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The more I watch this, the more I like it. Great epic scenes with a huge cast of soldiers, Indians, and horses in real American West settings. The wide screen Panavision photography (with original release prints in IB Technicolor) is excellent. CGI may be fine, but I have yet to see anything surpass the look of hundreds of REAL men on horses in stunning REAL outdoor settings.

As for the story, while I thought the book was very good, the way the characters are handled in the film is better in some ways, and the ending of the film much more to my liking.

One thing they did have to tone down from the book was the sex element. It appears WB even adjusted one sequence after prints were made up. This appears in Reel Two, where Matt Hazard (Tro Donahue) and Kitty Mainwarring (Susan Pleshette) are in thr cave together overnight. With Pleshette's back to audience line (apparently later dubbed in) says "Good night Matt" and there is an ABRUPT cut to daytime and troops coming into the fort. 35mm and 16mm prints I have seen all contain this SLICED cut. And the original 35mm trailer containing the cave sequence does not contain the "good night" line". I believe that originally there was an embrace and kiss between Troy and Suzanne and a DISSOLVE to the next scene (or fade out & in).

In any event, as Westerns go, this has a good story and looks better all the time, especially wide screen.

A Distant Trumpet is directed by Raoul Walsh and written by John Twist with the adaptation from Paul Horgan's novel by Richard Fielder & Albert Beich. It stars Troy Donahue, Suzanne Pleshette, William Reynolds, Diane McBain, Claude Akins & James Gregory. Max Steiner provides the musical score and William H. Clothier is the cinematographer.

1883, Fort Delivery, Arizona, and newly posted Lieutenant Matthew Hazard (Donahue) is about to be thrust into two wars. One is of the heart, the other pits him against the last pocket of Indian resistance: the Chiricahua's, led by the mighty War Eagle.

A blunderbuss "A" class production from Warner Bros that feels like a "B" class Oater from the 50s, A Distant Trumpet has much to recommend to the Western fan. Driven by a rousing cavalry themed score by Steiner, and beautifully photographed by Clothier around Red Rocks (New Mexico) & Painted Desert (Arizona) in Panavision/Technicolor, it's a film that carries a message and pays respect to the topic to hand. Without doubt the makers are keen to mark it out first and foremost as an adrenaline fuelled Cavalry Vs Indians based picture, with Walsh grandly staging the action sequence with skill (100s of extras/stunt men, no CGI here), but although the script could have done with some more work as regards the characterisations, the screenplay does make rich on the promise of adult themes. While the decision to let the Indian characters speak their own language is also a major bonus.

Where it falls down is three fold. Firstly is the problem of asking the average Donahue to carry the film, he may be easy on the eye to those so inclined, but his one note, expressionless, performance is often a distraction to the many splendours around him. Secondly is that the twin lovelies of McBain & Pleshette are underwritten and underused respectively, which in a film that's nearly two hours long (too long and that's the third point) is an act of stupidity. Some would argue that the love triangle sub-plot is an uneasy fit on context to the "war" at the film's core, but it does have value in regards to showing the point of view of the ladies marrying into the army way of life. Yes it should have been formed better, particularly from McBain's (yellow hair, yellow dress and vanilla ice cream skin) character's angle , but it does exist in the narrative and it's good to see.

It's far from the great swansong that Raoul Walsh deserved, but its pluses far outweigh the negatives. Be it battle orchestration (cliff top attack rules!), observing the thorn between two roses dynamic or just that it affords respect to the Indians, it's a film easily recommended to the genre fan. Besides which, Steiner and Clothier make it essential viewing. 7/10

Raoul Walsh's last movie and a western at that! He produced unforgettable classics of the genre such as " Colorado's territory" and "pursued ".

The movie suffers from a desultory script which mixes the Indian's plight with bland love affairs.The lead,Troy Donahue ,lacks charisma and is not very credible as a tough lieutenant .Diane McBain is as expressive as a Barbie Doll ,and only Suzanne Pleshette rises to the occasion.

There's a good use of the wide screen,a superb score by Max Steiner (with trumpets),a general who loves Latin quotations Julius Ceasar style (Veni Vidi Vici) That said,there's never a dull moment with Raoul Walsh .This is not his best or among his best ,but it's always good value.

This may have started out as an "A" production and its visual elements are certainly first-rate. The ever-reliable William Clothier contributes sparkling color photography which fills the wide-screen with some of the most impressive vistas you're ever likely to see in a western. Unfortunately, by casting Troy Donahue in the lead role, Warner Bros. indicated it was relegating this production to "B" status, and the result is just another cavalry-and-Indians movie. Suzanne Pleshette shows promise as "Kitty" but it's hard to do good work when one's leading man is of the Ken-doll variety. Diane McBain has little to work with as the fiancee and merely adds to the feeling that "A Distant Trumpet" is a spin-off from Warner Bros. stable of TV westerns. At least the cavalry soldiers actually get dusty in this movie, and there's a good scene of Bobby Bare being branded on the back for cowardice.

Although no one would ever confuse Troy Donahue with John Wayne, Donahue does acquit himself well in A Distant Trumpet which turned out to be Raoul Walsh's final feature film.

Donahue who made his bones in Hollywood playing mostly decent All American type young men. Here he's a fresh West Point graduate assigned to an Arizona frontier post where the army is busy subduing the last of the great Indian tribes, the Chiracauhua Apache. He's under the command of General James Gregory who was a mentor to him at West Point.

In addition to fighting Indians Donahue has a romantic dilemma. He's engaged to Diane McBain who is Gregory's niece. But on the post now is an old flame Suzanne Pleshette who is married to fellow officer William Reynolds.

Donahue has a similar dilemma faced by John Wayne in Fort Apache. As with the Duke, Troy behaves in an honorable fashion. In fact in his private affairs he's honorable if very tempted.

Take note of a good performance by Judson Pratt as a superior and sympathetic officer to Donahue's plight and a really rollicking and unforgettable one by Claude Akins who is quite the flesh peddler to both the red and white race.

A Distant Trumpet is not as sentimental as John Ford's cavalry westerns. But Raoul Walsh ended his career with a good one.