Ursus, il terrore dei kirghisi

Ursus, il terrore dei kirghisi is the proper name of the film and it is pretty unusual mishmash of peplum, horror, geography and ethnicities. Suspiciously Mediterranean looking Kirghiz somehow manage to oppress unusually Nordic looking Cirkassians who seem to be living just across the hill from each other (it's like horse riding from Canada to Mexico!!!). The main hero - Ursus (not Hercules! Though all names have been altered for american edit) is played by Muscle man Reg Park was a mentor and inspiration for Arnold Schwarzenegger both in terms of over-exaggerated physique (of cartoon superhero/"bullied kids dream variety" and nowhere near as objectively beautiful like that of Steve Reeves) but also in wooden acting department (again making Reeves look almost method actor in comparison). Most other characters (in original Italian version) seem to have Georgian names for some reason - Ilo, Kato, Aniko (who became Amico in american version because...?) and finally Prince Zereteli - who would be happy to know that there is a street and a Metro station named after him in downtown Tbilisi, Georgia :)))

Quite rare stuff. Two masters of Italian horrors Antonio Margheriti and young Ruggero Deodato directed this film in 1964. It has a lot to do with antique fairy tales and the screenplay is really original. Ursus is the prototype of Conan and other muscled heroes of fantasy movies. He is real hero in this film, fighting against evil, black magic, selfish king with a small number of friends, like Robin Good. Good fighting scenes really liked them. Good costumes and rather progressive score. Bewitched fighters turn in to werewolves like monsters. So this is a real epic fantasy with wise dialogs and 60s colors. Andrey Tripod "www.myspace.com/neizvest" Quite rare stuff. Two masters of Italian horrors Antonio Margheriti and young Ruggero Deodato directed this film in 1964. It has a lot to do with antique fairy tales and the screenplay is really original. Ursus is the prototype of Conan and other muscled heroes of fantasy movies. He is real hero in this film, fighting against evil, black magic, selfish king with a small number of friends, like Robin Good. Good fighting scenes really liked them. Good costumes and rather progressive score. Bewitched fighters turn in to werewolves like monsters. So this is a real epic fantasy with wise dialogs and 60s colors. Andrey Tripod "www.myspace.com/neizvest"

Some reviewers have been decidedly unkind to this minor sword-and-sandal effort but those willing to indulge the sloppy dubbing, chopping editing, and murky prints may find a certain likable quality here. Think of it as an amateurish but enthusiastic high school play, or a big mutt who climbs in your lap and licks your face. Most of the faults cited by other reviewers can't be denied but the main problem here is Hercules' curious absence from the plot (due to injuries) for a 25-minute stretch in the middle of the movie. That's a real momentum killer. Did Reg Park become ill or otherwise unavailable during the filming and thus they had to film around him? (One fight sequence uses an obvious stand-in for Park, lending some support for this theory.) Yes, the monster is more laughable than frightening with a squawk like Rodan's, and disappointingly little is made of Hercules' superhuman strength. (He isn't even bare-chested very often.) Also note the puzzling Oriental decor in some of the palace interiors. However, if you're kind, all of these things might be viewed as part of the fun.

Directed by Antonio Margheriti (Cannibal Apocalypse), with help from assistant director Ruggero Deodato (Cannibal Holocaust), this mid '60s horror/peplum gives very little indication of the future gory delights to come from either film-maker: Terror of the Kirghiz is strictly family friendly fodder, as brave warrior Ursus (muscleman Reg Park) protects his people from a marauding monster (a man in an unconvincing mask and hair glued to his torso), wicked tyrant Zereteli (Furio Meniconi), and a scheming witch, Amiko (Mireille Granelli).

Lots of dull dialogue and badly choreographed fight scenes make for a really boring viewing experience, with Park putting in a forgettable central performance as the bland hero: the bodybuilder might have the physique, but he sure lacks the charisma. Mind you, with such an uninspired script and flat direction from Margheriti, he never really stood a chance.

Ancient peplum hero Ursus is now doing his thing in Eastern Europe where the Mongol conquerors are running things but with arrangements with the locals. Not anyone in the cast looks remotely Asian however, especially one who as it turns out is the lost princess daughter of the Great Khan who was murdered in a palace coup.

Anyway the usurper and his partner who is a sorceress have the common serfs under control, but for Ursus who leads one of the tribes. The sorceress gets the big guy under her control and turn him into some kind of ravenous beast.

Good thing the good guys have someone skilled in the black arts who brings Ursus around.

Just like Hulk Hogan going over to the dark side.