Mary Poppins

It's hard for me to explain the connection I feel with this film ... I was 7 when it came out, saw it twice in the theaters at the time, and of course have seen it over and over since then. I'm going to get the 40th anniversary DVD soon. You can argue about Dick Van Dyke playing an Englishman, about Julie Andrews being too sweet and young compared to the character in literature, about the fact that the whole thing was obviously shot on a soundstage. But just imagine being 7 or 8 or 9 or 10 or anywhere near there, and not getting out of your small town in the rust belt of the U.S. except maybe a few times a year on holidays, and you can imagine what seeing this magical, albeit Disneyfied, look at another world must have been like. Every time I see it, I think back to the beautiful old movie theater in which I saw it (a block away from the Catholic school I then attended, no less), to getting my mother to buy a certain box of cereal so I could get the Mary Poppins prize inside, to gathering on weekends with cousins to listen to the soundtrack and try to dance like Bert. I've been to London many times since then, but funny enough, as much as the great city has to offer, I've never been able to find that magical place I saw 40 years ago.

Marvellous film and made long before computer special effects....have always wondered in the scene with David Tomlinson grumpy at breakfast...when the Admirals cannon sounds the white statue bust rocks precariously on its plinth but miraculously stays put!.....a happy accident...or the result of many takes!?....

How good is Mary Poppins? I remember singing "Let's Go Fly a Kite" with my then four year old son when we first got it on a now-lost video. He is now a young man, and little brother is a teenager. I am going to buy the DVD for their children, who may not be born for ten more years. I'll watch it myself until then. It's that good. We all have opinions, and mine is that, in the long list of Disney classics and masterpieces, this one is at the top. It is the perfect combination of story, song, characters, actors, whimsy – you name it. I believe it is one of the best movies ever made in any genre.

Need proof? How many songs can you hum in the car or sing in the shower? Chim Chim Cher-ee; Spoonful of Sugar; Supercalifragilisticexpialidocious (thank God for copy and paste); Let's Go Fly a Kite. What about songs that put a lump in your throat and a tear in your eye? Feed the Birds. Great composing, great fit to the story. And Julie Andrews is as good a singer as you will find.

More proof? What about delightful scenes? A tea party on the ceiling. The fox hunt on merry-go-round horses. Dancing on the rooftops of London.

Memorable characters? Bert, even with his horrible accent, is a blast. Old Mr. Dawes. Uncle Albert. Mrs. Banks, that independent woman (as long as it did not annoy Mr. Banks). Jane and Michael having the experience of a lifetime. And poor Mr. Banks, so concerned with being the lord of his castle but learning the important lessons in the nick of time. His illusion of control begins to unravel the moment that Poppins woman walked in the door, and he never figures out who she is and how she did it to him.

Neither do we, really. She is both the cause of much madness but the stability within it as the story moves along. It is one of Disney's greatest talents to craft movies and stories that operate on multiple levels. Children love dancing penguins and fireworks. Adults may as well but they can register the message here of what is truly important in life. Poppins has the answers. It is better we don't analyze who she is – and or course she never explains anything. The Banks family is just glad she was there for a while, and we should be glad that Walt Disney left us with this masterpiece.

I was a big fan of this movie when I was 6, loved it, visually it is fantastic and the music is just too beautiful. It's great fun, and its packed with amazing performances especially from the multi-talented and beautiful Julie Andrews.

I saw it again recently, may be I have more capacity to understand the double sense of things now and found out that this film has so many subliminal great messages that are enriching for the mind and soul...As a little girl I never cried on this film, but it has got so many reasons to cry for(I'm crying now)because it truly is beautiful. The film can be good for children because it actually can stimulate the imagination, and the creativity of a kid, I for example tried to arrange my room by making sounds with my fingers at some point of my life! Still the film contains some messages that can be quite interesting and useful for any other person of any other age.

SPOILERS***** Besides it contains some great effects, especially when you consider the time it was done(1964). Great dancing sequences, and especially those gorgeous songs(each one of them great). The animation part is brilliant, takes a genius to make that and coordinate those dancing penguins with the Bert character.

And I think that all the words that I could possibly say about this film are over, except tat this film is supercalifragilisticexpialidocious! Mary Poppins, practically perfectly in every way! A MUST SEE FILM!!

"Mary Poppins" is one of that select group of films that can truly be called 'Classic', a project conceived in love and filled with so much child-like wonder that it will never grow old or 'out-of-date'. Certainly the crowning achievement of Walt Disney's remarkable career, both story-wise and technically, the film remains an unsurpassed achievement!

Based on P.L. Travers' tales of a magical nanny who arrives to bring families closer, the rights to the stories had been pursued by Disney since 1938, but Travers had seen what studios had done to other authors' works, and withheld her approval unless she could maintain some creative control. Years of negotiations only whetted Disney's desire to make a definitive, truly 'special' film, and by 1960, despite the box office failure of another fantasy-themed 'pet' project, "Darby O'Gill and the Little People", he was more confident than ever in the story's potential, bringing together a remarkable array of talent, including songwriting brothers Richard and Robert Sherman, production head Bill Walsh, and the brilliant artist Peter Ellenshaw to 'visualize' 1910 London through his matte paintings.

With Travers' grudging approval, casting began. While American stage and TV star Dick Van Dyke was an odd choice to play a Cockney chimneysweep, he was a gifted mime and physical comedian, and had such a wholesome exuberance that Disney knew British audiences would forgive his shaky accent. Popular British actors Glynis Johns and David Tomlinson would play the preoccupied parents, with Karen Dotrice and Matthew Garber (from "The Three Lives of Thomasina") as the neglected children. Veteran stars Ed Wynn, Elsa Lanchester, Reginald Owen, Arthur Treacher, and Jane Darwell (as the Bird Woman, in her last screen appearance), headed the strong supporting cast.

But it was the casting of Julie Andrews, in her first film, as Mary Poppins, that truly 'made' the film! Passed over by Jack Warner for the movie version of her stage hit, "My Fair Lady" (he opted for Audrey Hepburn), Disney caught her performance in "Camelot" on Broadway, knew, instantly, that she was the right 'Mary', and approached her for the role. "But I'm pregnant," she told him. "No problem," he replied. "I'll wait!"

And thus a Classic was born!

A multiple 1964 Oscar winner (including 'Best Actress' for Andrews, who got to share the stage with her "Lady" costar, Rex Harrison, who won 'Best Actor'), the film was a major hit, worldwide, and quickly achieved the legendary status it holds today.

With songs both silly and sublime, seamless intermeshing of live performers and animation as only the Disney studio, at that time, was capable of, and the undeniable magnetism of Andrews and Van Dyke, it is nearly impossible NOT to like "Mary Poppins"!