Un amor espera

In the popular subgenre of "cads are irresistible" comes another perfect Paul Newman vehicle: Youngblood Hawke. By 1964, there were plenty of competing actors, and Warren Beatty had been signed to play the heartless bad boy with a charming Southern accent. When he dropped out, Stuart Whitman, George Peppard, and Terence Stamp were considered before James Franciscus was cast. What a cutie pie! If you have pictures of Randolph Scott and Richard Chamberlain on your wall, you'll be in love once you see this movie.

James plays a backwater hick who's written a novel. It's unrealistic, but his dream becomes a reality as his book quickly gets snatched up by a publisher, Lee Bowman, and editor, Suzanne Pleshette. He starts off wide-eyed and innocent, but once fame and fortune go to his head, he turns into a selfish cad. He starts up a torrid affair with Genevieve Page, which really isn't interesting. Not only is there no motivation in the script, but Genevieve carries no chemistry in her performance. James's character is incredibly unlikable, since he constantly makes the wrong choice and hurts people who try to love him. He's also quite spineless. Whenever someone criticizes his work, he agrees with them, and whenever Genevieve crooks her finger, he succumbs even when he's vowed not to. Even though she's a married woman with children. When Genevieve suggests James enter into a business deal with her husband, Kent Smith, he agrees. When she sets him up in a penthouse suite, he quickly ditches the place Suzanne had found for him earlier in the film.

Since sections of the film are a bit uneven, I can only imagine that the original novel is quite lengthy and complicated. After all, it's a Herman Wouk book. The running time is long, but I'm sure swaths of the novel were cut out. This isn't really a movie I'd care to watch again, but if you think James is cute, you'll probably want to watch it. Suzanne fans will be wasting their time since she's made out to be the undesirable one; and I can't imagine anyone being a fan of Genevieve.

Handsome blond James Franciscus (as Arthur Youngblood Hawke) goes from small town Kentucky truck driver to successful New York City novelist. Nice editor Suzanne Pleshette (as Jeanne Green) desires Mr. Franciscus, but sexually arousing older woman Genevieve Page (as Frieda) turns the sheets in his bed. The problem is that Ms. Page is married to a millionaire and finds it difficult to give up her lifestyle, although Franciscus seems to be the most tempting in a string of hunky young lovers. Both Page's son Pat Cardi and Franciscus' mother Mildred Dunnock walk in on their passionate embraces...

Franciscus and Page are attractive and passionate in this trimmer, happier version of Herman Wouk's novel, but Ms. Pleshette is sadly underused. The story features the typical corrupting influence of life in the fast lane, with a stinging indictment of adultery. "Youngblood Hawke" benefits mostly from beautiful black-and-white photography by Charles Lawton, directed with occasional brilliance by Delmer Daves. In hindsight, the lack of expected Technicolor for this type of film is a plus. In small roles, golden age movie star Mary Astor and glamorous Eva Gabor contribute to the overall glossy look.

****** Youngblood Hawke (11/4/64) James Franciscus, Genevieve Page, Suzanne Pleshette, Mildred Dunnock

Youngblood Hawke is one of those movies that has great promise, just like the movie's namesake. It starts out with the usual story of small-town young man makes good in the big city. He writes The Great American Novel while driving his coal truck in his small hometown in Kentucky, then gets called up to the big leagues in the publishing world of NYC. James Franciscus plays the too-good-looking-to-really-be-a-novelist looking for his next big seller and winds up in the arms of Genevieve Page, who is a married arts benefactor. Meanwhile, his hard-at-work editor, played by Suzanne Pleshette, has feelings for him too. There is a subplot involving his mother and uncles fighting over mineral rights to her land that complicates things but really prove to be inconsequential. It could have been cut out in a twenty-minutes too long movie. Will Youngblood be the same fresh faced writer from a small town, or a philandering hack corrupted by the big city? Watch and see. If you've seen a fair amount of 60's TV shows, you'll definitely be playing the "I know who that is!" game that will keep you going during the drawn out dialogue. The attractive leads all deserved to be shot in color in this movie. But instead we get a black and white movie where especially Pleshette's gorgeous blue eyes don't get the love they deserve. There is a running line in the movie where Franciscus and Pleshette's characters argue about smoking too much, which is interesting and sad considering in real life both died due to illnesses derived from being chain smokers.

This soap opera based on a Herman Wouk novel is entertaining in its meandering way but suffers from a less than riveting lead actor, James Franciscus.

Franciscus was a decent actor and certainly movie star handsome but not charismatic enough to carry a big budget film. Although he was quite effective as a series lead in Longstreet and several other shows the character of Youngblood Hawke required a more compelling actor than he. Warren Beatty, who was originally cast but bowed out or George Peppard would have worked much better in the star spot.

As it is the attractive but bland Franciscus is surrounded by high quality actors who all act rings around him. The little known Genevieve Page is cast in the trickiest part as an unhappily married woman who falls for Hawke. Even though she's a bit too young for the role her air of world weariness suits sad Frieda, she makes quite an impression and you miss her when she's off-screen.

The film is loaded with a variable kaleidescope of outstanding performers in every role. Suzanne Pleshette and her volcano of hair are terrific as Hawke's editor, even in her relatively brief screen time she makes something out of a standard part. Same goes for Mildred Dunnock, Eva Gabor, John Dehner and Don Porter all of whom are handed stock characters but still manage to stretch those characters with entertaining portrayals.

Another two old reliables who add some dash to this overlong stew are Mary Astor as a renown stage actress searching for a new vehicle and thinks she sees it in Hawke's novel. This was her penultimate screen appearance, she played a key role in Hush, Hush Sweet Charlotte later that year then retired permanently, she imbibes her handful of scenes with a class and mastery that only the best actors are able to do with cameo appearances. The other is Edward Arnold as a critic who is both friend and foe, he obviously knows he has one of the better roles in the film and clearly relishes his opportunity. By word and gesture he makes Quentin Judd a memorable character.

This was also almost the end of the line for director Daves, that master of the overblown cinematic soap, and is right in his wheelhouse but his pacing seems rather off. The film is at least 20 minutes too long and is oddly in black and white. While all his other films of this type, A Summer Place, Rome Adventure etc, were in rich Technicolor with sweeping vistas which would have helped here he and cinematographer Charles Lawton Jr. use the shadows indigenous to black & white effectively.

Not anywhere near a great film but the cast makes it worth checking out.

James Fransiscus was Mr. Novak on TV and landed the star role in this film after Jack Warner fired Warren Beatty from this film.. Beatty after 2 weeks of rehearsals on the WB Lot refused to sign his contract. Warner exploded and banned Beatty from the WB Lot. In a jam Warner picked James Fransiscus to star in this film directed by Delmer Davis with a great cast that included Suzy Pleshette and lovely French actress Genevieve Page. I recall Rita Hayworth one of the biggest stars in movies during the 40's and 50's and Queen of the Columbia Lot had to test for the role eventually played by Ms. Page. James Franciscus was at the time of filming son in law of famed director Bill Wellman.

Troy Donahue was the star of Delmer Daves: Summer Place, Pasrish, Susan Slade and Rome Adventure why wasn't he cast as Youngblood Hawke? Troy was at the time a huge star at WB.

This is a fine film with top notch WB production values. After Beatty left the film the studio decided to film it in black and white rather than color.

I have a feeling the back story of this film's production would be more intriguing than the film itself.