Jinetes intrépidos

This movie is far from a classic of the western genre but, to use a far-fetched metaphor, watching it is like putting on a very comfortable pair of old, worn slippers. The story line is hardly earth-shaking - two modern day, never-quite-making-it, just-over-the-hill cowboys spend another year treading water in their line of work and wind up pretty much where they started, not that it matters a whole lot to them. But the story is worked out with just right the combination of charm, humor, pathos and whimsy to make it a thoroughly enjoyable hour and a half. The main key to the movie's success is the work of old hands Henry Fonda and Glenn Ford; their chemistry is just right, and a joy to watch. Also worth mentioning is the gorgeous cinematography of the western setting. This little charmer is minor gem of its type.

Glenn Ford and Henry Fonda star in this slowly paced but amiable picture of two modern cowboys who just drift through life. They are older but only in a chronological sense--as they drink, bust broncos and party through life. At the same time, there are a couple of women who want to get them to settle down and grow up--and this is the main theme throughout the film.

What works best in the film is the dialog--particularly the repartee between the two leads. While the film itself never really seems to go anywhere, it seems enough just to sit back and watch this relationship unfold. An odd but satisfying film.

So said the agreeable Henry Fonda to just about every suggestion Glenn Ford or other cast members made to him.

This the first of a series of very agreeable entertaining comic westerns that Burt Kennedy directed and/or wrote starring some of Hollywood's great but aging male stars. I think for the first and only time both Ford and Fonda play a pair of losers. They seem to forever be in financial bondage to their off-and-on employer Chill Wills. Wills just out-slickers Ford and Fonda just goes along with that line that must have been repeated about 8 times in The Rounders.

But their biggest problem comes from a white-faced roan horse that Wills has talked the gullible Ford into taking. The horse named "Old Fooler" has a streak of cunning malevolence that provides most of the laughs in this comedy. If there was a special award given to animals for performances Old Fooler should have won it in 1965. In fact that horse created his own acting genre, the animal anti-hero.

Burt Kennedy gave us a lot of good laughs starting in the mid60s with his films and this is one of the funniest.

Fans of Glenn Ford and Henry Fonda should enjoy this movie if for no other reason than to watch those two play off of each other. Two modern day cowboys Ben and Howdy (Ford and Fonda) hire out to break a wild horse for rancher Jim Ed Lowe(Chill Wills). They have worked for Jim Ed before and have little respect for him however as usual they need the money. What happens next is pure fun (for the viewing audience) with Sue Ann Langdon and Hope Holiday providing the love interest in the film. What that horse does to those two cowboys makes the movie well worth watching. The film is loaded with acting talent including Kathleen Freeman,Denver Pyle, and Edgar Buchanan all fine supporting characters and veterans of westerns. The actual stunt riding is handled by veteran Pro rodeo rider Casey Tibbs I believe though he may be directing other riders at times. I rate it excellent.

Glenn Ford and Henry Fonda are pals that corral horses, or whatever cowboy/rustlers do with horses. Round them up. But they don't ever seem to get ahead. Chill Wills gives a memorable performance, and almost steals the show, in his white suit as a rich owner of horses and land, but who's notoriously cheap and who has a way of talking them into working for him again, despite the fact Glenn said, never again. They always complain, especially Glenn, about working and never getting anywhere, but after a while you get the feeling, he's been the way he is all his life and he's just one of those who like things as they are, despite all his talk to the contrary. With a good cast, including Denver Pyle and Edgar Buchanan as two characters they try to give a wild horse to, and Sue Ane Langdon and Kathleen Freeman, this is one laid-back film that's short on story but is long on good company. "Whatever suits you just tickles me plumb to death." For good old fun with Ford and Fonda, just yourself a horse and hold on, tight.