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IMDbPro

Con los puños en el bolsillo

Título original: I pugni in tasca
  • 1965
  • Not Rated
  • 1h 50min
CALIFICACIÓN DE IMDb
7.6/10
5.4 k
TU CALIFICACIÓN
Con los puños en el bolsillo (1965)
Ver Trailer [OV]
Reproducir trailer1:42
1 video
21 fotos
Dark ComedyDrama

Un joven toma medidas drásticas para librar a su familia disfuncional de distintos problemas.Un joven toma medidas drásticas para librar a su familia disfuncional de distintos problemas.Un joven toma medidas drásticas para librar a su familia disfuncional de distintos problemas.

  • Dirección
    • Marco Bellocchio
  • Guionista
    • Marco Bellocchio
  • Elenco
    • Lou Castel
    • Paola Pitagora
    • Marino Masé
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.6/10
    5.4 k
    TU CALIFICACIÓN
    • Dirección
      • Marco Bellocchio
    • Guionista
      • Marco Bellocchio
    • Elenco
      • Lou Castel
      • Paola Pitagora
      • Marino Masé
    • 20Opiniones de los usuarios
    • 52Opiniones de los críticos
  • Ver la información de producción en IMDbPro
    • Premios
      • 4 premios ganados y 5 nominaciones en total

    Videos1

    Trailer [OV]
    Trailer 1:42
    Trailer [OV]

    Fotos21

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    + 13
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    Elenco principal16

    Editar
    Lou Castel
    Lou Castel
    • Alessandro
    Paola Pitagora
    Paola Pitagora
    • Giulia
    Marino Masé
    Marino Masé
    • Augusto
    Liliana Gerace
    • Madre
    Pier Luigi Troglio
    • Leone
    • (as Pierluigi Troglio)
    Jeannie McNeil
    • Lucia
    • (as Jenny Mac Neil)
    Irene Agnelli
    • Bruna
    Sandra Bergamini
    Celestina Bellocchio
    • Ragazza alla festa
    Lella Bertante
    Stefania Troglio
    • Cameriera
    Gianni Schicchi
    • Tonino
    Mauro Martini
    • Ragazzo
    Tino Molinari
    Gianfranco Cella
    • Ragazzo alla festa
    Alfredo Filippazzi
    • Dottore
    • Dirección
      • Marco Bellocchio
    • Guionista
      • Marco Bellocchio
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios20

    7.65.3K
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    10

    Opiniones destacadas

    8mikeburdick

    Dark and wonderful

    The Sixties was a time of breaking rules and exploring social themes and political ideas that weren't allowed to be expressed in the repressive Fifties. It was a Golden Era of Italian cinema, producing Antonioni's, Visconti's and Fellini's best films, along with so many gems like Olmi's "Il Posto", Germi's "Divorce: Italian Style" and Monicelli's "The Organiser." "Fists in the Pocket" stands out for its dark subject matter, which examines the mind of a sociopath.

    While this was not new ground—Clouzot's "Diabolique", Clement's "Purple Noon", Powell's "Peeping Tom" and Hitchcock's more lurid "Psycho" allowed us into the head of a killer—"Fists in the Pocket" portrays a much more nuanced character. What those films don't spend a lot of time on is the motivation behind their characters' actions, outside of their own amoral nature or perhaps some hinted trauma. In this film, while we certainly don't sympathise with the characters' actions, we clearly understand their motivations.

    The protagonist of the film is Sandro, but I'd argue that the main character is the family, since it's the family dynamic that drives all action in the film. Sandro and two of his three siblings have varying degrees of epilepsy, and all three grown children live with and care for their blind mother. There's a definite sense of claustrophobia and dread in this family, who all seem trapped by their own love for each other. Their desire to break free of their mother's control and the burden of caring for each other leads to plans being hatched and tragic consequences.

    It's quite an oddball story, almost Lynchian, but what makes the characters so utterly believable is the unpredictability of their behaviour, along with some excellent acting, particularly by Lou Castel, who allows us to see into his mind without saying a word. Add to that a soundtrack by Ennio Morricone and absolutely sublime photography—it's one of those rare films where you can frame almost every shot—and you've got one of the standout films from a standout period of filmmaking.
    10stededalus

    One of the best Italian movies ever!

    Marco Bellocchio directs his first full-length film, and it's already a masterpiece, a milestone in the history of Italian cinema.This movie is all about contemporary uneasiness and family crisis in today's society (only, some two decades in advance). Every time I hear of family massacres on the news, I've got to think about problematic, disturbed Lou Castel deciding to get rid of his mother and younger brother for the benefit of the eldest, embodying not only a stage of criminality, but above all a wrong philosophy, a twisted point of view about life, a failed maturity. Ennio Morricone' score is just perfect, fully successful in his aim to highlight the dramatic potential of the story. Lou Castel has never acted like this, his grimacing and his usage of the dead moments are unforgettable. The frames of the mother's death are like an howl, they "send shivers down your spine". A must-see.
    8lastliberal

    What torture, living in this house!

    This first effort by writer/director Marco Bellocchio has been called a drama by some, and a horror film by others. It is both. It is neither.

    It is a view of a dysfunctional family. I almost had the impression they cam from a long line of incest like The People Under the Stairs. One wants to get away, another has epilepsy, the mother is blind, one seems to be developmentally disabled, and the last, Giulia (Paola Pitagora)is really not classifiable, but she sure seems to spend a lot of time very close to her brother Ale (Lou Castel).

    Ale feels sorry for his older brother, Augusto (Marino Masé) and hatches a plan to drive the rest of the family, including himself off a cliff so his brother can get on with his life.

    His plan fails, so he starts doing them in one by one.

    Watching him is mesmerizing. You just have to see what he is going to try next. In the meantime, the family just acts as crazy as you would expect.

    Bellocchio went on to direct many more great films including A Leap in the Dark, The Prince of Homburg, and The Religion Hour. It is amazing his first was so good.
    8MOscarbradley

    Perhaps not the masterpiece some claim of it but essential nevertheless.

    The family in Marco Bellocchio's startling debut "Fists in the Pocket" make the Femms of "The Old Dark House" seem normal. These indolent Italians laze around all day taunting each other at every opportunity while son Allessandro, (a truly terrific Lou Castel), contemplates the best ways to rid himself of the others, including his blind mother, for the sake of the one brother he cares about. This darkly funny satire wasn't like other Italian films of the time, taking an almost putrid look at the family values Italians hold most dear; a comedy about matricide, fratricide and possible incest that actually manages to be quite touching at times. It's also a movie that takes its time. For a director making only his first feature, Bellocchio bravely put narraitve on the back-burner opting instead for an atmosphere as lazy as his characters and killing off a number of sacred cows in the process. The Establishment hated it while young critics loved it though not enough to make it anything other than a cult movie and it's seldom revived. Perhaps its reputation outweighs its numerous qualities but however you look at it, it's a one-off and well worth seeing.
    8guisreis

    Increasingly disturbing

    Beautifully filmed, with nice cinematography and camera movements, mostly in indoor footage, the novienis also interesting in its unique subject. While the development of the story is perhaps too slow in the beginning (although with some grat scenes), the film becomes incrisingly disturbing. Hatred for family, order and tradition is portrayed as aiming a final solution - if you understand what I mean... All members of the family (in different ways, all of them are overly self-centred) are well developped in their dysfunctional relationship, phisically represented in blindness, intellectual disability and epilepsy. Curiously, a "handicapped" himself is moved by a creepy cleansing impulse. Even his closest person, his beautiful sister, with whom he has a complicity relatiinship, is not out of danger.

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    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      The house, the film's main location, is the house director Marco Bellocchio spent his childhood days in.
    • Errores
      When the whole family is having dinner, Augusto is seated at one corner of the table and the mother is sitting on a side at the other corner. The cat is shown to be eating meat off the mother's plate in one scene, but in the next scene Augusto is shown picking up the cat as if was right next to him on the table. Once he removes the cat, the next camera angle again shows Augusto and the mother at opposite ends.
    • Citas

      Alessandro: I'm a volcano of ideas.

    • Conexiones
      Edited into Sorelle (2006)
    • Bandas sonoras
      Excerpt from La Traviata
      composed by Giuseppe Verdi (uncredited)

      lyrics by Francesco Maria Piave (uncredited)

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    Preguntas Frecuentes17

    • How long is Fists in the Pocket?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 3 de julio de 1969 (México)
    • País de origen
      • Italia
    • Sitios oficiales
      • Ad Vitam Distribution (France)
      • Criterion - articles
    • Idiomas
      • Italiano
      • Latín
    • También se conoce como
      • Fists in the Pocket
    • Locaciones de filmación
      • Località Punto Sotto, SP461, Bobbio, Emilia-Romagna, Italia(villa)
    • Productora
      • Doria
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 50 minutos
    • Color
      • Black and White
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 1.85 : 1

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