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A Distant Trumpet is directed by Raoul Walsh and written by John Twist with the adaptation from Paul Horgan's novel by Richard Fielder & Albert Beich. It stars Troy Donahue, Suzanne Pleshette, William Reynolds, Diane McBain, Claude Akins & James Gregory. Max Steiner provides the musical score and William H. Clothier is the cinematographer.

1883, Fort Delivery, Arizona, and newly posted Lieutenant Matthew Hazard (Donahue) is about to be thrust into two wars. One is of the heart, the other pits him against the last pocket of Indian resistance: the Chiricahua's, led by the mighty War Eagle.

A blunderbuss "A" class production from Warner Bros that feels like a "B" class Oater from the 50s, A Distant Trumpet has much to recommend to the Western fan. Driven by a rousing cavalry themed score by Steiner, and beautifully photographed by Clothier around Red Rocks (New Mexico) & Painted Desert (Arizona) in Panavision/Technicolor, it's a film that carries a message and pays respect to the topic to hand. Without doubt the makers are keen to mark it out first and foremost as an adrenaline fuelled Cavalry Vs Indians based picture, with Walsh grandly staging the action sequence with skill (100s of extras/stunt men, no CGI here), but although the script could have done with some more work as regards the characterisations, the screenplay does make rich on the promise of adult themes. While the decision to let the Indian characters speak their own language is also a major bonus.

Where it falls down is three fold. Firstly is the problem of asking the average Donahue to carry the film, he may be easy on the eye to those so inclined, but his one note, expressionless, performance is often a distraction to the many splendours around him. Secondly is that the twin lovelies of McBain & Pleshette are underwritten and underused respectively, which in a film that's nearly two hours long (too long and that's the third point) is an act of stupidity. Some would argue that the love triangle sub-plot is an uneasy fit on context to the "war" at the film's core, but it does have value in regards to showing the point of view of the ladies marrying into the army way of life. Yes it should have been formed better, particularly from McBain's (yellow hair, yellow dress and vanilla ice cream skin) character's angle , but it does exist in the narrative and it's good to see.

It's far from the great swansong that Raoul Walsh deserved, but its pluses far outweigh the negatives. Be it battle orchestration (cliff top attack rules!), observing the thorn between two roses dynamic or just that it affords respect to the Indians, it's a film easily recommended to the genre fan. Besides which, Steiner and Clothier make it essential viewing. 7/10

A majestically simple Cavalry Western concerning the savage and stirring story of the last of the Great Indian Wars . Dealing with West Point graduate Lt. Hazard : Troy Donahue taking on lax discipline , a loving triangle : Suzanne Pleshette , Diane McBain , and eventually fighting brave Indians in impressive battles . Pulitzer Prize Winner Paul Hogan's epic novel of Indians and Indian-fighters !

Raoul Walsh's last movie saddled with a regular storyline but with vivid pacing and action enough . Decent Western emerging as a sweeeping and spectacular cavalry story with noisy action , thrills , emotion and breathtaking battles . It displays astounding massacres before introducing the ordinary liberal message of the Sixties . An enjoyable cavalry and Indians film in which Raoul Walsh letting them to speak their own language , by using subtitles on screen . A little reminiscent of John Ford trilogy : "Fort Apache , She wore yellow ribbon, Río Grande" , in mood and manner. Although , the film relies heavily on the romantic complicaciones among three protagonists . Main and support cast are acceptable. Troy Donahue gives a colourless acting as the stiff-uper-lip officer , while Suzanne Pleshette and Diane McLean play well as his beautiful lovers . Along with the familiar secondaries as William Reynolds , Claude Akins , Kent Smith , Larry Ward , Russell Johnson and especial mention for James Gregory as the proud Maj. General Alexander Quaint .

It is brilliantly and colorfull photographed by William Clothier . Rousing and moving musical score by the classic Max Steiner , including attractive leitmotif . The motion picture was competently directed by Raoul Walsh. The laconic mastery here denies the aacusations of decline levelled at Walsh , even if many of his later movies were disappointing . Raoul Walsh was a prolific filmmaker who made a lot of films in all kinds of genres with penchant for adventures, Noir Film and Western , outstanding the following ones : " The Thief of Bagdag , Big Trail , The Roaring Twenties , They Drive By Night, Dark Command , They Died With boots On , Strawberry Blonde , High Sierra , Gentleman Jim, Desperate Journey, Northern Pursuit, , Background to Dager , Uncertain Glory , Objetivo Burma, Pursued, Silver River , The Enforcer, Distant Drums , White Heat , Along the Great Divide , The World in his Arms , The Lawless Bread , Blackbeard , Sea Devils , A Lion in the Streets , Gun Fury, Band of Angels The Tall Men The Naked and the Dead , Esther and the King" and many others .

Troy Donahue and Warner Bros had a great collaboration starting with "A Summer Place" and following with "Parrish" "Susan Slade" "Rome Adventure" and "Palm Springs Weekend" where Troy was always first billed over stars such as Claudette Colbert, Karl Marlden and Angie Dickinson, etc. Jack Warner obviously decided it was time to ramp up the Troy Donahue films and assigned veteran and legendary director Raoul Walsh who directed many of Warner Bros. greatest stars such as Errol Flynn in this rousing action drama. In addition William Clothier another stalwart professional of great films was the Cinematographer. First rate Warner Bros. production values and great action scenes crafted by Raoul Walsh, and some fine acting by a cast of supporting players makes this a fine film to watch anytime. Thumping Max Steiner score is tops.

Warners in the 1960's had a large group of fine contract players and Jack Warner slotted them in major Warner Bros films when he could so look here for Diane McBain and William Reynolds -both WB contract players- in this film. For Diane McBain this was her second film with Troy Donahue after "Parrish" and Suzanne Pleshette who married Troy Donahue after "Rome Adventure" is also cast.Very effective western with a splendid rousing memorable Max Steiner score.

Although no one would ever confuse Troy Donahue with John Wayne, Donahue does acquit himself well in A Distant Trumpet which turned out to be Raoul Walsh's final feature film.

Donahue who made his bones in Hollywood playing mostly decent All American type young men. Here he's a fresh West Point graduate assigned to an Arizona frontier post where the army is busy subduing the last of the great Indian tribes, the Chiracauhua Apache. He's under the command of General James Gregory who was a mentor to him at West Point.

In addition to fighting Indians Donahue has a romantic dilemma. He's engaged to Diane McBain who is Gregory's niece. But on the post now is an old flame Suzanne Pleshette who is married to fellow officer William Reynolds.

Donahue has a similar dilemma faced by John Wayne in Fort Apache. As with the Duke, Troy behaves in an honorable fashion. In fact in his private affairs he's honorable if very tempted.

Take note of a good performance by Judson Pratt as a superior and sympathetic officer to Donahue's plight and a really rollicking and unforgettable one by Claude Akins who is quite the flesh peddler to both the red and white race.

A Distant Trumpet is not as sentimental as John Ford's cavalry westerns. But Raoul Walsh ended his career with a good one.

This last Raoul Walsh film has to be assigned the status of a hot mess but since it is a Walshian mess there are, of course, some nuggets to be found within the detritus. Chief among these is one of the finest cavalry/Indian battle scenes you are likely to see, a nearly fifteen minute affair complete with well orchestrated charges, strategic retreats, feints and ambuscades. Nice to see this finest of action directors go out with at least one great action sequence under his belt. Also notable are good performances from Suzanne Pleshette and James Gregory. Plus, the Arizona location shooting is awesome (thinking especially of those extensive, terraced rapids next to War Eagle's camp). And Max Steiner's half stirring, half mocking musical score, one of HIS very last, rises to the occasion, as well.

Because I am a huge Walsh fan I will deal with the two main flaws as quickly as I can and assign them to others. One is a florid, clunky screenplay with a too hasty and historically inaccurate denouement and stiff, melodramatic dialogue from messers John Twist (known mostly for gal weepies and it shows), Richard Fielder and Albert Beicht. The other is Troy Donahue's performance in the lead. Put simply, it sucks. When he's with good thesps like Pleshette and Gregory you don't notice as much but when he's paired with a similarly crappy actor like Diane McBain it's like watching rejected scenes from "Surfside 6".

Bottom line: If you're a Walsh fan you'll like it, if you're a Pleshette fan you'll put up with it and if you're a Donahue fan, may I suggest therapy? Give it a C plus.