Robin Hood de Chicago

ROBIN AND THE 7 HOODS, last of the 'official' Rat Pack trilogy, was undeniably the best of the series (OCEAN'S ELEVEN, a glossy but ultimately standard 'B' movie about a Las Vegas casino heist had been filmed, between the Pack's nightclub appearances, in 1960, and SERGEANTS 3, a so-so comic Western cavalry remake of GUNGA DIN, appeared in 1963), and with tunes by the legendary Jimmy Van Heusen, it was the only film that gave it's legendary stars a chance to perform in the format best suited to them...an old-fashioned movie musical.

Set in Prohibition Chicago, the spoof of the Robin Hood legends offered Frank Sinatra as Robbo, favorite 'lieutenant' of murdered crime boss 'Big Jim' (unbilled Edward G. Robinson), who 'takes on' successor Guy Gisborne (a very funny Peter Falk) and his 'right-hand' man, Sheriff Alvin Potts (Victor Buono, also excellent), for control of the city. A likable gangster with a code of ethics, Robbo, and his pal, Will (Sammy Davis, Jr), are soon joined by 'new-in-town' grifter, Little John (Dean Martin), who easily beats Robbo in a game of pool (while harmonizing about being faithful to one's mother!). Meanwhile, a beautiful, mysterious woman (Barbara Rush) appears, introducing herself as Marian Stevens, with links to Big Jim, and an agenda of her own...

The arrival of milquetoast accountant Allen A. Dale (Bing Crosby, having a ball playing 'against type') with a scheme to turn public sentiment against Guy Gisborne and the Sheriff, through charity and 'good works', quickly brands Robbo as a hero who would steal from the rich to give to the poor, and Chicago adores him, driving Gisborne NUTS! As plots are hatched to discredit Robbo, body counts rise, and Marian proves the most duplicitous of all, in her quest to gain power.

While the plot summary doesn't sound particularly amusing, the film, with it's 'tongue-in-cheek' tone, is much closer in spirit to GUYS AND DOLLS than GOODFELLAS. With Sinatra, Crosby, Martin, and Davis crooning a rousing "Sit Down You're Rocking the Boat"-style mission number, "Mr. Booze", Davis singing and dancing to machine-gun volleys, and Sinatra performing what would become one of his 'signature' tunes, "Chicago (My Kind of Town)", the music is all first-rate, with the dramatic elements all played for laughs.

As Marian ends up with a surprising new 'mob boss', and Frank, Dino, and Sammy are reduced to pan-handling (but happy) "Santa Clauses", ROBIN AND THE 7 HOODS leaves viewers with a smile, and the Rat Pack with a film finally worthy of their considerable talents.

Not a bad legacy, at all!

After an emotional rendition of 'For He's a Jolly Good Fellow' number one gangster, Big Jim, is shot dead at his own birthday party, and Guy Gisborne (Peter Falk) takes over the mob…

Robbo (Frank Sinatra), a rival gangster, warns Gisborne to stay out of the North Side… John (Dean Martin), a minor hood from Indiana, joins Robbo's gang just before Robbo and Gisborne destroy each other's nightclubs… Robbo rebuilds, outfitting his new gambling hall so that it becomes a new little modern casino at the touch of a button…

Marian (Barbara Rush), Big Jim's daughter, gives Robbo $50 grand to kill her father's murderers, but he orders Will (Sammy Davis, Jr.), his aide, to donate the money to an orphanage… Allan A. Dale (Bing Crosby), who runs the institution, crowns Robbo as a modern-day Robin Hood…

The action takes place in the gangland Chicago of 1928 instead of Sherwood Forest… Amusing ideas abounded… The best being a brief appearance by Edward G. Robinson as the chief hood who is shot by the mob just few seconds in the film…

Don't miss the formidable dance number "Style" performed and sung by Sinatra, Martin, and Crosby

Robin and the 7 Hoods (1964)

** 1/2 (out of 4)

The Rat Pack take on gangsters in the 1920's Chicago in this spoof of the genre, which is also mixed with the Robin Hood story. After the top gangster is killed at his birthday party, Guy Gisborne (Peter Falk) takes over the mob with the help of a corrupt cop but this doesn't sit well with Robbo (Frank Sinatra). Instead of joining up with the other mobs, Robbo decides to team up with some buddies (Dean Martin, Sammy Davis, Jr., Bing Crosby) and take the city over with charity work. This movie starts off very well but slowly runs out of gas and in the end it becomes a rather drag, which is a shame since the movie started off so well. I think the biggest problem is the running time, which just keeps the moving going and going when it should have probably ran only 90 or 100 minutes. The first half of the film is extremely fast, loose and fun and it offers up plenty of nice laughs including a hilarious cameo by Edward G. Robinson. Sinatra, rumored to have had mob connections, fits his role extremely well and delivers a fine performance of "My Kind of Town". Sammy Davis, Jr. is also very good in the film and gives one of the highlights in his performance of "Bang, Bang" and he also does a great impression of James Cagney. Martin is also very funny as is Crosby but Falk really steals the show as the rival gangster. For the most part the music is good, although I think the song "Mr. Booze" runs too long and really brings the film to a standstill. The history behind the making of this film is rather interesting since Kennedy was assassinated during production and Sinatra's own son was kidnapped and held for ransom, which also had the filmmakers cut a kidnapping scene from the film. There's a joke early in the film about the Lincoln assassination and I'm shocked this was left in the film after what happened to Kennedy. At any point, this is a fairly entertaining comedy that has a lot going for it but an editor really would have helped things.

I consider this the best of all the Clan movies that Frank Sinatra did with his pallies. By the time Robin and the 7 Hoods was made, Sinatra's movie career consisted of a lot of sleep walking roles. But Frank still took his singing quite seriously and he's at the top of his game in this one.

Since he produced and starred in it naturally Frankie reserved for himself the best song in the Jimmy Van Heusen-Sammy Cahn score. My Kind of Town did for Chicago what New York, New York did for the Big Apple and was nominated for best song that year. Sinatra delivers it in grand style.

He gave a little something for everyone in the cast. Peter Falk who plays Guy Gisborne gets one of those once in a lifetime chances to overact with abandon and gusto. He looks like he's having a ball, especially singing All For One And One For All as he's electing himself numero uno of the Chicago gangs.

Sammy Davis, Jr. other than in Porgy and Bess and here got very little opportunity to show off his amazing multi-talents in film. His Bang Bang number as Frankie's crew is busting up Falk's speakeasy, displays those talents of singing, dancing and mimicry. Listen close and you'll Davis do some good imitations of Al Jolson and Jerry Lewis.

Bing Crosby in his last musical role plays Alan-A-Dale and he replaced Peter Lawford when he and Sinatra came to an abrupt parting of the ways. He's the secretary of an orphans home where Sinatra donates some hot money to launder it. Crosby's one solo number in this is Don't Be A Do-Badder which is vintage philosophical Bing and I'm sure Van Heusen and Cahn wrote it after the casting change was made.

Dean Martin got short changed here. I wish he'd been given something better as a solo than Any Man Who Loves His Mother.

There's a song on the cast album that is heard in the background called I Like To Lead When I Dance. It got cut from the film. It also appeared on other Sinatra albums and Old Blue Eyes does really well by it. I wish it had been left in.

You can't possibly go wrong with all the talent that Sinatra gathered for this film. It was his last musical role as well.

I was expecting less, as I once saw this referred to somewhere as a "self-indulgent" effort from The Chairman of the Board. I found it, au contraire, to be a solidly entertaining, well-made comedic effort with high production values, beautifully shot (the film really needs letterbox to show it off; catch it on American Movie Classics). Good work from all the leads, Peter Falk in particular, as well as the many familiar charcter actors. It is interesting how Frank's outfit never seems to quite fit into the 1928 setting - he always seems ready to step off the screen into 1964 Las Vegas. The nostagically vaudevillian number "Style", sung by Frank, Dean, and Bing, is worth the whole movie. Well worth a see.