret who ultimately emerges as the unexpected - and perhaps unwilling - hero, eventually winning back the straying affections of his wife). Director Rappeneau recently returned to the same stylistic territory and historical background with equally terrific results for his BON VOYAGE (2003).
Perhaps it was a misguided idea from the start to attempt to make a comedy set in German-occupied France in the last months of WWII (and to shoot it in black & white, for no discernible reason), but "La Vie De Château" is weak even on its own terms; any comedy, regardless of time period, is supposed to have more than three laughs in 90 minutes. This film has little to offer beyond Catherine Deneuve's exquisite beauty, and to be honest I struggled to even finish it. No traces of the director who would make the excellent "Cyrano" 24 years later here. ** out of 4.
With the director of "Zazie in the Metro", and both the star and composer from "Umbrellas of Cherbourg", how could this be anything but brilliant! Set in a decaying chateau during World War II, populated by eccentrics, with Germans camping out in the courtyard while the French Resistance goes about under their very noses.
Something like a Carry On film at times, with touches of Allo Allo. Sometimes you get the impression someone is about to burst into song - I wonder if it would have worked as a musical? Deneuve is marvelous - beautiful, and very funny as she twists her husband round her finger, and staves off advances in all directions.
A pleasing classic that you shouldn't miss, but the combination of black and white, and subtitles may be offputting to some.
Something like a Carry On film at times, with touches of Allo Allo. Sometimes you get the impression someone is about to burst into song - I wonder if it would have worked as a musical? Deneuve is marvelous - beautiful, and very funny as she twists her husband round her finger, and staves off advances in all directions.
A pleasing classic that you shouldn't miss, but the combination of black and white, and subtitles may be offputting to some.
Rappeneau has directed few films over the past four decades (just seven) but he's created a solid body of work that has meant commercial success even if critics sometimes expressed dismay over the casting of big stars. I wrote about Le Sauvage (1975), expressing my pleasure at the excellent handling of comedy between Deneuve and Montand, and the same is true here. Deneuve is fabulous as the bored wife stuck in the country in wartime--she's dying to get to Paris and won't let her husband forget it. When Henri Garcin as the resistance leader shows up at the château, she's thrilled as well as annoyed at the intrusion into their domestic life.
The film has been made under the sign of tradition: the influence of Feyder's Kermesse heroique is ever-present (the local people trying to outwit the invaders), as well as the aristocratic life satirized by Renoir in Rules of the Game, where the habits of daily life take on great significance (Noiret complains to Deneuve about the apple cores in the basement; she couldn't care less). Now, I await with great anticipation his new film Bon voyage.
The film has been made under the sign of tradition: the influence of Feyder's Kermesse heroique is ever-present (the local people trying to outwit the invaders), as well as the aristocratic life satirized by Renoir in Rules of the Game, where the habits of daily life take on great significance (Noiret complains to Deneuve about the apple cores in the basement; she couldn't care less). Now, I await with great anticipation his new film Bon voyage.
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- ConexionesFeatured in El salvaje (1975)
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idiomas
- También se conoce como
- A Matter of Resistance
- Locaciones de filmación
- Château de Neuville, Gambais, Yvelines, Francia(castle exteriors)
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución1 hora 33 minutos
- Color
- Relación de aspecto
- 1.66 : 1
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