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5.7/10
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Agrega una trama en tu idiomaThe official sequel to the original shockumentary, presenting new and bizarre behavior from around the world, including cruelty, graphic gore, and strange rituals.The official sequel to the original shockumentary, presenting new and bizarre behavior from around the world, including cruelty, graphic gore, and strange rituals.The official sequel to the original shockumentary, presenting new and bizarre behavior from around the world, including cruelty, graphic gore, and strange rituals.
Henning Skaarup
- Narrator
- (Danish version)
- (voz)
Peter Ustinov
- Narrator
- (English version)
- (voz)
Arnaldo Caivano
- Slapping Concert Instrument
- (sin créditos)
Anita Ceccotti
- Audience Member at Dog Fashion Show
- (sin créditos)
Madame Nhu
- Self
- (sin créditos)
Giuseppina Quinn
- Dog Fashion Show Audience Member
- (sin créditos)
Opiniones destacadas
10Casey-52
MONDO CANE was an educational documentary featuring shocking scenes of human life and animal life. MONDO CANE 2 is just as educational and interesting, unlike the many imitators that erupted on video (i.e, FACES OF DEATH, etc.).
I can't really write a full-fledged review of the film, as it is just sequence after sequence. It's all interesting and you really learn things from the way it's presented. Some of my favorite scenes: the Parisian transvestite bar; a daring Mexican police shooting range; the Mexican Festival of the Dead (with skulls filled with cream, marzipan corpses, and live parasite tortillas); bugs turned into jewelry; Hawaiian tourists bathing in radioactive mud to freshen their skin; numerous religious fanatical acts in Italy and Portugal; rituals of pain in India; modeling sessions for gory pulp fiction book covers; smuggled footage of illegal slave trading in Africa; Sudanese tribes collecting dewdrops from plants because of a limited water supply; dancers wearing toilet paper being squirted with seltzer water; the Festival of Hard Heads in Italy (must be seen to be believed!); the artist Achille's paint-spitting party; a musical symphony enacted by slapping faces; Asian monks committing self-immolation; a heartbreaking sequence of pollution causing baby flamingos to mutate and die; and an African tribe becomes sterile because of their crocodile meat diet.
Amazing stuff throughout and never too boring, MONDO CANE 2 is lots of fun and will please those looking for something odd, intelligent, and something you can learn from.
I can't really write a full-fledged review of the film, as it is just sequence after sequence. It's all interesting and you really learn things from the way it's presented. Some of my favorite scenes: the Parisian transvestite bar; a daring Mexican police shooting range; the Mexican Festival of the Dead (with skulls filled with cream, marzipan corpses, and live parasite tortillas); bugs turned into jewelry; Hawaiian tourists bathing in radioactive mud to freshen their skin; numerous religious fanatical acts in Italy and Portugal; rituals of pain in India; modeling sessions for gory pulp fiction book covers; smuggled footage of illegal slave trading in Africa; Sudanese tribes collecting dewdrops from plants because of a limited water supply; dancers wearing toilet paper being squirted with seltzer water; the Festival of Hard Heads in Italy (must be seen to be believed!); the artist Achille's paint-spitting party; a musical symphony enacted by slapping faces; Asian monks committing self-immolation; a heartbreaking sequence of pollution causing baby flamingos to mutate and die; and an African tribe becomes sterile because of their crocodile meat diet.
Amazing stuff throughout and never too boring, MONDO CANE 2 is lots of fun and will please those looking for something odd, intelligent, and something you can learn from.
Continuing where they left off, the filmakers begin at a dog shelter stating that the first "MONDO CANE" was banned in the UK because of its depiction of dogs. The joking opening aside this sequel had more interesting segments in it than the first, and there was probably a tad more violence in this one. I had an extremely difficult time obtaining this 2nd "MONDO", (I've seen the 1st at almost every video store *except Blockbuster), so if you run across it make sure you pick it up.
Mondo Cane 2, is a second film in the popular Mondo Cane documentary series. The film is Italian although it is dubbed into English. Like, Mondo Cane this film doesn't just focus on one subject for it's documentary but several rather. Such scenes include Mexican children eating candy in the shape of body parts, a Buddhist who sets himself on fire and a concert where man are slapped to the tune of the music being played. I enjoyed Mondo Cane 2, just like I enjoyed the original Mondo Cane. It is beautifully filmed and all of the scenes right until the very end are fascinating and intriguing. The narrator also gives us some neat facts and during the movie you will once again wonder how some of this footage was filmed. The directors behind Mondo Cane and Mondo Cane 2, would later go on to do more films in the series including Africa: Blood And Guts and Goodbye Uncle Tom. Mondo Cane 2 is another entertaining and fascinating film and I look forward to seeing other films in this very intriguing and entertaining series.
"Mondo Cane 2" is little more than a quick cash-in on the first film's popularity. The giveaway is the fact that, although the film runs shorter than the original, it somehow contains less interesting footage. Some powerful sequences do exist (the tortured kids, the baby flamingos that die because their waters have been contaminated by a nearby factory), but on the whole the film is much inferior to the original, and the narration is often cheeky, hokey and annoying. (**)
10yv_es
People often give me a strange look when I tell them that Mondo Cane 2 is one of my favorite films of all time. You mean that dated trash? That film full of scenes that were staged or at least severely misrepresented? That film with shots of dying flamingos? That film which invites its viewers to gawk and guffaw at people from different cultures? Well yes, I guess that would be the film I'm talking about.
Yet if you are similarly confused by what anyone could possibly see in Mondo Cane 2, may I humbly suggest that the problem lies not in the film itself but in the viewer. For, taken as a documentary - or even for basic laughs - Mondo Cane 2 is truly not a good film. If you think otherwise, I am deeply concerned about your mental wellbeing. However, viewed from the correct angle, Mondo Cane 2 verges on sublime.
For the true joy of Mondo Cane 2 is not in laughing at people from different cultures, but in watching the film present people from different cultures for laughs. This is meta humor at it's finest. It's hard to believe the filmmakers were not in on this joke too, for some of the scenes are just a little too over the top, the narration just a little too ridiculous, to be taken seriously (even in Mondo movie terms). I mean, was there ever really a room in which frustrated drivers could vent their road rage by throwing tomatoes at a projected driving scene? Probably not. But does that scene not excellently parody the very glimpse of "reality" a Mondo film would offer to its viewers? Undoubtably, especially if you throw in a cheeky English narrator.
And even if we accept that the filmmakers were perhaps not engaging in a meta filmmaking exercise that still feels fresh even 60 years on, it must be admitted that they certainly did know a thing or two about working a camera. While most films from the early 60s have fairly boring static shots, Mondo Cane takes the camera into the scene. You feel like you are part of the action. The film is full of interesting composition and really excellent shots.
Some of the editing is also noteworthy. One of my favorite sections is the photoshoot for the detective novels. The music is silly, but the long pan and mix of fast motion/stills is like something Kubrick would have created. I am not kidding. It's a shame that so many people over the years have dismissed Mondo Cane 2 just because it's one of those "mondo" film. No, Mondo Cane 2 is art. It may not have been created as such, but that's how I choose to view it today.
In my humble opinion, Mondo Cane II is even superior to its predecessor. The British narrator is amazing (make sure to find the cut with him), the scenes are more varied and interesting (if less "shocking"), and the camera work is excellent. Most later mondo film have none of these charms. They are poorly filmed and rely too much on shocks that no longer have much capacity to shock (hello Faces of Death!).
This ride may not be for everyone, but for a certain type of viewer Mondo Cane 2 is difficult to top.
Yet if you are similarly confused by what anyone could possibly see in Mondo Cane 2, may I humbly suggest that the problem lies not in the film itself but in the viewer. For, taken as a documentary - or even for basic laughs - Mondo Cane 2 is truly not a good film. If you think otherwise, I am deeply concerned about your mental wellbeing. However, viewed from the correct angle, Mondo Cane 2 verges on sublime.
For the true joy of Mondo Cane 2 is not in laughing at people from different cultures, but in watching the film present people from different cultures for laughs. This is meta humor at it's finest. It's hard to believe the filmmakers were not in on this joke too, for some of the scenes are just a little too over the top, the narration just a little too ridiculous, to be taken seriously (even in Mondo movie terms). I mean, was there ever really a room in which frustrated drivers could vent their road rage by throwing tomatoes at a projected driving scene? Probably not. But does that scene not excellently parody the very glimpse of "reality" a Mondo film would offer to its viewers? Undoubtably, especially if you throw in a cheeky English narrator.
And even if we accept that the filmmakers were perhaps not engaging in a meta filmmaking exercise that still feels fresh even 60 years on, it must be admitted that they certainly did know a thing or two about working a camera. While most films from the early 60s have fairly boring static shots, Mondo Cane takes the camera into the scene. You feel like you are part of the action. The film is full of interesting composition and really excellent shots.
Some of the editing is also noteworthy. One of my favorite sections is the photoshoot for the detective novels. The music is silly, but the long pan and mix of fast motion/stills is like something Kubrick would have created. I am not kidding. It's a shame that so many people over the years have dismissed Mondo Cane 2 just because it's one of those "mondo" film. No, Mondo Cane 2 is art. It may not have been created as such, but that's how I choose to view it today.
In my humble opinion, Mondo Cane II is even superior to its predecessor. The British narrator is amazing (make sure to find the cut with him), the scenes are more varied and interesting (if less "shocking"), and the camera work is excellent. Most later mondo film have none of these charms. They are poorly filmed and rely too much on shocks that no longer have much capacity to shock (hello Faces of Death!).
This ride may not be for everyone, but for a certain type of viewer Mondo Cane 2 is difficult to top.
¿Sabías que…?
- TriviaThe scene with the monk setting himself on fire is staged. The special effects were created by Carlo Rambaldi.
- Versiones alternativasMondo Cane No. 2 has less 17 minutes than the original, retitled for release with Perro mundo (1962) in double bills or joint promotions with the Mondo Cane's re-release.
- ConexionesFeatured in Reel Wild Cinema: Psycho-A-Go-Go (1997)
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- How long is Mondo Cane 2?Con tecnología de Alexa
Detalles
- Tiempo de ejecución1 hora 42 minutos
- Mezcla de sonido
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