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When Jerry Lewis had a strong director like Frank Tashlin who had his own ideas about comedy both could turn in a really good film. The Disorderly Orderly ranks up there as one of Lewis's best solo films.

The Disorderly Orderly casts Jerry as a would be doctor who but for one thing might have his MD degree, he's a natural born klutz. He's working at a private hospital where every task he's given turns into a disaster. He'd be fired but for the fact that the hospital head Glenda Farrell was once involved with Jerry's father and she looks on him as a child with special needs. The head nurse played by Lewis film regular Kathleen Freeman would like to strangle him as does Everett Sloane the chairman of the hospital board after a couple of encounters with him.

It's a psychological block that Jerry has, he empathizes too much with the patients and he tries too hard. The scene that brings that out is when he has to listen to Alice Pearce as one of the patients go through her laundry list of ailments. Lewis's reactions are positively hysterical.

Truth be told not everything is his fault. There's a surreal scene where Jerry is trying to fix patient Barbara Nichols's television of the snow showing. He opens it up and an arctic blast comes through the television. Truly not his fault, but also very funny.

As it turns out the cause of his complex arrives at the hospital in the person of Susan Oliver who was a prom queen back in his high school who Jerry didn't have the nerve to approach. Contact with her cures him though not the way you think or what you think.

Lewis's performance hits on all levels from the screamingly funny to a sad kind of pathos especially involving Oliver. His relationship with her as an innocent reminds me a lot of Lou Costello in several of his films.

The last ten minutes involving a chase scene with two ambulances reminds me of the chase in The Bank Dick later revived in In Society. There's also a nice cameo from Jack E. Leonard as another patient who gets the better of Jerry.

The Disorderly Orderly is an absolute must for Jerry Lewis fans of yesterday and today, it belongs at the top of his comedy classics.

By this Time in His Solo Career Jerry Lewis was Showing Signs of Slipping and the Usual Self Indulgence was Becoming a Bit Much for Discerning Movie Goers and this was the Comedian's Final Year to be a Box Office Star.

It is a Typical Mugfest for Jerry and with His Familiar Director and Friend Frank Tashlin to Help with the Ego, there is Much Emphasis on Elaborate Visuals for Lewis to Run Amok in and around. But a Number of Times the Whackiness Subsides for some Sentimental Claptrap that is Painful to Watch.

The Final Chase Sequence is Quite Good and Jerry has a Few Bits of Inspiration Throughout and this was the Last Movie that could be called a Fine Film as the Remainder of His Output was Decisively Poor.

Note: Jerry Lewis was outstanding in a straight role in Martin Scorsese's King of Comedy (1982), one of his best performances on screen.

I am not a Jerry Lewis specialist, though I possess nearly all his films, but comedies are not my stuff. However I like this kind of entertainment,naive, mindless but exciting, especially in climaxes. This one makes no exception and remains I guess one of Jerry Lewis' best, pulled by a Frank Tashlin in great shape. Last fifteen minutes are overwhelming, a gigantic tribute to Buster Keaton and silent slapstick masterpieces. IT'S A MAD MAD WORLD was also a terrific tribute to slapstick movies.

This is the usual Jerry Lewis slapstick, though a lot of it seems somewhat forced this time around. Still, writer/director Frank Tashlin keeps it breezy and fast-paced, and makes some memorable scenes, such as the wild chase at the end. Tashlin's previous work in animation is really evident here.

What's unusual about this J.L. entry is that there are a number of quite serious moments, ranging from a criticism of for-profit medical care, and the saga of a suicidal patient Lewis' character falls for. These moments are treated so serious (and convincingly) it's really odd to find them in such a slapstick movie.

This is the kind of movie most Lewis fans cite when talking about his best.

And why not? "The Disorderly Orderly" pairs Lewis with a good director (Tashlin), apt foils (especially Freeman), supremely funny moments (check out his "sympathy pains") and just the right amount of bathos in spots to give his character not just a clown but a good-hearted, hard-working, sympathetic clown.

And as most come to expect with this kind of movie, slapstick is the prevalent language throughout and if you don't speak it, you won't understand it here. I do, and I did.

See, and they said he wouldn't make it without Dean.

Eight stars. Classic slapstick carnage with a classic slapstick idol.