Dos seductores

This was one of those movies whose presence on TV would guarantee my entire family's viewing, even if it came on in the middle of the night. David Niven is a suave fleecer of gullible women, who tries to teach novice Marlon Brando a thing or two. Ultimately, both set their sights on soap heiress Shirley Jones, and the games begin.

Brando's brief impersonation of Niven is worth the price of admission (or rental, or whatever). Superior to the pretty-good remake, "Dirty Rotten Scoundrels."

"Bedtime Story" is a very unusual film in that I actually much preferred the remake, "Dirty Rotten Scoundrels"...and I rarely enjoy remakes. I won't bore you with a lot of details--suffice to say that it's pretty much the same plot but the character played by Marlon Brando is very sexist and crude...much more so and much more of a jerk than the character played by Steve Martin. And, therein lies the problem--he plays such an obvious pig that the film loses the audience. You just cannot believe he's a con man...and a successful one at that. Overall, an interesting idea that only is modestly interesting...at best. Stick with the 1988 film...your brain will thank you.

Between this and Guys and Dolls and the Godfather parody w/ Mathew Broderick, Marlon showed that he could be very funny. Sort of like Errol Flynn, I wish he had been given more opportunities.

I have looked in vain for this on DVD it was supposed to have been released a couple of years ago, I'm not sure what happened.

As noted many will be familiar with the remake (Dirty Rotten Scoundrels), though I prefer the original. There is a priceless scene where Marlon (as Freddy)is caught with his pants off after seducing the burgomeister's daughter in a German town. He explains that he is part of the new Exercise instruction program and he begins doing calisthenics as he makes his exit.

I also liked when David Niven and Brando first meet and realize that they are competing in the same line of work albeit at different levels.

Highly recommended.

'shoes

Before tackling the film proper, I'd like to point out some fascinating trivia first: originally, this was planned with Cary Grant and Rock Hudson in mind who were to compete for Doris Day and, allegedly, it was almost revived as a starring vehicle for (brace yourselves) David Bowie and Mick Jagger (!!)…before saner minds prevailed and we got DIRTY ROTTEN SCOUNDRELS (1988) – with Michael Caine and Steve Martin replacing David Niven and Marlon Brando respectively – instead. Anyway, the premise was quite original at the time – rival con-men decide to collaborate but clash over fleecing a woman who turns out to be poor – and the film itself was actually better than I was expecting: in any case, "The most vulgar and embarrassing film of the year" – as The Daily Express had deemed the film on its release – it certainly wasn't!

Given that BEDTIME STORY was one of Brando's efforts from his lean period (and, uncharacteristically, a comedy at that), I didn't have high hopes for it initially – especially since some of the other "comedies" I had seen Brando in had been pretty desperate attempts: A COUNTESS FROM HONG KONG (1967) and CANDY (1968; see above). Still, that the Method actor was capable of handling lighter material than the brooding dramas he was best-known for, was already evident early on in his career with GUYS AND DOLLS (1955) and THE TEAHOUSE OF THE AUGUST MOON (1956), but this is perhaps his most engaging performance in this field; that said, it's rather disquieting to see him mugging like a Jerry Lewis wannabe (when posing as Niven's half-wit brother)! His co-star isn't particularly taxed by his role – having often played the roué, it's one he could have done in his sleep – but he's always good value in this type of light entertainment; ditto Shirley Jones, who plays it more or less straight.

The delightful opening, lending fairy-tale connotations to the narrative (hence the title) and the various schemes by which the two male stars attempt to outwit one another in order to obtain Jones' favors (and, in the process, her money) constitute the film's highlights; these include the famous scene in which Brando poses as a paraplegic – recalling his celebrated debut performance in Fred Zinnemann's powerful social drama THE MEN (1950) – as a result of which Jones arranges for him to be "cured" by renowned shrink Niven!

I watched the film via the R2 DVD from Orbit Media, presenting the Universal film in a full-screen format; I haven't been able to ascertain what the original aspect ratio was, but I didn't find the compositions overly compromised; for the record, BEDTIME STORY is still unavailable on R1 DVD and one wonders what held it from being included in Universal's four-film 2-Disc Set of "The Marlon Brando Franchise Collection"...

For David Niven, Bedtime Story was the kind of part he could play in his sleep although he's quite wide awake here. But for Marlon Brando this was his second foray into comedy, he would not do another until the Nineties when he was accepting roles for money to pay his son's lawyers. Brando does quite well in Bedtime Story as the sleazy GI conman.

We meet both of them separately at the beginning, Niven in his guise as a prince living in a palace on the French Riviera, fleecing money from rich tourists trying to free his country from the rebels, presumably Communists. And Brando manages to con his commanding officer Parley Baer more worried about getting his promotion to general than in dealing out justice to the guy who disgraced his daughter into an early discharge with a private separation package.

Brando as civilian meets with Niven on board a train heading to the Riviera and brags about his exploits and talks about trying his luck on the rich babes there. Niven not wanting any competition arranges a small frame up with the cooperation of the police chief Aram Stephen. Of course when Brando gets wise to it, they're forced into a partnership of sorts.

Niven sort of glides right into a part that he's done on many occasions, in this case not even having to rely solely on his considerable charm to carry a weak film. Brando had done comedy on screen before in Teahouse of the August Moon, but the role of Freddy Benson, GI Conman extraordinary fits him far better than Sakini in Teahouse.

If Paul Henning and Stanley Shapiro on hiatus from their rural franchise at CBS had really wanted to make this a better film, they would have invested a surprise in Shirley Jones traditional good girl character. Remember she won an Oscar for playing against type in Elmer Gantry as a prostitute. Think of the ending in the John Wayne film The Train Robbers and think how it would have really fit here.

Still Bedtime Story is not a bad film and it even got remade as the Steve Martin classic, Dirty Rotten Scoundrels. And hats off everyone to Dody Goodman, the legendary Fanny of Omaha.