CALIFICACIÓN DE IMDb
7.3/10
8.6 k
TU CALIFICACIÓN
Agrega una trama en tu idiomaCriminals have chosen an ordinary man to carry drugs and jewels in his car across the border. The problem is that this man turned out too much ordinary.Criminals have chosen an ordinary man to carry drugs and jewels in his car across the border. The problem is that this man turned out too much ordinary.Criminals have chosen an ordinary man to carry drugs and jewels in his car across the border. The problem is that this man turned out too much ordinary.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 nominación en total
Henri Génès
- Martial - l'ami d'Antoine
- (as Henri Genés)
Jack Ary
- Le commissaire
- (as Jacques Ary)
Jacques Ferrière
- Le chauffeur de Saroyan
- (as Jacques Ferriere)
Guy Grosso
- Un douanier
- (as Grosso)
Michel Modo
- Un douanier
- (as Modo)
Bernard Meusnier
- Le secrétaire de Saroyan
- (as Bernard Meunier)
Opiniones destacadas
a lot of gags and humor of situation. parody of a popular genre. and a couple who gives memorable mark to a film not real different by many others from the French cinematography of ''60's. Louis de Funes and Bourvil. a Cadillac. and a ruined plan. and many hilarious situations who mix ingenuity and neurosis, fights and revenges, stupid characters and insignificant small man who reimpose justice. and the end is a gem. clichés of crime films are exploited with great art. the love has its slice. the tension is not ignored. and few Italian/French classic landscapes are the perfect spices. a popular comedy, off course. special for the art of two great comedians. and for the freshness of irony about lifestyle's aspects from the period, not different by present.
This was playing on French TV when I was on a recent trip to France. I laughed often during this marvelous old film. Even though my understanding of the language is minimal, I enjoyed this movie very much.
It has some wonderful physical comedy and the vintage cars and clothes are a treat to watch. The main character, who remains oblivious throughout the story, is a lovable clueless man. The crooks are appropriately stupid.
The camp shower scene is a classic. Even my husband laughed out loud during that ... a rare occurrence.
I wish I knew where to buy this film with English subtitles to watch it on a dreary winter night! It would a fun one to share with others to raise serotonin levels for all.
It has some wonderful physical comedy and the vintage cars and clothes are a treat to watch. The main character, who remains oblivious throughout the story, is a lovable clueless man. The crooks are appropriately stupid.
The camp shower scene is a classic. Even my husband laughed out loud during that ... a rare occurrence.
I wish I knew where to buy this film with English subtitles to watch it on a dreary winter night! It would a fun one to share with others to raise serotonin levels for all.
Bourvil plays the role of Antoine Marechal, a seemingly witless insurance salesman, who on his way to a vacation in Italy in his "deux cheveaux" automobile gets hit and has his car literally destroyed by the Rolls Royce of Leopold Saroyan, an affluent industrialist played by Louis de Funes. In order to make amends, Saroyan offers to have Marechal complete his trip to Italy in his convertible Cadillac (replete with a mobile phone and phonograph player - this is no less than twenty years before the advent of cellular phones and CD players). What Marechal doesn't know is that the Cadillac is also laden with stolen jewelry and drugs to be smuggled unwittingly by him across the border. What's more, Saroyan and two cronies as well as a smattering of other criminals tail Marechal during his journey across Italy and try to intercept or recharge, as the case may be, the merchandise on board the Cadillac. The hi-jinks in this movie are incredibly funny. This film is a worthy precursor to de Funes' "The Adventures of Rabbi Jacob."
Of course this movie is dated (43 years by now), but in my opinion that rather adds to the fun. We get to see quite many street scenes of the time, in France and Italy, and of course lots of cars from that period (including two Rolls-Royces). For railfans, even a "Picasso" railcar is thrown in...
I'm normally not a fan of Louis de Funès' frantic humour, which is also evidenced here, but he also has very admirable (non-talking) moments, like the Cadillac repair to a classical music score, or the muscle comparison in the camping shower.
In all, a turbulent comedy plus Italian road movie. Very lovely. The German DVD I bought (Universal 2008, titled "Louis, das Schlitzohr") also has English, Spanish and Dutch dubs, but not the original French soundtrack. Still, jolly good fun which made my Friday night perfect :^)
I'm normally not a fan of Louis de Funès' frantic humour, which is also evidenced here, but he also has very admirable (non-talking) moments, like the Cadillac repair to a classical music score, or the muscle comparison in the camping shower.
In all, a turbulent comedy plus Italian road movie. Very lovely. The German DVD I bought (Universal 2008, titled "Louis, das Schlitzohr") also has English, Spanish and Dutch dubs, but not the original French soundtrack. Still, jolly good fun which made my Friday night perfect :^)
I first watched Le Corniaud when I was still a student in colonial Mozambique and found it roaringly funny - the scenes of sugar cubes placed in the gasoline tank (twice) with de Funes promptly getting his aides to suck out the gasoline; that marvellous camp shower scene; and Bourvil missing the plot altogether, unwittingly dispersing the contraband goods all over the place and always finding gorgeous women for company - it is all zany, unpretentious fun from a time long gone when fun could be politically incorrect without anyone giving it a second thought or being offended by it.
I have watched Le Corniaud twice since Mozambique and though the story is a bit patchy the leading duo is in top form, the Italian scenery is to die for, and it has such wonderful vignettes that I cannot help but laugh and laugh and laugh.
I have watched Le Corniaud twice since Mozambique and though the story is a bit patchy the leading duo is in top form, the Italian scenery is to die for, and it has such wonderful vignettes that I cannot help but laugh and laugh and laugh.
¿Sabías que…?
- TriviaNext to La fuga fantástica (1966) this was Louis de Funès biggest success in France.
- ErroresMaréchal falls in the sea backwards, but in the next shot he is clearly falling frontwards.
- Citas
Leopold Saroyan: But he's honest. You can see it in his face. And that's the best passport there is. For a customs officer, the person's the suspect, not the car.
- ConexionesFeatured in Louis de Funès ou Le pouvoir de faire rire (2003)
- Bandas sonorasLa Boutique Fantasque
(uncredited)
Written by Gioachino Rossini and Ottorino Respighi
Performed by Orchestre Lamoureux
Conducted by Roberto Benzi
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Detalles
- Fecha de lanzamiento
- Países de origen
- Idiomas
- También se conoce como
- The Sucker
- Locaciones de filmación
- La Villa d'Este, Tivoli, Roma, Lacio, Italia(shootout in fountains)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- FRF 5,300,000 (estimado)
- Tiempo de ejecución1 hora 51 minutos
- Relación de aspecto
- 2.35 : 1
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