Las hilanderas de la luna

The Moon-Spinners is by far a classic movie for your video collection. Besides great actors, this movie has every little speck of something for everyone. A fortune in stolen jewels, add a dash of danger, a pinch of romance, and season this movie with Alfred Hitchcock-like intrigue and comic flair, and you have a helluva movie for the entire family! 8 out of 10.

In some of her early films, such as 'Tiger Bay' or 'Whistle Down the Wind', Hayley Mills revealed herself to be one of Britain's most remarkable child actresses, but as an adult her films were generally unremarkable. The light family films she made in her teenage years for Disney and others can be seen as marking a stage in her decline to the ordinary from the extraordinary. Indeed, they were possibly a cause of that decline; had she been given more demanding roles during this period she might have matured into a bigger adult star. The studios' determination to fit her into the role of Teenage Virgin Queen occupied a few years earlier by Sandra Dee might also have made it more difficult for the public to accept her as an adult woman.

'The Moonspinners' is a typical offering from her Disney period. The teenage Nikky Ferris arrives for a holiday in Crete with her aunt, a musicologist who wants to make recordings of Cretan folk-music. The owner of their hotel, however, is unwelcoming and his behaviour soon arises Nikky's suspicions that he is involved in some criminal enterprise. Nikky meets and befriends a young Englishman, Mark, and the two soon find themselves involved in a search to recover some stolen jewels.

Several other reviewers compare this film to the work of Alfred Hitchcock. The film is a mixture of romantic comedy and thriller, although I felt that the romance and comedy elements predominate over the suspense elements to a greater extent than they ever do in Hitchcock, even in his lighter films. The scene where Nikki and Mark are rescued from the windmill, however, did strike me as very Hitchcockian; I wondered if it was intended as deliberate homage to the similar scene involving Joel McCrae in 'Foreign Correspondent'.

My general impression of the film was that it was, despite some attractive location photography, a fairly routine light thriller. Peter McEnery, as Mark, makes an uncharismatic leading man, and the principal baddies (Eli Wallach as suspicious, surly foreigner and John Le Mesurier as smooth but hypocritical English gentleman) are drawn straight from the Official Hollywood Scriptwriter's Guide to Stock Villainous Characters. There is an amusing cameo from Sheila Hancock as Le Mesurier's alcoholic wife, but the best thing about the film is the presence of Hayley herself. She reminded me of Audrey Hepburn whose charisma and presence frequently enabled her to make memorable what would otherwise have been very ordinary thrillers or romantic comedies. Hayley was, of course, considerably younger than Audrey and (in my view) less classically beautiful, but shared with her the ability to carry a film through charm and charisma. 'The Moonspinners' is not in the same league as Hayley's best films, but it is worth watching for a chance to see this fine young actress. 6/10

Based on Mary Stuart's novel, The Moon-Spinners is a nice and amusing adventure comedy. Constructed a little bit like an Hitchcock movie, where tension is building up slowly but surely and where many characters are not always what they seem to be, it is filled with memorable scenes (the escape from the windmill, for example) and good humor. Although she may not be as sparkling as in Pollyanna or The Parent Trap, Hayley Mills is nevertheless still the star of the show, both charming and endearing. Furthermore, as a beautiful grown up, she is portraying a modern heroin, not afraid to take charge of her own detective work. As the villain, Eli Wallach is also particularly brilliant. Eventually, the music and, especially, the title song by Terry Gilkyson are lively and enchanting.

I saw the film in 1964 when I was 11 and loved it then. I feel the old Disney films are still the best. As I know many of my students are not familiar with the old films, I showed it to my fifth-graders recently, and they loved it (and asked to see it again). For youth viewing, the film still holds up. I still love it.

I guess the script wasn't top-notch... Okay, it wasn't, but there are plenty of other things to concentrate on here. Pretty good performances from Eli Wallach as the villian, Hayley Mills and Peter McEnery as the detectives/romantic leads, and Irene Papas as the villian's nervous sister, who dosen't have much to do but makes an impression. Also, funny comic performances from Joan Greenwood as Mills' aunt and the appearence of Pola Negri, the silent screen star, as the jewel collector Madame Habib. The gorgeous scenery of Crete is also a big asset. I found the film to be pretty suspenseful and engaging throughout. I really wasn't sure just what was going to happen next. It did keep me on the edge of my seat in some spots. The only weak link was a very rushed and uneventful conclusion, but otherwise very well-done. This was Disney's answer to Hitchcock, and also an apparent attempt to get his young star, Miss Mills, into more adult roles after four years of excellent but very "kiddie" films for the studio. Unfortunately, she didn't get any more roles like this at Disney; her next and last was in "That Darn Cat!", a very enjoyable and funny film but still aimed more at kids. She ended up having to leave the studio, do a nude scene in another film, and have an affair with an older man in order to become more adult in the eyes of the world. Still, this was her starting point, and while Hitchcock could easily have topped this and any other suspense/mystery film, it's still fun to watch and suspenseful, never boring. See it; you won't be sorry.