[go: up one dir, main page]

    Calendario de lanzamientosTop 250 películasPelículas más popularesBuscar películas por géneroTaquilla superiorHorarios y entradasNoticias sobre películasPelículas de la India destacadas
    Programas de televisión y streamingLas 250 mejores seriesSeries más popularesBuscar series por géneroNoticias de TV
    Qué verÚltimos trailersTítulos originales de IMDbSelecciones de IMDbDestacado de IMDbGuía de entretenimiento familiarPodcasts de IMDb
    EmmysSuperheroes GuideSan Diego Comic-ConSummer Watch GuideBest Of 2025 So FarDisability Pride MonthPremios STARmeterInformación sobre premiosInformación sobre festivalesTodos los eventos
    Nacidos un día como hoyCelebridades más popularesNoticias sobre celebridades
    Centro de ayudaZona de colaboradoresEncuestas
Para profesionales de la industria
  • Idioma
  • Totalmente compatible
  • English (United States)
    Parcialmente compatible
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Lista de visualización
Iniciar sesión
  • Totalmente compatible
  • English (United States)
    Parcialmente compatible
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Usar app
  • Elenco y equipo
  • Opiniones de usuarios
  • Trivia
  • Preguntas Frecuentes
IMDbPro

La nave del mal

Título original: Ship of Fools
  • 1965
  • Approved
  • 2h 29min
CALIFICACIÓN DE IMDb
7.0/10
7.4 k
TU CALIFICACIÓN
La nave del mal (1965)
Home Video Trailer from Sony Pictures Home Entertainment
Reproducir trailer3:32
1 video
86 fotos
DramaGuerraRomance

Un variado grupo de pasajeros que embarca rumbo a la Alemania anterior a la Segunda Guerra Mundial representa un microcosmos de la sociedad de principios de los años treinta.Un variado grupo de pasajeros que embarca rumbo a la Alemania anterior a la Segunda Guerra Mundial representa un microcosmos de la sociedad de principios de los años treinta.Un variado grupo de pasajeros que embarca rumbo a la Alemania anterior a la Segunda Guerra Mundial representa un microcosmos de la sociedad de principios de los años treinta.

  • Dirección
    • Stanley Kramer
  • Guionistas
    • Katherine Anne Porter
    • Abby Mann
  • Elenco
    • Vivien Leigh
    • Simone Signoret
    • José Ferrer
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.0/10
    7.4 k
    TU CALIFICACIÓN
    • Dirección
      • Stanley Kramer
    • Guionistas
      • Katherine Anne Porter
      • Abby Mann
    • Elenco
      • Vivien Leigh
      • Simone Signoret
      • José Ferrer
    • 93Opiniones de los usuarios
    • 30Opiniones de los críticos
  • Ver la información de producción en IMDbPro
    • Ganó 2 premios Óscar
      • 5 premios ganados y 13 nominaciones en total

    Videos1

    Ship of Fools
    Trailer 3:32
    Ship of Fools

    Fotos86

    Ver el cartel
    Ver el cartel
    Ver el cartel
    Ver el cartel
    Ver el cartel
    Ver el cartel
    Ver el cartel
    Ver el cartel
    + 78
    Ver el cartel

    Elenco principal55

    Editar
    Vivien Leigh
    Vivien Leigh
    • Mary Treadwell
    Simone Signoret
    Simone Signoret
    • La Condesa
    José Ferrer
    José Ferrer
    • Siegfried Rieber
    • (as Jose Ferrer)
    Lee Marvin
    Lee Marvin
    • Bill Tenny
    Oskar Werner
    Oskar Werner
    • Dr. Wilhelm Schumann
    Elizabeth Ashley
    Elizabeth Ashley
    • Jenny Brown
    George Segal
    George Segal
    • David Scott
    José Greco
    José Greco
    • Pepe
    • (as Jose Greco)
    Michael Dunn
    Michael Dunn
    • Karl Glocken
    Charles Korvin
    Charles Korvin
    • Kapitän Thiele
    Heinz Rühmann
    Heinz Rühmann
    • Julius Löwenthal
    • (as Heinz Ruehmann)
    Lilia Skala
    Lilia Skala
    • Frau Hutten
    BarBara Luna
    BarBara Luna
    • Amparo
    Christiane Schmidtmer
    Christiane Schmidtmer
    • Lizzi Spöckenkieker
    Alf Kjellin
    Alf Kjellin
    • Herr Freytag
    Werner Klemperer
    Werner Klemperer
    • Hübner - 3. Offizier
    John Wengraf
    John Wengraf
    • Graf
    Olga Fabian
    Olga Fabian
    • Frau Schmitt
    • Dirección
      • Stanley Kramer
    • Guionistas
      • Katherine Anne Porter
      • Abby Mann
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios93

    7.07.4K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Opiniones destacadas

    10DavidAllenUSA

    "Ship Of Fools" (1965) movie is better than K. A. Porter's book, and possibly the best ensemble top actors movie ever made.

    "Ship Of Fools" (1965) movie is better than K. A. Porter's book, and possibly the best ensemble top actors movie ever made.

    The movie got two Academy Awards....one for best cinematography, and the other for best art direction. Both deserved.

    "Ship Of Fools" (1965) also deserved (but did not get, sadly) multiple "Best Actor" and Best Actress" awards ["Best Supporting Actor/ Actress awards, also].

    High quality, in-depth acting of true talent and accomplishment have seldom ever reached the levels achieved in this movie, done repeatedly, again and again and again, from start to finish.

    The movie contained at least half a dozen (possibly more) Academy Award winner best actor performances.....at least three best actor academy award winners performed (incredibily) in this movie (Lee Marvin, Vivien Leigh, and Jose Ferrer), and others (some who may have gotten academy awards I overlooked) were also wonderful in all ways (Simone Signoret, Oscar Werner, Michael Dunn, Elizabeth Ashley, George Segal, Gila Golan, Jose Greco, and Barbara Luna....who sang the famous "Dites Moi" song in South Pacific on the Broadway stage when she was a little girl in 1949!).

    The titles at the start of movie are incredible, and deserve to be ranked with the best of all movie titles ever presented (someday, a special award for movie titles will be established....if this has not already been done, it is certainly an unmet need.....movie titles are important, are an art unto themselves, and a major asset to movies when done well.........see the titles for Bullitt 1968 and North By Northwest 1959 as only two examples of "the best of the best movie titles...the "Ship Of Fools" 1965 movie titles are part of the "the best of the best.") The Abby Mann written screenplay is really an original screenplay with an original story, by far better than the best selling Katherine Anne Porter novel also titled "Ship Of Fools" .... not at all the same as the book....better! Stanley Kramer's direction is wonderful.

    Original music by Ernest Gold in the movie includes a German language song performed very well by Jose Ferrer. The title of the song is "Heute abend geh'n wir bummein auf der Reeperbahn," and it is a true "gemutlicheit" German language song, indeed, even if it was written in the USA for a Hollywood, English language movie.

    This movie is a true gem, and deserves to be ranked as one of the best movies of all times.

    All movie actors (I am one) should see this movie....it's a chance to see "the best of the best" one after the other after the other after the other.

    Acting just doesn't get better than is the case in "Ship Of Fools" (1965).

    -------------- Written by Tex Allen, SAG Actor Email Tex Allen at TexAllen@Rocketmail.Com Visit WWW.IMDb.Me/TexAllen for movie credits and biography information.
    Doylenf

    Weaker than the novel...but still absorbing...

    A strange, rather offbeat morality tale from Katherine Anne Porter's bulky novel, SHIP OF FOOLS manages to hold interest even though the characters are never fully realized and the full potential of the novel isn't to be found in the screenplay.

    It's best described as a multi-episode GRAND HOTEL at sea, episodic with the love story between Simone Signoret and Oskar Werner at the core and easily the best acted piece, despite the soap-opera overtones. Vivien Leigh's bitter American widow is somewhat theatrical--but comes to life finally in the scene where she uses her shoe to beat Lee Marvin when he makes drunken advances to her. She looks somewhat worn and fragile (which the role requires) and this was her last film only two years before her death.

    Porter's novel made diabolic use of the twin children who are almost missing from the screenplay. George Segal and Elizabeth Ashley are wasted in lesser roles as young romantics. Michael Dunn is sly and altogether winning as the dwarf who opens and closes the film with his narrative. Charles Korvin is excellent as the ship's Captain who is constantly giving advice to Oskar Werner who stubbornly refuses to listen to his well meaning friend.

    If the story interests you, try reading the novel--much more complex, much richer in characters and atmosphere. The film is overlong, has some dull stretches and has a meager score by Ernest Gold that is oddly silent during some of the most emotional moments. A good old-fashioned musical score by someone like Max Steiner would have helped immeasurably in getting over the dull spots.

    Summing up: too preachy when dealing with anti-semitism and lacks the punch of the novel.
    8Red-125

    Not as good as the novel, but still worth seeing

    Ship of Fools (1965) directed by Stanley Kramer, is based on the novel by Katherine Anne Porter. The film is a reasonably faithful cinematic adaptation, although it lacks the novel's subtlety and complexity. Director Kramer assembled an all-star cast--including Vivien Leigh (her last film), Simone Signoret, José Ferrer, Lee Marvin, Oskar Werner, José Greco, and George Segal.

    The film takes place entirely on shipboard, except for the final scene. Naturally, the close confines of the ship and the lack of privacy bring about forced interactions, as would have been the case in reality. These interactions form the basic plot of both the book and the film.

    The time is 1933, so the passengers don't know what we know--things are changing rapidly in Germany and everything will be different in just a year or two. In fact, that's the basic weakness of the plot--it's easy in retrospect to know just how wrong the Jewish salesman is when he assures people that the current unpleasantness will blow over and all will be well.

    Some features of the novel were unfortunately omitted from the film, especially the roles of the Spanish twins, Ric and Rac. In the novel, they are the embodiments of senseless evil, and every chapter in which they appear is laden with foreboding. In the film, the children commit one evil act, but it makes no sense because we haven't been prepared for it.

    Director Kramer made one choice I consider foolish. In the novel, a young woman named Elsa Lutz is realistically unhappy. She is unattractive, not very intelligent, not gifted or graceful, and her prospects for marriage are bleak. In the film, she is portrayed as a stunning ingénue, who will blossom into an even more stunning woman. No dramatic tension there. Porter had it right, Kramer had it wrong.

    All in all, "Ship of Fools" is a classic movie by an excellent director and it's loaded with stars. It's not an essential film, but it's entertaining enough and worth renting.
    7stills-6

    The Love Boat as told by Ambrose Bierce

    A modernist morality tale with several different dark, sardonic stories. It creates a strange mood with its post WWII sensibility superimposed on pre-Nazi German culture. It's like The Love Boat as told by Ambrose Bierce. The best story revolves around Oskar Werner as he takes care of Simone Signoret. He sits at her bedside and listens with his head at a ridiculous angle to show his complete understanding - their situations are parallel, but their compositions are worlds apart. His slow slide into oblivion is fascinating to watch.

    But the best performance belongs to Vivien Leigh in her final film role. She is absolutely stunning as "the 46-year old coquette" (as Werner Klemperer puts it). It's a terrible tragedy that she was not able to make very many movies in her career.

    However, I have never cared for George Segal or Elizabeth Ashley and they weaken the film - particularly Segal who seems overmatched by the other members of the cast. But I did enjoy the rest of the movie and it's well worth getting through their story to see it.
    9gbrumburgh

    A grand, glossy excursion, with a flavorful international cast keeping the weighty boat afloat.

    One of my favorite indulges over the years has been "Ship of Fools," a 1965 glossy, episodic entertainment done strictly grand scale. Based on Katherine Anne Porter's epic novel, the Oscar-nominated "Best Picture" centers on a sundry group of travelers circa 1933 who clash "Grand Hotel" style on a German ocean liner bound, via Mexico, for Germany (and impending doom it would seem) just as strong Nazi sentiment was breeding. The ship becomes a microcosm of pre-WWII life and mores, with a plethora of subplots alternately swelling and ebbing throughout - situations that alter the course of some of its passengers and crew members, for better or worse.

    From the clever opening collage of credits (don't miss this part) set to a catchy, flavorful Latin score to its fascinating all-star disembarkation at the end, it's smooth sailing for most of this trip, guided with an assured hand by the always capable Stanley ("Judgment at Nuremberg") Kramer, with certain cast members (Simone Signoret, Oskar Werner, Vivien Leigh, Lee Marvin, Michael Dunn) coming off better than others (José Ferrer, Elizabeth Ashley, George Segal).

    A number of compelling vignettes acted out by the choice, eclectic ensemble make up for the sometimes turgid melodramatics that occur on board as our "ship of fools" are forced to examine their own pride and prejudice while victimized by others. Who can forget the tormented Simone Signoret and Oskar Werner (both Oscar-nominated) as the morphine-addicted political prisoner and dutiful ship's physician who provide the film with its most poignant and tragic shipboard romance. Their clandestine encounters are exquisitely written and beautifully realized. Or Vivien Leigh's coy, aging elitist, Mary Treadwell, who delivers a brilliantly despairing monologue in front of a makeup mirror that, in turn, sets up a wildly climactic shoe-bashing scene with Lee Marvin's besotted baseballer when he viciously assaults, then profusely apologizes to the now-humiliated matron after mistaking her in the dark for a cooch dancer. Or José Greco & company's steamy, frenetic flamenco sequence during a raucous, after-hours party. Or dwarf actor Michael Dunn's sublime Greek Chorus that effectively bookends the movie (the Oscar-nominated Dunn subsequently played evil Dr. Loveless on TV's "Wild, Wild West" series). These glorious scenes and more help to balance out the less serviceable ones, particularly those involving Jose Ferrer's boisterous, irritating Nazi bigot who borders on caricature, and Elizabeth Ashley and George Segal's turbulent lovers who come off dull and forced.

    Ernest Laszlo's lustrous black-and-white cinematography was suitably Oscar awarded, while the whole look, feel and tone of the movie is decidedly old-style theatre at its best. This movie has remained one of my all-time favorite wallows.

    Más como esto

    Réquiem por un dandy
    6.2
    Réquiem por un dandy
    Room at the Top
    7.5
    Room at the Top
    Adiós Mr. Chips
    7.9
    Adiós Mr. Chips
    La furia de los justos
    6.9
    La furia de los justos
    Mil payasos
    7.3
    Mil payasos
    The Runner Stumbles
    6.1
    The Runner Stumbles
    Darling
    7.0
    Darling
    El pecado de Madelon Claudet
    6.6
    El pecado de Madelon Claudet
    Abismo de pasión
    7.5
    Abismo de pasión
    Poseída
    7.1
    Poseída
    R.P.M.
    5.3
    R.P.M.
    Tres caras tiene Eva
    7.2
    Tres caras tiene Eva

    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      Vivien Leigh was subject to bouts of depression and alcoholism and was abrasive to fellow actors. There was a rocky start to her relationship with Lee Marvin, complaining about his stale alcohol breath. Eventually, the two became highly unlikely good friends.
    • Errores
      Although set in 1933, the hairstyles and costumes are decidedly mid-1960s.
    • Citas

      Rieber: Lowenthal, you know it is a historical fact that the Jews are the basis of our misfortunes.

      Lowenthal: Of course.

      Rieber: You agree?

      Lowenthal: Of course. The Jews and the bicycle riders.

      Rieber: The bicycle riders? Why the bicycle riders?

      Lowenthal: Why the Jews?

    • Conexiones
      Edited into Spisok korabley (2008)
    • Bandas sonoras
      Heute abend geh'n wir bummeln auf der Reeperbahn
      Music by Ernest Gold

      Lyrics by Jack Lloyd

    Selecciones populares

    Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
    Iniciar sesión

    Preguntas Frecuentes

    • How long is Ship of Fools?
      Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 12 de mayo de 1966 (México)
    • País de origen
      • Estados Unidos
    • Idiomas
      • Inglés
      • Alemán
      • Español
    • También se conoce como
      • Ship of Fools
    • Locaciones de filmación
      • Hollywood, California, Estados Unidos
    • Productora
      • Stanley Kramer Productions
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 4,000,000 (estimado)
    • Total a nivel mundial
      • USD 206
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      2 horas 29 minutos
    • Color
      • Black and White
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 1.85 : 1

    Contribuir a esta página

    Sugiere una edición o agrega el contenido que falta
    La nave del mal (1965)
    Principales brechas de datos
    By what name was La nave del mal (1965) officially released in India in English?
    Responda
    • Ver más datos faltantes
    • Obtén más información acerca de cómo contribuir
    Editar página

    Más para explorar

    Visto recientemente

    Habilita las cookies del navegador para usar esta función. Más información.
    Obtener la aplicación de IMDb
    Inicia sesión para obtener más accesoInicia sesión para obtener más acceso
    Sigue a IMDb en las redes sociales
    Obtener la aplicación de IMDb
    Para Android e iOS
    Obtener la aplicación de IMDb
    • Ayuda
    • Índice del sitio
    • IMDbPro
    • Box Office Mojo
    • Licencia de datos de IMDb
    • Sala de prensa
    • Publicidad
    • Trabaja con nosotros
    • Condiciones de uso
    • Política de privacidad
    • Your Ads Privacy Choices
    IMDb, una compañía de Amazon

    © 1990-2025 by IMDb.com, Inc.