Ataque y retroceso

So many remakes get produced these days, and so many of those turn out to be HORRIBLE decisions. Here is a screenplay that, with just a wee bit of work and a reasonable budget, could be made into one fine film. As it stands, this is an uneven picture with many moments of sheer brilliance. The saber-charging Cossacks are a terrifying lot. The scream of the rockets over the horizon, even with the deficient mono soundtrack, is truly hair-raising, especially considering the limited technology and budget that must have been available in that time and place. Other reviewers have objected to the heroic status conveyed to the Russians, both combatant and non-. Well, some of them WERE heroes, and but for their heroics there would have been a lot more Nazis for US to fight! I'm sorry if that upsets those laboring under neo-con delusions out there, but too bad for you.

And there was certainly no shortage of heroes, and victims, among the ranks of the Italians. If you ever visit Italy, tour some of the little villages in the countryside. In the town square you'll often find an ornate statue dedicated to their World War I dead, usually five or six names, or maybe a few more, depending on the size of the town. Somewhere near you'll typically find a simple block of granite bearing the names of their sons who never came back from North Africa, Greece, and the Eastern Front in the next war, names that may number in the dozens or even hundreds. Just as the story of Corelli's Mandolin deserves to be told correctly, so does this one.

Most folks don't know that the Italians had over 80,000 troops in Russia during WWII, and fewer know that most of them died or were captured during the retreat in the dead of winter from Stalingrad.

This movie does an excellent job of showing the life of an (any) average soldier in any army- the grunts, the footsloggers, the cannon fodder. The few officers shown (the exception being the colonel in charge of the unit) are far from heroic, being either cowards or incompetents.

Shot in stark black and white, this movie personalizes war in a way that hagiography's such as "Patton" or extravaganza's like "The Longest Day" absolutely failed to do. If anything, this is like a (much) shorter version of "A Band Of Brothers"- it is that good.

As stated by other commentators, nothing good happens to anyone in this movie- it is real-life film noir. Good, bad, indifferent, everybody suffers. This is what a war movie made by, if not Jules Dassin or Robert Siodmak, than Richard Fleischner or Felix Feist would look like.

It is not all gloom and doom however. The scenes which take place during the advance through the Ukraine in the spring and summer are light, and reveal the soldiers attitude of "What are we doing here?" and contrasts them well with the occasional appearance of a Nazi official or an officer of the Wehrmacht.

For those interested, read "Few Returned" by Eugenio Corti, an Italien officer who was one of the few to escape the destruction of the Italian Expeditionary Force on the steppes of Russia, and for an Italian's view of their erstwhile "ally", I recommend "Kaput" by Curzio Malaparte, an Italian journalist who witnessed at first hand the savagery of the Nazi occupation in Poland and points east.

I saw this many, many years ago under the title "Attack and Retreat". It is about the Italian participation in World War II on the Eastern Front - where Mussolini sent soldiers to die for his own grandiose vision of himself as an equal partner in German conquest.

I'm not able to recall many details, but there are a number of remarkable scenes that stand out in my memory. One was of a young soldier and a Russian girl in a field of high wheat. Quiet bullets whisper through the windblown stalks in deadly counterpoint to the young love of the boy and girl. In another scene Peter Falk, looking very small and lonely in a bleak and forbidding landscape of snow and ice, struggles to get to the rear while artillery rockets streak through the sky behind him. In still another scene, an Italian guard plays the Internationale on his harmonica to show some human solidarity to a group of Russian civilian prisoners. A mocking German guard demands that the prisoners sing, and a singer stands up to sing.

Shot in very striking black and white, it was an effective antiwar and anti-fascist film with powerful visuals and a strong message of humanity.

I liked it very much and wish it were shown more often.

Saw this movie only once, in the late 60's. I still remember it quite clearly. A close-up, unflinching look at the horror and futility of war. The endless, bleak Russian steppes, the shattered cities, the ice-bound winter landscapes, all combine to show how hopeless the German invasion was.

The winter retreat is one of the most frightening and depressing scenes in the movie, but it is just one of several. The film follows several characters through the war in interwoven threads, and each one is memorable.

I am eager to see this on video.

A leftist version of the Fascist Mussolini's death sentence of his undergunned,unmotivated (generally) cannon fodder on the Eastern Front. Being made with the cooperation of the then Soviet government,the Russkies get all the sympathetic colors while the doomed Italians come off as unenlightened peasants who hadn't been shown the Marxist Way. They get walked over in the final battle scenes by the Noble Soviets including some Cossacks in a saber charge against the retreating Germans and Italians. I told my friend who was watching it with me that things like this did happen on the Eastern Front but any coherent unit could envision horsemeat in the mess plate. Unlike Cross of Iron or the German movie Stalingrad a very weak and very prejudiced look at the hell that was combat in WWII Russia. Unlike Paths of Glory or Breaker Morant doesn't have universal anti war message but comes across as weak attempt to show WAR IS HELL but winds up a dull movie on the subject a purgatory to watch.