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IMDbPro

Intimidades de una adolescente

Título original: Inside Daisy Clover
  • 1965
  • Approved
  • 2h 8min
CALIFICACIÓN DE IMDb
6.1/10
4.4 k
TU CALIFICACIÓN
Natalie Wood in Intimidades de una adolescente (1965)
Ver Official Trailer
Reproducir trailer3:32
1 video
59 fotos
DramaMusicRomance

Agrega una trama en tu idiomaA tomboy turned movie star deals with the cruelty of Hollywood.A tomboy turned movie star deals with the cruelty of Hollywood.A tomboy turned movie star deals with the cruelty of Hollywood.

  • Dirección
    • Robert Mulligan
  • Guionista
    • Gavin Lambert
  • Elenco
    • Natalie Wood
    • Christopher Plummer
    • Robert Redford
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.1/10
    4.4 k
    TU CALIFICACIÓN
    • Dirección
      • Robert Mulligan
    • Guionista
      • Gavin Lambert
    • Elenco
      • Natalie Wood
      • Christopher Plummer
      • Robert Redford
    • 91Opiniones de los usuarios
    • 37Opiniones de los críticos
  • Ver la información de producción en IMDbPro
    • Nominado a 3 premios Óscar
      • 2 premios ganados y 4 nominaciones en total

    Videos1

    Official Trailer
    Trailer 3:32
    Official Trailer

    Fotos59

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    + 51
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    Elenco principal37

    Editar
    Natalie Wood
    Natalie Wood
    • Daisy Clover
    Christopher Plummer
    Christopher Plummer
    • Raymond Swan
    Robert Redford
    Robert Redford
    • Wade Lewis…
    Ruth Gordon
    Ruth Gordon
    • The Dealer - Mrs. Clover
    Roddy McDowall
    Roddy McDowall
    • Walter Baines
    Katharine Bard
    Katharine Bard
    • Melora Swan
    Peter Helm
    Peter Helm
    • Milton Hopwood
    Betty Harford
    Betty Harford
    • Gloria Clover Goslett
    John Hale
    • Harry Goslett
    Harold Gould
    Harold Gould
    • Cop on Pier
    Ottola Nesmith
    Ottola Nesmith
    • Dolores
    Edna Holland
    Edna Holland
    • Cynara
    John Barrymore
    John Barrymore
    • Self
    • (material de archivo)
    • (sin créditos)
    Humphrey Bogart
    Humphrey Bogart
    • Self
    • (material de archivo)
    • (sin créditos)
    John Breen
    • Crew Member
    • (sin créditos)
    Boyd Cabeen
    • Crew Member
    • (sin créditos)
    Dee Carroll
    Dee Carroll
    • Mrs. Clover's Nurse
    • (sin créditos)
    Fred Curt
    • Acrobat in Circus Number
    • (sin créditos)
    • Dirección
      • Robert Mulligan
    • Guionista
      • Gavin Lambert
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios91

    6.14.4K
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    Opiniones destacadas

    roobozart

    Dearheart vs The Prince of Darkness

    It's always amazed me that this movie doesn't get more respect--sure it's campy, but the performances are fantastic: Christopher Plummer's speech to Daisy by the pool after she's been abandoned by her new husband (a super young Robert Redford playing a gorgeous pansexual for God's sake--what more could a person ask?) is stunning and Natalie Wood's "The Circus is a wacky world"-induced breakdown in the sound booth is brilliant and scary. Roddy McDowell's killing smile as he says "Good night, Miss Clover." Redford getting away with lines like "Good night, sweet, sad, lonely lady" and a drunken Malora (great name) screaming at Daisy "They say I've got a headache, BUT I'VE GOT A HEARTACHE!!!" The gorgeous black and white promotional video of Daisy singing and bouncing her way through the cardboard galaxies. All incredible stuff--why isn't this on DVD yet? Wake up, Hollywood, and give us this treasure on DVD!
    8ferbs54

    The Gal Really COULD Act!

    Last night I had the pleasure of watching my third Natalie Wood film of the week, and it was 1965's "Inside Daisy Clover," which I had never seen before. In this one, Natalie lives with her senile mother (Ruth Gordon, in her first picture since the '40s) in a little shack on Angel Beach, California. She sends a recording of herself singing to studio head Raymond Swan (Christopher Plummer...yes, in the same year that he appeared in "The Sound of Music"...quite a year for him), who sees something in her and turns her, practically overnight, into "America's Valentine," and a movie sensation. Daisy soon starts to realize that the Hollywood life has its perils and pitfalls, and eventually marries another popular star, Wade Lewis (the ridiculously, almost angelically handsome Robert Redford), who turns out to be gay, or at least wildly bi. A nervous breakdown of sorts and a run-in with the satanic Swan lead to a suicide attempt for poor Daisy, before she sees the light. Anyway, this film is not as great as I was hoping it would be, but is still pretty darn good. Like 1963's "Love With the Proper Stranger"--another Natalie film, and one that I watched the other day--it was directed by Robert Mulligan, but is not as fine as that earlier film. And it is not as fine, I thought, as the film that Natalie and Redford appeared in the following year, "This Property Is Condemned." Still, as I say, it does have much to offer. The promotional film that introduces Daisy is a wowser, filled with amazing special FX (especially for the mid-'30s), although the song that Daisy sings in it hardly sounds as if it comes from that era; it almost sounds like a 1960s Vegas lounge act kind of number. As would be expected, Natalie and the other performers are all aces. Almost forgot to mention that Roddy McDowall is in here also, playing Swan's unctuous assistant. All in all, great fun, if nothing classic, but so good to see Natalie once again proving the critics wrong. The gal really COULD act!
    mvk0016

    The Hollywood industry against itself!

    Inside Daisy Clover is not just any movie about a wanna-be-star that has her dream come true and in the process witnesses the changes and corruption that bring her to the top. It is a movie about the movie industry itself. Actually it is the BEST movie that Hollywood has ever made about itself. Natalie Wood stars as the 15-year-old child star and manages to pull it through. She is a lot older and we all know, but there are times when just a look or a smile of hers can be nothing but as close to childhood as an adult actress could ever get. On the other hand we have Robert Redford, the young careless and unsteady lover that lifts everyone he meets to the sky and then dumps them to the ground leaving in his passage something more than pain: the realization that what is inevitable will happen and we all know it from the beginning. Somehow we wish it were different but it isn't and the end offers the only solution that could close such a movie without destroying its unique feeling. Redford's role is undoubtedly the greatest of his career. He is so young, strong and handsome that no one can resist him. And yet, there is a lot more hidden beneath his nice facade than anyone could ever think possible. Somehow he is a tortured character that finds content in hurting others but still he does it in such a way that you can't but admire him. Even the most fanatic feminist can try to persuade me he isn't the most charming - and at the same time cryptic - character even written for the big screen but the truth remains the same: like Michael Caine in Alfie we'd love to hate him but we can't! I must say the end is not exactly as dark as I would have expected it given the fact that we all know Daisy's path goes only downhill from the moment she meets Wade (Redford) but the queer thing (and what makes it a little unbelievable and lame) is that she manages to survive in such a random way that even the viewer wouldn't want her to. But that's the beauty of it all!
    7kwindrum

    Unclassifiable, odd film

    This movie often seems surrealistic, sometimes comic, sometimes despairing and it has musical numbers which come from another dimension entirely--they are a mix of Busby Berkeley and 1960s design. The film seems like an eccentric comedy at first with 15 year-old tomboy Daisy (Natalie Wood) and her wacky mother (Ruth Gordon) both competing over who can chew scenery faster. Suddenly, she's plucked by sinister studio head Christopher Plummer and turned into a star. The studios of the time were certainly often sinister, but I found the dispatch of Ma Clover to the mental institution a bit of a stretch. The film has other implausible moments plus a tone of anachronism as the songs, by Andre and Dory Previn, are 1960s Broadway in style. Many scenes of loneliness and isolation--a strangely deserted Santa Monica pier,an empty desert motel, a studio that always seems empty, even the sound stages seem empty. You rarely see the bustle you expect in a film set at a studio or in Hollywood. This is an odd, fascinating, 1/2 successful film.
    7bbrebozo

    Quirky but Fun

    I remember this movie was highly publicized in the 1960s, but it had no appeal to me then as a teenager. As an adult, however, I was pleasantly surprised. Natalie Wood plays an oddball 15-year-old. It took every ounce of her acting skills, since she was nearly 30 when she made the film. And it requires a willing - heck, make that mandatory - suspension of disbelief on the viewer's part. But it's worth it.

    Wood plays against type, since she's not the suave glamor princess she usually played in other movies. And the movie itself is pretty odd, particularly in a scene where Wood's character has to repeatedly over-dub a musical number. And somewhat shockingly, during the otherwise serious dramatic arc of Inside Daisy Clover, you will suddenly be treated to several minutes of what is - at least in my dark-humor-loving eyes - one of the funniest, laugh-out-loud suicide scenes I've ever seen.

    Particularly if you're a Natalie Wood fan, this film is quirky, fun, and worth watching.

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    Argumento

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    ¿Sabías que…?

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    • Trivia
      Most of Natalie Wood's singing voice was dubbed by vocalist Jackie Ward. However, Wood herself sings the intro to "You're Gonna Hear From Me" for the screen test version of the tune.
    • Errores
      In the opening scene, Natalie Wood's character, Daisy Clover, leans back on what is supposed to look like a cement wall of graffiti. When she leans back, the wall leans with her to reveal it is made of fabric.

      The wall in question is not concrete; it is actually a painted plywood wall of one of the many ramshackle buildings that lined the Santa Monica pier, so it makes perfect sense that it "gives" a little when Daisy leans back against it.
    • Citas

      Cop on Pier: You waited seven years to report your husband's disappearance?

      The Dealer - Mrs. Clover: I only started to miss him this morning.

    • Conexiones
      Featured in Here's Looking at You, Warner Bros. (1993)
    • Bandas sonoras
      You're Gonna Hear from Me
      (uncredited)

      Written by André Previn

      Lyrics by Dory Previn

      Performed by Natalie Wood (dubbed by Jackie Ward)

      Played and sung often throughout the picture

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    Preguntas Frecuentes17

    • How long is Inside Daisy Clover?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 12 de octubre de 1967 (México)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • También se conoce como
      • Inside Daisy Clover
    • Locaciones de filmación
      • Santa Monica Pier, Santa Mónica, California, Estados Unidos(pier and carousel scenes)
    • Productoras
      • Park Place Production
      • Warner Bros.
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

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    • Presupuesto
      • USD 4,500,000 (estimado)
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

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    • Tiempo de ejecución
      2 horas 8 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 2.35 : 1

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