París, tú y yo

This is a film that only screenwriters and budding screenwriters will get. You have to have more than a passing interest in the process of writing a screenplay to enjoy the witty satire, wry comedy and not have a lot of the in jokes fly over your head. In that regard the film is brilliant and contains one of William Holden's best performances. Audrey Hepburn too is perfectly cast in the role of his secretary/ultimate partner and is a performance that stands right up there alongside her more celebrated roles in "Charade" and "Breakfast at Tiffany's". One of those films that seems too smart for a general audience. I have watched it over the years too with family and friends only to have them get left behind by the plot and start saying how stupid they thought the picture was. Maybe the best movie about the madness of screen writing ever made. Period.

This hilarious and romantic movie is full of inside jokes. See if you can find the several places where Audrey Hepburn recites lines from her previous films. Also check for cameos by Mel Ferrer (Hepburn's husband at the time) and Marlene Dietrich. Besides all of the cool cameos and inside jokes, this movie is utterly funny in the way that it makes fun of itself. A must see

A screenwriter and his secretary fail in love while working on a film in París, confusing themselves with the script's roles. As Willian Holden is the jaded screenwriter, the cowboy, the international thief, the trenchcoated spy. While Audrey Hepburn is the secretary, the fiery siren, the incredible batwoman, the girl who stole the Eiffel Tower. As the writer and his secretary acting out the wonderful and weird ideas they dream up for a movie script . Relax.. It's all right to laugh at this tender love story!. Go absolutely in Paris when it sizzles!. You can expect to see the most unexpected people as these two lead you to danger and adventure !.

Attractive but uneven comedy with star-studded cast , silly incidents , entertainment and amusement . Shot on location in París , showing marvellous monuments , noisy streets, museum, luxurious locations, and gorgeous sightseeing . William Holden and Audrey Hepburn Hepburn give sympathetic, charming acting, and Hepburn is especially frankly delightful . It displays some very diverting and funny moments , with a lot of diversions into spy stories , thrilling pursuits , Dracula , and jungle epics on the way . Some unresolved romantic tension between him and Hepburn affected shooting. The film based on an original story by writer/director Julien Duvivier was written by George Axelrod who previously wrote "Seven Years Itch" tends to be disjointed , an unadulterated fun, and too long . Several cameos and brief interpretations from Marlene Dietrich, Fred Astaire , Frank Sinatra , Mel Ferrer who married Hepburn , and Tony Curtis , all of them showing up for a party on the set .

The motion picture was was well directed by Richard Quine , though it has some flaws . Richard Quine was an expert on comedies , such as : "How to murder your wife" , "Oh Dad Poor Dad" , "Sex and single girl" , "Bell book and candle" , "Prisoner of Zenda" ,"Solid gold Cadillac" , "Strangers when we meet" , "Full of life", "My sister Eileen" , among others .Rating :6.5/10. Acceptable, decent romantic comedy. The film will appeal to William Holden and Audrey Hepburn fans.

In Paris, the successful alcoholic forty-two years old screenplay writer Richard Benson (William Holden) has three days to write a script to his producer that has paid in advance. The typist Gabrielle Simpson (Audrey Hepburn) arrives to his hotel to type the screenplay. Along the three days, she helps him to develop the story and they fall in love for each other.

"Paris – When It Sizzles" is absolutely silly and naive, but also charming and delightful and only works because of the chemistry between the gorgeous Audrey Hepburn and the ironic William Holden. There are many jokes with the cinema, with many stories within the lead story, and the most hilarious scenes have the uncredited participation of Tony Curtis. Marlene Dietrich and Mel Ferrer have also uncredited participation. My vote is seven.

Title (Brazil): "Quando Paris Alucina" ("When Paris Gets Crazy")

If you are a wannabe writer, a writer or simply a fan of movie making or the art of writing, this film is a must see. It's not a perfect film. One wonders at times whether some of the rare serious moments in the movie, or the sugary sweet romance, were poorly written on purpose - but it doesn't matter because it all fits together wonderfully with the parody of bad movie writing, which is what this movie is about. Don't watch this film with anyone who is uncomfortable with unconventional movies, or who is an impatient nitpicker - they won't be happy. The biggest mistake in making this movie was probably the title, which is too misleading and not punchy enough for this genre. Interestingly, Orsen Wells wanted to direct this film but didn't get the job. It would have become a classic under his direction, but as it is now, it's just a silly, lighthearted (mostly), fun, risque, self-indulgent, and even didactic, film about the movie business.