El pícaro seductor

Sure, the premise is sleazy, Jack Lemmon is embarrassing but the film is fast paced and certainly bouncy. The main reason to watch is because of a very charming and funny performance by the lovely Carol Lynley. Although she hasn't had many chances during her career to show off her comedic talents, this film contains a wonderfully funny scene in which Ms. Lynley's character is drunk. Her boyfriend, played perfectly by Dean Jones, is trying not to take advantage of her 'accessibility'. She runs the gamut from sexy to goofy with excellent timing. It is a wonderful performance and one that helps to take an edge off of the sleaziness of the main plot (Mr. Lemmon's apartment manager trying to deflower all these attractive young women).

A skirt chaser manages an apartment complex in which all the residents are beautiful women. He regularly wines and dines the ladies, and is a charming, although rascally fellow. He brings in a new tenant and begins his game on her, much to the annoyance of her boyfriend. Most of the film is spent with the landlord trying to get into the new tenant's pants, and her boyfriend making every effort to keep him out. Fairly funny spoof on the California lifestyle.

Lawrence Roman's popular stage farce comes to the screen seeming a bit undernourished, with everyone playing 'perky' to perfection but without benefit of any funny lines. With a whole apartment complex full of sexy, single gals, landlord Jack Lemmon becomes fixated on innocuous college girl Carol Lynley, who has just moved in with her boyfriend--a platonic arrangement that has Lemmon up in arms (and on the roof!). A shiny package with nothing inside, and Lemmon visibly strains to give the proceedings some bounce (tough to do since his wolfish character is thoroughly loathsome). The script, adapted by David Swift (who also directed), tries for snappy repartee, but since none of the characters are particularly sharp, the results here lack wit, sparkle and imagination. *1/2 from ****

There are so many competent recaps, I will spare readers of my own. However, suffice it to say that this is a pretty simple movie.

The poor reviews were really fascinating to see before I watched the movie, so naturally, I felt even more intrigued. I will admit that this is not Oscar-worthy material in any way. It's a fluffy movie that had earnest attempts at humor and levity. It isn't going to make anyone see life differently, *unless*: you are able to open your mind a little.

The underlying message of the movie is initially "it's wrong to live together romantically unless you're married" (typical mid-century mindset). The secondary theme is "misunderstanding". The love interest is misled both intentionally and unintentionally, which results in the eventual winning of her heart.

But, the final message that I took from this movie is the one that was eloquently stated by Aunt Irene, who states that "love is created", and doesn't fall off a tree. Even when it seems that way, your relationship is not going to be butterflies and flowers forever, no matter how in-love you begin. It's about truly caring for the other, and trying to offer them grace and understanding.

This was at the very end of the movie, and it inspired me to actually like the movie enough to save it on my DVR!

The biggest downfalls of this movie, aside from the many you've read already, are the fact that it's boring when there is a lack of dialogue and only Jack Lemmon making goofy faces; the portions with the meddling groundskeeper and his wife were also like watching a sitcom, nothing special or unique. The most interesting non-plot feature to me was the incredible set, full of both real and fake objects. It was just so colorful, starting with the opening theme song.

The most impressive moment of all: when the celebrity kitty (Orangey) was holding himself up with front paws on a brick wall, while drinking a saucer of milk. Incredibly adorable and worth seeing!

Robin Austin (Carol Lynley) is concerned about her compatibility with boyfriend Dave Manning (Dean Jones). She convinces him to live together first. Her divorced aunt Dr. Irene Wilson (Edie Adams) is moving out of her apartment to move in with her boyfriend Dr. Charles Howard. Hogan (Jack Lemmon) is the womanizing neighbor landlord and he's more than eager to rent the place to Robin.

It's a little bit of fun especially with Lemmon. It could be funnier. It should be funnier. Lemmon and Jones could be a fun rivalry but her choice is never in doubt. Lynley is plenty pretty enough and she is fine. There is some attempt at 60's sex comedy humor but the bite isn't sharp enough and it doesn't bite deep enough. This may be edgy for a 50's sex comedy but feels safe for the 60's. For Lemmon fans, this is interesting to complete their list.