Drácula, el príncipe de las tinieblas
Título original: Dracula, Prince of Darkness
CALIFICACIÓN DE IMDb
6.6/10
12 k
TU CALIFICACIÓN
Drácula resucita y ataca a cuatro visitantes desprevenidos en su castillo.Drácula resucita y ataca a cuatro visitantes desprevenidos en su castillo.Drácula resucita y ataca a cuatro visitantes desprevenidos en su castillo.
- Dirección
- Guionistas
- Elenco
Charles 'Bud' Tingwell
- Alan
- (as Charles Tingwell)
Peter Cushing
- Doctor Van Helsing
- (material de archivo)
- (sin créditos)
Alistair Dick
- Monk
- (sin créditos)
Lee Fenton
- Monk
- (sin créditos)
George Holdcroft
- Monk
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
(76%) A brilliant sequel and a true horror classic that every horror fan should watch at least once. The first unlucky victims murder is really quite strong and brutal, and when one takes into account the 1966 release date it must have really shocked a lot of people back in the day. A great film with top direction and fantastic set design, only let down by the lack of Peter Cushing and the poor decision not to give any lines at all to Christopher Lee, I kind of see what they were going for, but Lee should have been treated a lot better and given something to say. Dracula spoke a lot in the book so there is little reason to mute him here, still a solid movie though and worthy of anyone's time.
There is a cult in this world that are die-hard fans of Hammer films and "Dracula: Prince of Darkness" is another one to whet your appetite. Hammer Studios made their reputation in the horror film genre and all the films have a cetain look that is their trademark. The sets are rather lavish, it always seems to be winter and Christopher Lee or Peter Cushing are lurking around somewhere.
This film, missing Mr. Cushing, is probably one of the best of the "series". The charismatic Mr. Lee, however, does not utter a word and has fairly limited screen time which may dismay some fans. But he is still menacing and still biting necks with abandon. The story centers more around the 4 travelers and the priest (very well played by Andrew Keir). As usual, the innocents in the film stay at a castle which they have been warned to avoid by half the population of Transylvania. And then they pay the price. One scene worth mentioning, which is a little more gory than most in films of the 1960's is the discovery of Charles Tingwell, hanging upside down like a side of beef in the basement. You might jump at little at that point. But generally the film pretty much sticks to the Hammer formula.
So, if you are a Hammer fan, this one's for you. If you are not a Hammer fan, don't think for a moment that the story resembles Bram Stokers "Dracula"........well, maybe the fly eating Thorley Walters, modeled on the Renfield character from the book. Howevwer, it is a satisfying entry in the Hammer oeuvre and worth a watch.
This film, missing Mr. Cushing, is probably one of the best of the "series". The charismatic Mr. Lee, however, does not utter a word and has fairly limited screen time which may dismay some fans. But he is still menacing and still biting necks with abandon. The story centers more around the 4 travelers and the priest (very well played by Andrew Keir). As usual, the innocents in the film stay at a castle which they have been warned to avoid by half the population of Transylvania. And then they pay the price. One scene worth mentioning, which is a little more gory than most in films of the 1960's is the discovery of Charles Tingwell, hanging upside down like a side of beef in the basement. You might jump at little at that point. But generally the film pretty much sticks to the Hammer formula.
So, if you are a Hammer fan, this one's for you. If you are not a Hammer fan, don't think for a moment that the story resembles Bram Stokers "Dracula"........well, maybe the fly eating Thorley Walters, modeled on the Renfield character from the book. Howevwer, it is a satisfying entry in the Hammer oeuvre and worth a watch.
Dracula (Christopher Lee) rides again in yet another Hammer entry in the Dracula franchise. This film is enjoyable horror hokum, but it has an awfully shallow story, fleshed out with a slow opening stretch and some amusing vampire lore in between the sporadic vampire attacks.
Four British travellers are journeying through the Carpathian Alps in the 1800s. They are repeatedly cautioned to steer clear of Carlsbad Castle but, being typically stuffy and stubborn, they end up going there anyway. The castle is deserted apart from a rather zombified manservant. During the night, one of the travellers is slain by the manservant, and his blood is used to resurrect the long-dead Count Dracula. Time for another bout of blood-sucking mayhem....
Christopher Lee has a small role this time around, but gets across a good performance due to his commanding presence in the title role. Andrew Keir is also good as a priest-cum-vampire-slayer, though he has to overcome some dumb dialogue. The slow build-up is rather damaging, as it generates more tedium than chills. The opportunities for real terror are somewhat fudged too, since most would-be "shock" moments are telegraphed too far in advance. However, Hammer buffs and vampire addicts will doubtless feel more than satisfied.
Four British travellers are journeying through the Carpathian Alps in the 1800s. They are repeatedly cautioned to steer clear of Carlsbad Castle but, being typically stuffy and stubborn, they end up going there anyway. The castle is deserted apart from a rather zombified manservant. During the night, one of the travellers is slain by the manservant, and his blood is used to resurrect the long-dead Count Dracula. Time for another bout of blood-sucking mayhem....
Christopher Lee has a small role this time around, but gets across a good performance due to his commanding presence in the title role. Andrew Keir is also good as a priest-cum-vampire-slayer, though he has to overcome some dumb dialogue. The slow build-up is rather damaging, as it generates more tedium than chills. The opportunities for real terror are somewhat fudged too, since most would-be "shock" moments are telegraphed too far in advance. However, Hammer buffs and vampire addicts will doubtless feel more than satisfied.
'Dracula: Prince Of Darkness' isn't technically the sequel to Hammer's 'Dracula' (a.k.a. 'Horror Of Dracula'), 'The Brides Of Dracula' is, but considering Dracula didn't even appear in the latter, this in my opinion is the REAL sequel. I actually enjoyed it a little bit more than 'Dracula' and it's one of the very best entries in the whole series, if not THE best. Dracula doesn't put in an appearance until about half way through the movie, but he's worth waiting for. Christopher Lee gives his most memorable performance as Dracula, which incidentally has no dialogue whatsoever. It's a great piece of acting, and Lee is an extremely underrated performer. Apart from Christopher Lee the rest of the cast is also first rate. Andrew "Professor Quatermass" Keir almost steals the movie as the unconventional Father Sandor, and the four English travellers who find themselves the guests of Dracula are Barbara Shelley, Francis Matthews, Suzan Farmer and veteran Aussie actor Bud Tingwell. All but the latter are familiar faces to Hammer fans. Shelley co-starred with Keir in the excellent 'Quatermass and the Pit" and she, Matthews and Farmer appeared with Christopher Lee in the wonderful 'Rasputin: The Mad Monk' released the same year as this movie. Pop culture obsessives will also remember that Francis Matthews voiced Captain Scarlet in the cult Gerry and Sylvia Anderson puppet show 'Captain Scarlet and the Mysterons' (a show that Bud Tingwell was also involved with). 'Dracula: Prince Of Darkness' is yet another wonderfully entertaining horror movie from Hammer studios. I suggest watching 'Dracula' and then following directly with 'Dracula: Prince Of Darkness' for a fantastic vampire double bill that is pretty hard to beat! Long live Christopher Lee!
Four English tourists: Charles Kent (played by Francis Matthews), his wife Diana (played by Suzan Farmer), his brother Alan (played by Charles Tingwell) and his wife Helen (played by Barbara Shelley) arrive in the Carpathians for a climbing holiday. Despite warnings from the superstitious locals they spend the night at Castle Dracula. Here, Dracula's sinister manservant, Klove (played by Philip Latham), uses the blood of one of them as a life force to resurrect his master...
Dracula Prince Of Darkness was the official sequel to Hammer's Dracula (1958). Hammer had made two follow-ups to their box-office hit with The Brides Of Dracula (1960) and Kiss Of The Vampire (1964), but neither featured Christopher Lee. Some say that Lee refused to repeat his role through fear of becoming typecast, while others say that Hammer dropped him because he wasn't a big enough star. He got billed fourth in the first film. Whatever the reason, Lee finally returned to his original role after seven years and Dracula Prince Of Darkness made it into the top twenty money-spinners of 1966. You will notice in this film that Christopher Lee has no lines, he has always maintained that the lines he was given were so bad that he wouldn't speak them. On the other hand screenwriter Jimmy Sangster (who penned the screenplay under the pseudonym John Samson) swears that he didn't write any.
Dracula Prince Of Darkness stands as one of the best sequels to Hammer's 1958 film, which is regarded by many as a classic. While Christopher Lee has no dialog, he still manages to create a feeling of lurking evil which lasts long after the movie's over. Whereas in later films he was little more than a supporting character with very little to do. The supporting cast which includes Francis Matthews, Andrew Kier and Barbara Shelley is excellent and Thorley Walters does a fine job of portraying the fly-eating Renfield, an original character from Bram Stoker's novel who is renamed here as Ludwig. Philip Latham is also noteworthy as the creepy retainer, Klove. Director Terence Fisher does a fine job of staging the build-up to the Count's resurrection. This first half of the film is genuinely atmospheric, gothic stuff with the camera tracking around the darkened corridors of the castle to suggest that although Dracula himself is dead, his malevolent spirit is present all the time.
Dracula Prince Of Darkness was the official sequel to Hammer's Dracula (1958). Hammer had made two follow-ups to their box-office hit with The Brides Of Dracula (1960) and Kiss Of The Vampire (1964), but neither featured Christopher Lee. Some say that Lee refused to repeat his role through fear of becoming typecast, while others say that Hammer dropped him because he wasn't a big enough star. He got billed fourth in the first film. Whatever the reason, Lee finally returned to his original role after seven years and Dracula Prince Of Darkness made it into the top twenty money-spinners of 1966. You will notice in this film that Christopher Lee has no lines, he has always maintained that the lines he was given were so bad that he wouldn't speak them. On the other hand screenwriter Jimmy Sangster (who penned the screenplay under the pseudonym John Samson) swears that he didn't write any.
Dracula Prince Of Darkness stands as one of the best sequels to Hammer's 1958 film, which is regarded by many as a classic. While Christopher Lee has no dialog, he still manages to create a feeling of lurking evil which lasts long after the movie's over. Whereas in later films he was little more than a supporting character with very little to do. The supporting cast which includes Francis Matthews, Andrew Kier and Barbara Shelley is excellent and Thorley Walters does a fine job of portraying the fly-eating Renfield, an original character from Bram Stoker's novel who is renamed here as Ludwig. Philip Latham is also noteworthy as the creepy retainer, Klove. Director Terence Fisher does a fine job of staging the build-up to the Count's resurrection. This first half of the film is genuinely atmospheric, gothic stuff with the camera tracking around the darkened corridors of the castle to suggest that although Dracula himself is dead, his malevolent spirit is present all the time.
¿Sabías que…?
- TriviaIn the scene where Dracula is being "resurrected" from a coffin into which his ashes have been spread, from blood dripping down from a poor victim (provided by Klove) Dracula is made to "manifest himself" over a period of about a minute. This was achieved by overlapping "dissolves" of a series of twelve locked-down camera shots, involving first the ashes, then a skeleton, then some body-fat on the skeleton, et cetera, along with swirling mist, until we finally perceive the full form of Dracula. He doesn't appear fully dressed as is usually the case. The shot moves to outside the coffin and a bare arm reaches out. The vampire's clothes were seen in earlier scenes awaiting his return.
- ErroresDiana holds the crucifix out towards Dracula twice in successive camera shots from the back whilst front shots don't show her holding it at all.
- Citas
Alan Kent: You forget about all of this in the morning, you'll see.
Helen Kent: There'll be no morning for us.
- Versiones alternativasThe UK cinema version was cut by the BBFC with edits to blood flows during the resurrection scene, a closeup shot of Helen's staking, and a shortening of the seduction scene where Dracula pulls a hypnotized Diana towards his chest wound. Video releases featured the cut cinema print though all widescreen DVD releases feature the fully uncut version.
- ConexionesEdited from Drácula (1958)
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Dracula: Prince of Darkness
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- GBP 100,000 (estimado)
- Tiempo de ejecución1 hora 30 minutos
- Relación de aspecto
- 2.35 : 1
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