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Frankie no confía en que Dee Dee le sea fiel, así que contrata a Bwana, un brujo, para que le ayude. Bwana conjura un bikini flotante, lo "rellena" con Cassandra y la envía a distraer al eje... Leer todoFrankie no confía en que Dee Dee le sea fiel, así que contrata a Bwana, un brujo, para que le ayude. Bwana conjura un bikini flotante, lo "rellena" con Cassandra y la envía a distraer al ejecutivo publicitario Ricky de Dee Dee.Frankie no confía en que Dee Dee le sea fiel, así que contrata a Bwana, un brujo, para que le ayude. Bwana conjura un bikini flotante, lo "rellena" con Cassandra y la envía a distraer al ejecutivo publicitario Ricky de Dee Dee.
- Dirección
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Bobbie Shaw Chance
- Khola Koku
- (as Bobbi Shaw)
- Dirección
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Opiniones destacadas
The review above regarding Mickey Roony touching the actresses' breast was true. The actress was Sue Willliams and she was a Playboy playmate. She was the first Playmate to get breast implants, so I don't know if Mickey did it on purpose or not. In any case it should have been caught. If you watch her act her small part thru out the movie she really tried to be noticed and shine. Sadly she was also the first Playmate to take her own life, September 2,1969. She was only 23. She was called Peanut in the movie and in real life she was only 4' 11". Sue acted in several of these types of movies and then it seems the parts dried up which may have led to her depression.
This is the final film to feature Frankie Avalon and Annette Funicello as Frankie and Dee Dee, and it is also the worst. Avalon had grown weary of playing an over-aged teen-ager and wanted to do something more with his career and at the same time Annette Funicello had recently married and was starting a family. In fact, Ms. Funicello was very pregnant at the time the film was released. Also, Avalon was in the middle of filming Sgt. Deadhead and couldn't appear in the entire film. The solution, bring in Dwayne Hickman as Rick, an advertising executive, to keep Dee Dee busy while Frankie was off on military duty. This was a big mistake. These best thing about the "Beach Party" films was the chemistry between Avalon and Funicello and this film falls flat on its face because the two are on screen together for only a minute (not counting the duet they sang via split screen). After this film was completed, the two retired from the genre, Avalon to attempt more serious roles and Funicello to raise her family. However, Samuel Z. Arkoff tried to keep the series rolling a couple of more years before he finally gave up the ghost, and not the one in the invisible bikini.
This was the last of American-International's beach musicals that starred Frankie Avalon and Annette Funicello (although they'd try to continue for a few films without these two). Frankie and Annette are barely together even in the film--Frankie is more of a cameo than a major character in the plot.
Intriguingly, this musical is filled with "book numbers"--where the characters sing when they should be talking. Usually, the beach party movies just had people asking Frankie or Annette to sing at a party or at a nightclub. So, that's a change. The problem is that the songs aren't anything to write home about.
Further, the film betrays why the beach movies were losing their popularity: the surfing fad was being supplanted by a renewed interest in motorcycle culture. Only a year or two later, American-International would be making films like "The Wild Angels." This is a problem for a series where the stock antagonist, Eric Von Zipper, is a parody of Marlon Brando's biker hood in "The Wild One" (1954). The film shows a renewed interest in cycles--Annette's romantic interest, Harvey Lembeck, is an avid motorcyclist. The film tries to deal with this by transforming Von Zipper from a biker into the stereotypical 60s junior executive (a la "How to Succeed in Business"). But, you can see the structure starting to fall apart here.
There are fun moments though--particularly the opening credits (clay animation done by Art Cloakey, the creator of Gumby), and the wacky motorcycle race at the end of the film. Lastly, there's a fun cameo at the very end of the film by producer William Asher's wife...
Intriguingly, this musical is filled with "book numbers"--where the characters sing when they should be talking. Usually, the beach party movies just had people asking Frankie or Annette to sing at a party or at a nightclub. So, that's a change. The problem is that the songs aren't anything to write home about.
Further, the film betrays why the beach movies were losing their popularity: the surfing fad was being supplanted by a renewed interest in motorcycle culture. Only a year or two later, American-International would be making films like "The Wild Angels." This is a problem for a series where the stock antagonist, Eric Von Zipper, is a parody of Marlon Brando's biker hood in "The Wild One" (1954). The film shows a renewed interest in cycles--Annette's romantic interest, Harvey Lembeck, is an avid motorcyclist. The film tries to deal with this by transforming Von Zipper from a biker into the stereotypical 60s junior executive (a la "How to Succeed in Business"). But, you can see the structure starting to fall apart here.
There are fun moments though--particularly the opening credits (clay animation done by Art Cloakey, the creator of Gumby), and the wacky motorcycle race at the end of the film. Lastly, there's a fun cameo at the very end of the film by producer William Asher's wife...
"How to Stuff a Wild Bikini" is almost a pretty good movie. It looks good and has a game cast. It's just a little too dumb to really enjoy. There aren't any real laughs. There are quite a few almost laughs. There are a lot of songs but they are all pretty bad. The only thing the songs have going for them is that they are short, very short. I managed to watch all of "How to Stuff a Wild Bikini" but I don't think I'll be revisiting it anytime soon.
The second to last Beach Party movie. In this one Frankie Avalon is separated from Annette Funicello by being in the Naval Reserve. While on an island he gets a witch doctor (Buster Keaton!) to see if Annette is being faithful to him. Keaton sends a pelican (???) to spy on Annette. Meanwhile handsome, attractive Ricky (Dwayne Hickman) is hitting on her. Then there's Mickey Rooney looking for the boy next door and girl next door for an ad campaign.
Even for a beach party movie this is pretty desperate. Funicello looks way too old to be hanging out at the beach (and her pregnancy is clearly visible); the dialogue is more inane than usual; the songs are (to be nice) terrible; the jokes are stubbornly unfunny; Hickman is as bland as they come (even worse than Chris O'Donnell); Harvey Lembeck returns as the incredibly unfunny Eric von Zipper; the "comical" motorcycle race at the end is incredibly stupid; and it's kind of sad seeing Keaton and Rooney reduced to this. Still, this is kind of fun in a silly sort of way. It's not even remotely good but I kept watching. The Claymation opening is fun and I did laugh out loud at the "Bewitched" joke at the end. Also this is perfect for young kids. So it's not good but it's harmless. It's certainly better than the next (and last) beach party movie "Ghost in the Invisible Bikini"!
Even for a beach party movie this is pretty desperate. Funicello looks way too old to be hanging out at the beach (and her pregnancy is clearly visible); the dialogue is more inane than usual; the songs are (to be nice) terrible; the jokes are stubbornly unfunny; Hickman is as bland as they come (even worse than Chris O'Donnell); Harvey Lembeck returns as the incredibly unfunny Eric von Zipper; the "comical" motorcycle race at the end is incredibly stupid; and it's kind of sad seeing Keaton and Rooney reduced to this. Still, this is kind of fun in a silly sort of way. It's not even remotely good but I kept watching. The Claymation opening is fun and I did laugh out loud at the "Bewitched" joke at the end. Also this is perfect for young kids. So it's not good but it's harmless. It's certainly better than the next (and last) beach party movie "Ghost in the Invisible Bikini"!
¿Sabías que…?
- TriviaFeatures the only big screen appearance by The Kingsmen, famous for their hit version of "Louie Louie". Decked out in matching yellow blazers, the band did not perform that song and instead performed "Give Her Lovin'".
- ErroresAt the start of the road race, the starter has a green flag. When we cut away to the stock footage, the starter has a red flag.
- Citas
Bwana: Tell sailor boy, Dee Dee teetering.
Native Girl: I wish I could tell him she tottered.
- Créditos curiososClaymation opening credit sequence devised by Gumby-creator Art Clokey.
- ConexionesFeatured in The 50th Anniversary of the Bikini (1996)
- Bandas sonorasHow to Stuff a Wild Bikini
(uncredited)
Words and Music by Guy Hemric and Jerry Styner
Performed by John Ashley and the Cast
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- How long is How to Stuff a Wild Bikini?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- Начинка для дикого бікіні
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución1 hora 33 minutos
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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What is the English language plot outline for How to Stuff a Wild Bikini (1965)?
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