The Rogues

The Rogues was one of the best comedy series ever to appear on US television, being a blend (in spirit) of a good Blake Edwards comedy film, "The Avengers," and any number of David Niven's 1950s comedies ("Bedtime Story" with Marlon Brando of course comes to mind). It's a great shame we can't have TV like this today, with actors the caliber of Charles Boyer, David Niven and Dame Gladys Cooper, supported by the fine skills of Gig Young and the always fine John Williams. The only series later to attempt a simulation of the jet-setting, witty skulduggery of "The Rogues" was perhaps "The Persuaders" (Roger Moore, Tony Curtis). It's a great disappointment that as of this revised comment (December 2005) this fine series isn't even available on VHS, let alone DVD. If you ever have a chance to see it in rerun somewhere, don't miss it.

I have been looking for DVD's of The Rogues for several years now. I am happy to hear that at least someone has begun the process of making them available but only in Europe - I assume in PAL format. What a shame it's not available in the US. Hopefully the light will dawn that a small bit of money could be made by releasing the series US format. It was one of the truly great series broadcast during a time when prime time TV was not 90% mindless junk. Please someone bring back a most memorable series which featured imaginative writing and excellent acting. I would add in order to have the requisite number of lines that I suspect there are a great number of people who would jump from the woodwork to buy or rent The Rogues DVDs

This was a great series. I was so disappointed when it canceled so prematurely. There just is no accounting for American tastes (the Osbournes, etc.). Anyways, I'd enjoy watching them again.. altho it occurs to me that in so doing I might have to relive my disappointment over the limited number of episodes. Oh well..

'The Rogues' was my favorite television series, the season it was on the air. From the opening strains of Nelson Riddle's bouncy, hummable theme, and the introductory credits of stars Charles Boyer, David Niven, Gig Young, Robert Coote, and Gladys Cooper, I would be enthralled!

Certainly the program had faults; as with most television programs of that period, the sets tended to look sparse and generic, and the 'European' locales were all done on the studio backlot (it was amazing how often the same 'Town Square' would appear!), but plot-wise, the weekly 'sting', carried out by the St. Clair/Fleming clans against some nasty villain, were a joy (Picture 'Mission Impossible' with humor), and the appearances of Young (usually), Niven (occasionally), and Boyer (rarely) made each new episode a much-anticipated 'event'.

Some of the comments posted for this show have bemoaned how shallow American audiences were, in allowing this series to be canceled after a single season, while 'The Beverly Hillbillies' would run 'forever'. While I agree that 'The Rogues' was a far better program, the fault wasn't entirely because of audience's tastes. NBC placed the series in a 'suicide' timeslot, where it competed against a long-established 'hit' (much as ABC and CBS did to series on Thursdays in the 80s and 90s, when NBC dominated the evening with 'Cosby', 'Cheers', 'Friends', and 'ER'). Also, Four Star Productions (whose bosses included Niven, Boyer, and Dick Powell) created the series around the availability of the actors, between film assignments (none of the leads wanted to commit themselves 'exclusively' to television, which was still considered a 'step down' for an actor, despite the participation of Fred MacMurray, Robert Young, Donna Reed, and Loretta Young on the small screen), and scheduling conflicts were a problem, even during the single season 'run' (which was why a young Larry Hagman appeared, in place of Gig Young, for one 'caper'). Had 'The Rogues' been a 'hit', the series would have seen major changes in casting in subsequent seasons!

There was a loyal fan base for the series during it's run; the summer after it's cancellation, Gig Young toured the country in a 'road' production of 'The Music Man', which I had the good fortune to see. At one point in the show, a character pointed at 'Professor' Harold Hill (Young), and sputtered, "You...you...ROGUE!", which literally brought the house down, and caused Young to break character, momentarily, to take a bow, and flash his famous crooked grin. After the performance, I had an opportunity to meet the actor (whose later life would include an Oscar for THEY SHOOT HORSES, DON'T THEY?, yet, ultimately, end in tragedy, when, in a fit of depression, he would murder his wife, then commit suicide, in 1978), and Young expressed amazement at how popular the series was, and how gratifying the audience response to the 'Rogue' line was, each performance.

'The Rogues' had a glorious 'moment in the sun', and will always be cherished by those of us who loved it!

Obviously a show as deliciously witty and as sparklingly clever as this, with such a magnificent cast - David Niven, Gladys Cooper, Charles Boyer, Robert Coote, Gig Young, Larry Hagman, and John Williams - was too good for the tastes of the American public. It lasted just one season. On the other hand, the execrable "Beverly Hillbillies" - a more accurate barometer of the American public's sense of humor - marched on in glory for nine tedious years.