CALIFICACIÓN DE IMDb
7.9/10
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TU CALIFICACIÓN
Un hombre negro y su esposa, maestra de escuela, se enfrentan a retos discriminatorios en la América de los años sesenta.Un hombre negro y su esposa, maestra de escuela, se enfrentan a retos discriminatorios en la América de los años sesenta.Un hombre negro y su esposa, maestra de escuela, se enfrentan a retos discriminatorios en la América de los años sesenta.
- Dirección
- Guionistas
- Elenco
- Premios
- 4 premios ganados y 1 nominación en total
Mel Stewart
- Riddick
- (as Melvin Stewart)
Marshal Tompkin
- Revivalist
- (as Rev. Marshal Tompkin)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
10IboChild
Unlike other well-intentioned films of the period, NOTHING BUT A MAN presents the main character as neither saint nor scoundrel, but as a complex man with human contradictions. Ivan Dixon gives one of the best performances of his career as the lead character of Duff. A film of rare quality and subtlety.
Director/CoScriptor Michael Roemer is responsible for the overall look and feel of this sensitive drama. Part social commentary, this film depicts a touching, often sad portrait of Americana during a challenging historical period.
Heading the talented cast is Ivan Dixon as Duff, who nicely underplays his role, letting his expression emerge from within. Singer Abbey Lincoln is seen in a nice dramatic turn as his girlfriend turned wife, Josie. Julius Harris renders a moving performance as Duff's spent father.
Robert M. Young's atmospheric black and white cinematography is most striking. Having received excellent critical notices, the film apparently never found a wide audience, and has become a "forgotten gem." Fortunately, it's on DVD to be appreciated by a new generation--who will be educated as well.
Heading the talented cast is Ivan Dixon as Duff, who nicely underplays his role, letting his expression emerge from within. Singer Abbey Lincoln is seen in a nice dramatic turn as his girlfriend turned wife, Josie. Julius Harris renders a moving performance as Duff's spent father.
Robert M. Young's atmospheric black and white cinematography is most striking. Having received excellent critical notices, the film apparently never found a wide audience, and has become a "forgotten gem." Fortunately, it's on DVD to be appreciated by a new generation--who will be educated as well.
I thoroughly enjoyed "Nothing But a Man." Unlike other films before it, it shows black men and casts them in lead roles instead of sticking them in white circles. It is an excellent and faithful depiction of problems that blacks faced, such as maratial, familial, and social dilemmas. This film also focuses on black masculinity and what being a black man is about, and it highlights the struggle and contrast of being free and easy and not tied down as opposed to being married and struggling for one's dignity. The film itself is great for its neorealistic style. It is like a documentary in many respects. It is black & white, gritty, and has no soundtracks running (save the Motown and the gospel). Unlike the race films of Micheaux and Williams who used this documentary-style depiction to push their messages, Roemer fearlesssly shows the brutality and bleakness of African-American life, with an ending reminiscent of Orwell's 1984. I loved this movie. It is honest, non-patronizing, and accurate. I saw it in my ethnic cinema class, and I highly recommend it.
This movie was no doubt completed with at most a very modest budget, but the finished product is so strong and moving--thanks to a very intelligent script and great acting. Although the film stars no "big names", it is chock full of some of the better Black character actors of the 1960s. The leading man, Ivan Dixon, proved he was a fine and competent actor--far better than the role he played on HOGAN'S HEROES. It's a shame that he didn't get more starring roles during his career.
The plot involves people living in a small Southern town in the mid-1960s--after segregation was no longer legal but was still very rampant. Dixon just wants to be treated like a man--no more, no less. He is not asking for handouts but respect. Unfortunately, the people living in this town are so used to the status quo that they just feel it is futile to buck the system. As a result, Dixon faces major uphill battles--mostly on his own except for his lovely young wife. In addition, there are subplots concerning fatherhood and responsibility that greatly enhance the movie's message.
This film would be wonderful for anyone--in particular kids, as they will realize in watching this just how far we have come. Most young kids today just don't realize how tough things were for Black Americans in this country and how acceptable this maltreatment was. It deals effectively with these issues without being preachy or heavy- handed. A great film.
The plot involves people living in a small Southern town in the mid-1960s--after segregation was no longer legal but was still very rampant. Dixon just wants to be treated like a man--no more, no less. He is not asking for handouts but respect. Unfortunately, the people living in this town are so used to the status quo that they just feel it is futile to buck the system. As a result, Dixon faces major uphill battles--mostly on his own except for his lovely young wife. In addition, there are subplots concerning fatherhood and responsibility that greatly enhance the movie's message.
This film would be wonderful for anyone--in particular kids, as they will realize in watching this just how far we have come. Most young kids today just don't realize how tough things were for Black Americans in this country and how acceptable this maltreatment was. It deals effectively with these issues without being preachy or heavy- handed. A great film.
This is a very fine movie, but I won't lie to you: it's not always easy to watch. It recounts the story of a Black man in the 1960s American South (outside Birmingham, AL), his problems with relationships, with white men who mistreat him, etc. Sometimes he reacts in admirable ways, sometimes he does not. Because of that, and because of the very fine acting, the characters in this movie come off as very real, not at all Hollywood caricatures. But that doesn't always make the movie easy to watch.
It's more than worth the occasional discomfort, however, because it's really a very fine movie, one that presents very real people going though all too real life situations and dealing with them in very human ways. Not a movie you will forget quickly, I can promise you, and very definitely not a waste of your time to watch.
It's more than worth the occasional discomfort, however, because it's really a very fine movie, one that presents very real people going though all too real life situations and dealing with them in very human ways. Not a movie you will forget quickly, I can promise you, and very definitely not a waste of your time to watch.
¿Sabías que…?
- TriviaThe $80.00 per week in 1964 that Ivan Dixon's character earns working on the road gang translates to $650.82 per week in 2019 dollars.
- ErroresBackground songs from the summer of 1963 contrast with wall calendars from winter of 1962/63.
- Citas
Duff Anderson: It's just that, seems to me us colored folks do a whole lot of church-going, it's the white folks that need it real bad.
- Bandas sonorasHeatwave
Written by Lamont Dozier, Brian Holland and Eddie Holland
Performed by Martha & The Vandellas
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- How long is Nothing But a Man?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 300,000 (estimado)
- Total en EE. UU. y Canadá
- USD 13,063
- Fin de semana de estreno en EE. UU. y Canadá
- USD 3,466
- 11 nov 2012
- Total a nivel mundial
- USD 13,063
- Tiempo de ejecución1 hora 35 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.37 : 1
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