Paraiso hawaiano

Paradise, Hawaiian Style is the second of three films Elvis Presley filmed in Hawaii. What a lucky guy, three trips to Hawaii for free at Paramount's expense. Good a reason as any to visit the islands.

Elvis plays a pilot who gets together with good buddy James Shigeta to form a helicopter touring and freighting service. Shigeta takes care of the business end of the business and Elvis both flies and charms his way into the hearts of various local beauties to plug his service at the hotels they work at.

Funniest thing in the movie is Elvis trying to fly a helicopter with about five dogs running around with their ditzy owner as well, miracle he wasn't killed. The owner insists they not go in doggie carriers and Elvis, desperate for business, is the only pilot to agree with that insanity.

Paradise, Hawaiian Style is not as good as Blue Hawaii, the songs he sings here are markedly inferior. But I like the film because a lot of it was shot at the Polynesian Cultural Center in Northern Oahu. Some might recognize the film music used when Elvis makes his first appearance there. It's the famous theme from Donovan's Reef, also shot in Hawaii and another favorite of mine.

That center was the highlight of the attractions I saw in the Aloha State and should not be missed by any tourists.

Another reviewer said the film must have been a deal with the Hawaiian Tourism Board with all the beautiful outdoor location shooting. Good a reason as I've ever heard to watch a film.

If you were Elvis and had to make this sort of film time and time again, you'd have been on drugs too. "Paradise, Hawaiian Style" can easily be confused with "Blue Hawaii" - both take place in Hawaii, both are about the travel business, both have women in them. But there are differences. Elvis was drop-dead gorgeous in "Blue Hawaii," there were some great songs, and it had Angela Lansbury in the cast.

By the time this movie was made, Elvis looked out of it and he was stuffed into a tapered shirt. Back in the old days, they used to teach actors to pull their stomachs in when standing in profile. No one told Elvis. In some scenes, he looks as if he doesn't know where he is.

There is no plot, just dazzling scenery. The songs are rotten. Donna Butterworth as the daughter of James Shigeta is excellent - what a voice. James Shigeta is good as well. There are a few good scenes - the one in the helicopter with the dogs is one. I'm sure I can think of more... The excuses for Elvis to burst into song are tragic.

It's amazing how such an important career was peppered with so many unimportant films, thanks to his management, i.e., Colonel Parker. Elvis could have dumped him and gone to anyone in the world, but he was a hillbilly with enormous gifts, belief in his own power not being one of them. He was confident with his music, but he was superstitious and felt he couldn't make without Colonel Parker. It's a shame - as brilliant a career as Elvis had, it could have been so much more. He could have toured Europe and Japan, for instance - if only Colonel Tom wasn't in the country illegally. And he could have made better movies. The offers were there, but Colonel Tom was afraid of losing control.

So Colonel Tom held a tight rein on Elvis. "Paradise, Hawaiian Style" is one example of his brilliant management of one of the greatest talents that ever existed. Proceed at the risk of being hulaed to death.

A classic Elvis formula escapade. Producer Hal Wallis, with whom Elvis and his manager, Colonel Tom Parker, had a non-exclusive contract, had publicly admitted, around the time of Roustabout (1964), that he was skimming the reliable profits from his Elvis pictures to fund what he considered more serious artistic endeavours. Elvis himself, by all accounts, remained consistently well-mannered, cooperative, and thoroughly professional, in spite of his own career frustrations. He deserved better.

Having said that, Paradise, Hawaiian Style, a nice, enjoyable and undemanding film, in great colour, and with fantastic scenery. In places, it seems to be more of a star vehicle for the talented child actor and singer, Donna Butterworth, with Elvis consigned to a supporting role. I wonder what Colonel Parker made of that?

This was a movie that I watched primarily because of the photography of 1960s Hawaii. In the opening scene, there's a great pan of Diamond Head all the way to the Ilikai hotel. If you spend much time in Hawaii, you'll notice hotels that don't exists yet and several that are even being built during the filming of this movie. Specifically, you can see the Outrigger Waikiki under construction as well as what is now known as the Resortquest Waikiki Beach. Ironically, the Resortquest Waikiki Beach is now an Elvis era themed hotel. The Sheraton Waikiki is an empty lot.

Another really neat observation is the scene at the beach park near Chinaman's hat. It is literally timeless! The beach looks the same today as it does in the movie. Almost everything else has changed in many ways.

The film won't be an example of great acting and certainly the plot leaves a lot to be desired. On the other hand, it's fun to see the island from 40 years ago. Even Kalakaua Ave is a two-way street!

I have never commented on Elvis Presley although I like his musical style now more than ever compared to the loud hysterical noise we have today. I saw this movie yesterday on AMC TV and by golly it was a good entertaining movie, songs were good, the thin story line was decent, and the Hawaii scenery beautiful and gorgeous; what a backdrop for any musical! Elvis was the only famous character in it, but it was so enjoyable, I could see it again! I thought Elvis was good also in that movie "Love Me Tender", but all the others were just so-so.