El Rosa es Rosa

This is clever right from the opening credits and, as I learned here at IMDb, was the first theatrical Pink Panther cartoon, and it won an Åcademy Award!

To be honest, I didn't laugh out loud at anything in here, but I throughly enjoyed this probably smiled throughout most of it. To me, the inventiveness of this cartoon was the attraction. How many interesting and humorous ways can someone paint over what another person has just painted? Well, this cartoon will show you. I liked the idea of no background but only the object being painted drawn in the cartoon. It made for some unique animation.

This set the tone for many enjoyable Pink Panther cartoons to follow, ones in which there is no dialog but the visuals so well done that none are required.

The Pink Panther is one of animation's most iconic characters. Pink Phink was the cartoon that introduced audiences to him, and to this today it is one of the best Pink Panther cartoons ever made. The animation is simple but the colours are very pretty and the backgrounds don't look cheap. The music is very catchy, the main theme sticks in your head and in an infectious way rather than an annoying way. The jazzy orchestration is equally good. As well as well-animated and scored, Pink Phink is very funny. The story like the animation is simple but never to the point that it is predictable or dull. The gags are very creative and entertaining, never feeling repetitive. True, you do get the basic idea of what to expect with the other gags from the first gag, but each gag is dealt with in a fresh way so that is in no way a bad thing. Pink Panther himself is very cool and proof that you can be funny without having to say anything.

All in all, the introductory Pink Panther cartoon is still one of his best. 10/10 Bethany Cox

Friz Freleng's phenomenally popular Pink Panther animated shorts legacy starts right here and you can see why it caught the mood of the time. A nicely minimal art style, a louche jazzy score and a straightforward and charismatic plot. This is the Oscar-winning foundation on which all of Freleng's output for the next few decades is built on and it still functions magnificently. Distilled charm.

The amiable if somewhat limited cartoon character of "The Pink Panther" was introduced in the animated opening credits of Blake Edwards' 1964 classic caper comedy of the same name; in the film proper, it was the nickname taken by cat burglar David Niven but the eventual franchise revolved around the antics of his inept nemesis Inspector Clouseau (which would soon become Peter Sellers' signature role).

In the concurrent cartoon series (which I used to watch as a kid on local TV and have subsequently acquired on DVD), the silent rosy feline took centre stage, albeit usually employed in more mundane occupations, like a house painter as in this very first instance – even if it was still pitted against a bungling, moustached albino who was Clouseau in all but name. The latter wants to paint the house in question blue and the protagonist, inevitably, wants it painted pink. The ensuing confrontation is certainly pleasant if hardly providing outstanding entertainment value, but it was enough for the short under review to cop an Academy Award.

I didn't often love the "Pink Panther" but I always thought Henry Mancini's theme with that seedy saxophone a piece of genius. This time, the painter is trying to paint things blue but the panther is having none of it. What was grey must be blue/pink; pink/blue - it's a war of attrition. It could go on for ever, or at least until one of them runs out of paint. Narked, the painter decides to deal with his pesky nemesis once and for all. Will it work? It's a bit repetitive, we get the gist after about three minutes, but it's still quite entertaining - especially the garden sprinkler. I didn't love the end, though.