La séptima aurora

Set in the terrorist-turn Malaya of the Fifties with a commmunist guerrila just after WWII and pre-independence . The tale is the old of two men :William Holden , Tetsuro Tamba , friends in the war against the Japanese who , years later , find themselves on opposite sides . Along the way , Holden discovers Susannah York swimming in the nude . During the violent riots , Capucine is detained and accused of treason . The governor : Michel Goodliffe threatens her to be condemned for terrorism, and to execute her , as her friends have to save her from hanging for a crime she did not commit .

Stirring and enjoyable film set in Malaysia , it is all quite exciting , however the finale results to be a disappointing anti-climax . Being based on the novel titled The Durian Tree by Michael Koel and thrilling script by Karl Tunberg . Main actors are pretty good . William Holden is fine as a former officer who decides to become himself a landowner and stay on with mistress Capucine after the war , while Tetsuro Tamba is right as the guerrilla fighter who takes off for Moscow and goes back indoctrinated and determined to convert the country into Communism , finally Susannah York is very attractive as the governor's daughter who has a crush on Holden and helps him out. Filmmaker Lewis Gilbert drives his players hard , providing nice acting from Wiliam Holden , Susannah York , Tetsuro Tamba and outstanding Capucine who delivers her character any real feeling . They are supported by a top-notch secondary cast , such as : Michael Goodliffe , Allan Cuthbertson, Maurice Denham, Sidney Tafler, among others.

It contains a colourful and sunny cinematography by prestigious cameraman Freddie Young , shot on location , but a perfect remastering being really necessary . As well as a rousing and moving musical score by the Italian Riz Ortalani. The motion picture was competently directed by Lewis Gilbert, though his efforts are often stunted by a storyline with plenty of cliches . This Brit craftsman Lewis Gilbert was a good professional who directed a lot of films , getting successes and some flops . Lewis made all kinds of genres and James Bond movies , including the following ones : Damn the Defiant , Alfie , Educating Rita , Sea shall have not them, The Spy who Love me , Moonraker , You only live twice , among others . Rating : 6.5/10 . The flick will appeal to William Holden fans .

William Holden, Capucine, Susannah York, and Tetsurô Tanba star in "The 7th Dawn," a 1964 film done on location in Malaysia. At the end of World War II, Major Ferris (Holden) decides to stay in Malaysia, where he becomes a land baron. The woman who fought alongside him, Dhana, moves in with him. The third member of their trio, Ng (Tetsuro Tanba) who is like a brother to both of them, leaves to work with the communists.

Over the years, it becomes more dangerous to live in Malaysia due to Communist terrorism as the British prepare for Malaysian independence. As the situation worsens, Major Ferris and Ng ultimately have a difficult and painful decision to make.

"The 7th Dawn" is visually stunning, with some absolutely magnificent photography throughout, with an interesting story that was overshadowed in history by Vietnam. William Holden is perfectly cast as the world-weary Ferris, and Capucine gives a very dignified performance as the highly regarded activist Dhana. Susannah York plays a beautiful young woman who falls for Ferris, and handsome Tetsuro Tanba gives a powerful performance as the dedicated Ng.

Very good script without a typical Hollywood ending. I'm not quite sure why this film isn't more regarded.

Odd, that I don't recall the word 'communist' being uttered throughout this picture. Anyone notice if it was? It was pretty clear from the references and the red stars the Ng and his guerrillas were communists. This is an entertaining film from a jungle war that has been largely forgotten in the shadow of Vietnam. The British spent 12 years eradicating the elements they called "communist terrorists" before Malaysia became independent. Most of their enemies weren't conveniently

uniformed like Ng's forces, but were more like the grenade-tossing chauffeur. The SAS played a key role in suppressing the communists, and the British pretty much wrote the book on how to deal with these sort of insurgencies, lessons the

Americans too often seem to forget (though they slowly seem to be figuring it out in Iraq and Afghanistan). Saw this movie years ago and liked it, liked it more in a recent viewing, in spite of its flaws. Always liked Holden, have a real soft spot for Susannah York - and Capucine was splendid. Some great cars in this movie, too (and a Gloster Meteor, too, I think). And yes, superbly photographed.

I agree with most posts. I think this was an underrated film, surprisingly hard to find. It was quite critical of the British elements of counter terrorism. It seemed a little simplistic, but it told a story not usually found in most movies. I think that it was a good, balanced viewpoint of colonialism, terrorism as well as romance. This would be an intriguing remake, if today's times were a little different. Today's culture is far into the anti-terrorist mode to understand the psychology of insurgency. Vietnam was much more complex, with the S.Vietnamese bureaucracy betraying themselves and China masterminding the NVA for its own purposes. William Holden played the naive, if somewhat self-important voice of reason. He played the angle from his side, and was critical of the British viewpoint. The "loyalty" aspect was quite intriguing and prevalent throughout most of the film, and he distinguished that element again in the Wild Bunch. This was a pretty good movie.

When the old KCOP Channel 13 in Los Angeles showed matinées (afterschool for me then), I saw this engrossing movie. Who could resist the lushness of the Malay jungle juxtaposed with the British Governor's pristine lawns? Not to mention the fascinating interweaving of the old love triangle amongst Ferris, Dhana, and Ng with an anti-colonial rebellion? I may have been a precocious child, but these things were clear to me amidst the Vietnam War. It's good to see others who recall this movie for what it remains--a trenchant comment on nationalist insurgents fighting their imperialist overlords. The irony is that, despite the purity of their intentions, the guerrillas destroy what they fight for: control of their own destiny. One might read the lovely Dhana as the fragile Malayan countryside laid waste in the ensuing skirmishes. True enough that the British colonial government executes Dhana. Yet both Ferris and Ng lose their dreams as well: Ferris leaves Malaya without Dhana (or even Candace), and Ng is dead.

When I found the LP recording of the beautiful Riz Ortolani score about 20 years ago, I snatched it up. I won't expect a CD version, but Ortolani deserves to be lauded for music that supports the storyline. We may well remember "More" from Mondo Cane, but the haunting theme from The 7th Dawn can hold its own.

Now, if only one could include this movie in a grouping of films with the broad theme of protesting war (Live for Life, Year of Living Dangerously, Torn Apart, Indochine)and show them to politicians....