Carry on Spying

This movie is not the best of the Carry on franchise but it works very well. Yes even with one or two moments of uneven pacing and an underused Dilys Lane, the film is very entertaining, with a nice simple story and some funny dialogue and gags. Carry On Spying is nicely filmed, has a quirky score and the acting is fine(even without Sidney James). Ever the old pros, Kenneth Williams and Charles Hawtrey give it their all and are great fun, while Judith Furse stands out as well. But it is the wonderful Barbara Windsor who steals the show, she was delightful in this movie. Overall, this film is simple and thanks to the acting and dialogue especially is very entertaining as well. 8/10 Bethany Cox

After "Carry On Cabby", I expected "Carry On Spying" to descend into the campy sixties, but truthfully, this one was entertaining. Without regulars Sid James, Hattie Jacques (I suspect she was offered the villianess role) and Kenneth Conner, I expected this one to focus entirely on Williams buffoonery.

He was more of a nitwit here than a snotty know-it-all, but he was given the spotlight this time.

So this was Barbara Windsor! She truly was entertaining and not just because of her physique. She's not boring to watch or listen to.

Obviously Bernard Cribbins was filling in the Kenneth Conner spot, and quite honestly, Cribbins (whom I only know from the Doctor Who movies with Peter Cushing) he wasn't as Jim Carrey-esque as Conner has been in the previous films.

What an entertaining series this is, watching the transition from "Carry On Sergeant" to "Carry On Spying" thus far. I do look forward to what I have left to see of these films.

After this, it is on to "Carry On Cleo"!

Although not "Carry On" at it's best, this is a very entertaining addition to the series. Although touted as a Bond spoof this has much more in common with British spy movies of the 40's - "The Third Man" is often referenced. Only at the end do we get the Bond-esque action, and this is where it all goes wrong. The climatic sequence is not only very silly (even by Carry On standards) but also lazy. Barbara Windsor makes her series debut here and is a joy to watch. Williams does his "silly man" character from the Hancock shows rather than the usual "Snide" persona, and Bernard Cribbins is as loveable as always. If you want a James Bond spoof or a classic Carry On, don't come here. If you want a silly comedy in the Ealing Studios vein then this might well be your cup of tea.

RANKING: The only "old style" black and white one to be in the top ten. What makes this stand out is it's got an actual plot. Unlike the later ones which relyied on our familiarity with the characters so much so that they could be just a series of smutty jokes, this one has a proper story - albeit a very, very silly one. Although it is a black and white one, it is NOT from the early batch of Norman Hudis films (which are not funny). No, this is a proper Talbot Rothwell picture who wrote virtually all of them from 1963 onwards...and being one of his first, the jokes are fresh!

TYPICAL: Kenneth Williams plays the role Kenneth Williams always played in the early sixties whether in film, TV or radio, particularly in HANCOCK'S HALF HOUR - and he's never been better or funnier than in this.

But is it a typical Carry On Film? No, definitely not. This is more of a James Bond spoof than what people would consider to be a Carry On film. The humour isn't that bawdy seaside postcard style which developed later on but there are a few saucy double entendres to give us a taste of things to come. The humour in this is more akin to the type of silly schoolboy humour you would have heard in the radio comedies of the late fifties and early sixties so if you're a fan of Hancock, Round The Horn and all that sort of stuff, you will definitely love this.

Don't however expect a parody in the classy style of CASINO ROYALE (1967) or AUSTIN POWERS, this makes AUSTIN POWERS seem like Chekhov.

SEXY LADIES: This was made before that factor became an absolute essential ingredient. Nevertheless, Barbara Windsor is quite cute and it doesn't matter in something like this that she hadn't really learned how to act yet.

When the evil forces of STENCH strike at a British research laboratory they get away with a top secret chemical formula. With the British agents spread thin across the world, The Chief has very few options open to him to follow up the lead into the mysterious Milchmann who led the attack. The Chief scraps the bottom of the barrel and comes up with Simkins – probably one of his worst agents. Assigning Simkins with a handful of trainee agents – Crump, Honeybutt and Bind – the ragtag band set off to meet up with Agent Carstairs in Vienna.

Despite being made in the mid-sixties this Carry On film has more in common with those made early in the series (Teacher and Sergeant) more than it does with those made around the same time as it (Jack, Cruising, Cowboy). It is not just the black and white that made me think this but also the fact that the humour seems fresher and slicker than the heavy innuendo and crudity of the later films. Others have said this has more in common with Ealing than Carry On – they are wrong, but I can see what they mean because the light spy spoof is very much an early Carry On. The material isn't great though but it does produce easy and obvious comedy and those looking to just to fill a wet Sunday afternoon.

The cast make a big difference even though not all the regulars are present. Williams and Hawtrey are the most fun as both play up their camp characters to good effect – they both get the best lines as well. Windsor is pretty good as she isn't just used as an object. Cribbins was pretty dull I thought but Dale was good value in a small role. Additional support from Barker, Laye and a few others all helps. Overall a Carry On like they first made them; not brilliant but light fun.