Comando aereo

This is one of the great television shows of the sixties that needs to be brought back. I don't know if the problem was popularity, subject, or because it was in back and white. Color would have killed it. The show took a minor dive when Robert Lansing left, but it was great entertainment and an example of great television they don't do today. I can still catch myself humming the theme.

The first season of 12 O'clock High was a credit to all involved. As a 10 year old watching in 1965 there was not enough action. However, the story lines were good and the acting and production seemed believable. You really felt an empathy for COL Savage as one of his planes and 10 men took a hit and went down in flames. Filming in Black & White added that "look" that was also the trade mark of that great TV series "Combat". It is a shame that Lansing did not get along with Quinn Martin (mentioned above) as the series went down hill when he left. I still recall the episode when he did'nt come back from a mission. Twelve O'clock High is a memorial to those Pilots and Aircrew of the US 8th/5th Air Force as the majority of the young men did not make it through to their 20 odd missions and return to the States. Imagine sitting in a B-17, cold and miserable, freezing to death for up to 8 hours or more then having to fly through the wall flak on that final run to the target. Being jumped by enemy fighters on the way in and out of the target with nowhere to hide. They were sitting ducks. The British gave up daylight Bombimg.

Regrads Pete H, Sydney, Australia

It is truly fine to be among the fans and supporters of this fine old chestnut. I am also in my fifties, and I knew a lot of WWII vets when I was a kid. My father rebuilt the big airfield at Foggia in Italy and the pastor of the church I went to was a nose gunner in B-24's. I've known 17, 24, and 29 pilots. To them the series was right on the money.

I always liked Lansing's Savage better than Peck's, but none of you noticed that the first few episodes were written by the men who wrote the original novel. In most cases, that usually makes for high production values and attention to characterization. Lay and Bartlett had a good ear for the experience because they lived it.

I have used "The Men and the Boys" and "Golden Boy Had Nine Black Sheep" as teaching tools in my European history and American history classes. The kids generally take to them, once they get past them being in black and white.

When this comes out so I can put it alongside "Rawhide" on my shelves, I will truly be a happy man.

Bob Potter Wilmington, Delaware

I watched this program with my dad, who was a WWII vet and former POW, when I was very little. Recently, I purchased the entire set and began to watch all over again. I, too, did not accept the death of General Savage and always thought they would find him somewhere and bring him back. The naiveté of the young....

I always felt Colonel Gallagher was a poor replacement until I began to really watch these episodes as an adult. I think people tend to compare the two and there is just not a comparison to be made. Frank Savage was a maverick and a very decisive character. You didn't see him delving out too much sympathy or being overly sentimental. Joe Gallagher had a lot of baggage to carry around with an overbearing General (Max Gallagher) for a father and issues with his self worth. Each character should be judged for their own merit. We knew a lot more about Joe than we did about Frank.

I don't think Robert Lansing should have been replaced and I do think the program would have fared very well had he been allowed to continue the role. However, since the powers that be decided to replace him, we should judge Paul Burke for the person he was portraying and not for his ability to play like he was Frank Savage.

I recently had a chance to see this show again after many years. I thought that it was a great show before, and I feel the same way now (I refer to the Robert Lansing/season one show -- I agree completely with the comments that head this list).

Robert Lansing, and the writers, show how leadership happens, when the commander doesn't have the option of starting over with someone else. He knows that his unit is only as strong as the weakest member, and he uses his knowledge and his leadership ability to get his men to do their best, even when it may cost him personal popularity.

The combat scenes are well done, but so are the scenes when the airmen are back at the base, or off duty, in wartime England, socializing with the civilians before risking their lives on another day time bombing run deep into Germany.