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IMDbPro

Cualquiera puede ganar

Título original: Mélodie en sous-sol
  • 1963
  • 1h 58min
CALIFICACIÓN DE IMDb
7.3/10
4.9 k
TU CALIFICACIÓN
Alain Delon and Jean Gabin in Cualquiera puede ganar (1963)
Ver Bande-annonce [OV]
Reproducir trailer3:29
1 video
57 fotos
CaperCrimeDramaRomance

Agrega una trama en tu idiomaA career con artist reunites with his wife but has already planned his next move: one daring last heist that will set him up for life. However, there is no such thing as a foolproof plan.A career con artist reunites with his wife but has already planned his next move: one daring last heist that will set him up for life. However, there is no such thing as a foolproof plan.A career con artist reunites with his wife but has already planned his next move: one daring last heist that will set him up for life. However, there is no such thing as a foolproof plan.

  • Dirección
    • Henri Verneuil
  • Guionistas
    • Michel Audiard
    • Albert Simonin
    • Zekial Marko
  • Elenco
    • Jean Gabin
    • Alain Delon
    • Claude Cerval
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.3/10
    4.9 k
    TU CALIFICACIÓN
    • Dirección
      • Henri Verneuil
    • Guionistas
      • Michel Audiard
      • Albert Simonin
      • Zekial Marko
    • Elenco
      • Jean Gabin
      • Alain Delon
      • Claude Cerval
    • 20Opiniones de los usuarios
    • 19Opiniones de los críticos
  • Ver la información de producción en IMDbPro
    • Premios
      • 3 premios ganados en total

    Videos1

    Bande-annonce [OV]
    Trailer 3:29
    Bande-annonce [OV]

    Fotos57

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    + 51
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    Elenco principal44

    Editar
    Jean Gabin
    Jean Gabin
    • Charles
    Alain Delon
    Alain Delon
    • Francis Verlot
    Claude Cerval
    Claude Cerval
    • Le commissaire de police
    Viviane Romance
    Viviane Romance
    • Ginette
    Henri Virlojeux
    Henri Virlojeux
    • Mario
    • (as Henri Virlogeux)
    Jean Carmet
    Jean Carmet
    • Le barman
    José Luis de Vilallonga
    José Luis de Vilallonga
    • M. Grimp
    • (as José-Luis de Vilallonga)
    Rita Cadillac
    Rita Cadillac
    • Liliane
    Jimmy Davis
    • Sam
    Dominique Davray
    Dominique Davray
    • Léone
    Dora Doll
    Dora Doll
    • Countess Doublianoff
    Germaine Montero
    Germaine Montero
    • Mme Verlot
    • (as Germaine Montéro)
    Maurice Biraud
    Maurice Biraud
    • Louis Naudin
    Carla Marlier
    Carla Marlier
    • Brigitte
    Marc Arian
    • L'autre comptable
    • (sin créditos)
    Henri Attal
    Henri Attal
    • Le copain de Francis
    • (sin créditos)
    Jacques Bertrand
    • Le comptable de Grimp
    • (sin créditos)
    Georges Billy
    • Un passager du train
    • (sin créditos)
    • Dirección
      • Henri Verneuil
    • Guionistas
      • Michel Audiard
      • Albert Simonin
      • Zekial Marko
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios20

    7.34.9K
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    Opiniones destacadas

    Kirpianuscus

    Gabin, Delon...

    For a part of public, the actors are the lead motif to see it. for other, the plot, reminding Ocean Eleven. a French Heist movie, good performance of Delon, same Gabin in inspired use of the nuances of character and the perfect end. nothing new at first sigh. in fact, the old flavors are the lead motif for see a film about a hold -up, its levels and portraits of men inside it.
    7johnpierrepatrick

    Verneuil delivers a classic 60's heist movie

    Verneuil is quite well-known for his crime / heist movies and delivers again a classic with 'Mélodie en sous-sol'. Gabin is as solid as ever in his role as a tough heist master and Delon bring its youth and freshness to the movie, linking also the 'old' french movies (including Verneuil and Gabin) with the new generation. (For the anecdote, one year before, Verneuil has also associated Gabin this time with Belmondo, the actor most associated with the New wave movement.)

    We definitely have an old time vs current time theme in the movie, illustrated by its first parts. We discover the new Sarcelles with Gabin. The criticism is not formulated by words but is obvious - the more when you know what these dormitory-towns will become. Thus, we follow Delon in his carefree life and I can only smile at the "good old time" referral and the irony behind it. Irony deliberate, already at that time. Irony even better now, that this current time shown in the movie has become a referred "good old time" of our period.

    Not to forget Audiard dialogs and punchlines, that brings you smile each time you hear his so characteristic style.
    7Spondonman

    Excellent entertainment throughout, with a delicious climax

    Melodie En Sous-Sol (aka Any Number Can Win) is an enjoyable little caper, but the big trouble is that Time has not been very kind to it. It starts out with puzzled and chunky old Jean Gabin wandering through some then fashionable 1960's modern style streets and buildings accompanied by some brash and hip modern jazz music. And then the olde plot starts: man out of jail goes home and almost immediately tells his wife he's planning One Last Big Job involving the stealing of "about a billion" francs. This turns out to be a meticulously planned op, of the type Mission Impossible did so much better a few years later, and that (and Topkapi etc) was a team affair - however this was planned by Gabin even though Alain Delon seemed to have the lion's share of the work to do.

    I bet all those cool swingers of the '60's never would have thought they and their music would date faster than those elegant artistes of the 30's! Favourite bits: Delon's long solo bit bringing the caper to fruition; the predatory Countess Doublianoff calling him no gentleman after he peremptorily dismissed her; the cops strolling by and describing the bags they were looking for - I wanted Delon to mutter something as did Peter Lorre in Arsenic And Old Lace when he thought he was going to be discovered; Gabin's expressionless expression.

    Even though you may have seen it all before in films made since this one it was shot in a nice black and white with good acting and good production which holds the attention well - and it's all worthwhile anyway when you get to the delicious last 5 minutes when Delon's and Gabin's feelings were definitely too deep for words!
    7ma-cortes

    BIG SNATCH is an awesome French classic about hold-up with top-notch actors

    Charles (a magnificent Jean Gavin) is a mature delinquent recently released from prison . He renounces the plans his wife (Viviane Romance) about a simple and easy life . Charles pretends the perfect robbery recruiting previous cell-mate named Francis (Alain Delon, actor most often used in Verneuil films) . The hold-up is carefully schemed on the vault of Cannes casino in the French Riviera . Meanwhile Francis falls in love with a gorgeous baller dancer (Rita Cadillac). Francis wielding a machine gun and black masked hides himself on the elevator shaft and heads to basement where is the locker room . But the bad luck does the crime gone awry.

    This heist movie packs thrills , emotion , romance, extraordinary performances and exciting finale burglary . Sensational acting by two big star names , Gabin and Delon . Strong secondary cast with Viviane Romance as the spouse , Jean Carmet as a barman and the Spanish Jose Luis De Villalonga as a Casino chief . Interesting and thrilling screenplay by the prestigious Michael Audiard based on novel by Zekial Marko . Atmospheric cinematography in black and white by Louis Page . Lively musical score with catching leitmotif composed and conducted by Michael Magne .

    The picture is splendidly directed by Henry Verneuil , a Turkish director working in France from the 40s . Although not a director of great reputation among the critics , his movies have almost all been aimed squarely at the commercial market . Verneuil is an expert on heist-genre such as he proved in ¨The Sicilians clan(68)¨ also with Gabin and Delon , ¨The burglars(1971)¨ with Omar Shariff and Jean Paul Belmondo , furthermore on Warlike genre : ¨Weekend at Dunkirk¨ and ¨The 25th hour¨ and even directed one Western : Guns of San Sebastian(68)¨. He seemed to have dropped out of the film-making after 1976 , but in 1981 unexpectedly reappeared with yet another of his caper film : ¨Thousand millions of dollars¨ . Rating : Exceptional and above average, a must see for French cinema lovers and Gavin and Delon fans.
    dj_bassett

    Prototypical Heist Flick

    A prototypical heist flick. Old ex-con Jean Gambin is looking for one last score before he retires -- the robbery of a casino on the French Riveria. He enlists Delon, a cocky punk, to help him. Has all of the features: old guy looking for one last score, young active guy who still sort of needs to learn the ropes, complicated heist relying on split second timing, things that go wrong at the last second, unexpected developments, a lot of masquerades, etc. Early on there's some playing around with the notion that Gambin symbolizes a time that is passing, but that isn't really developed, settling down instead to more standard genre fare. Heist is clever and well done, the remake of Ocean's Eleven later stole some of the ideas here. Final shot has that typical Gallic "throw your hands up in despair" kind of thing going for it. Cast is good, with Delon in particular a standout in the kind of role he was meant to play in those years.

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    Argumento

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    ¿Sabías que…?

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    • Trivia
      Charles' house appears to be the last single one left between the new high-rise buildings. His wife was offered 15 Mill. Frs. to tear it down and make room for a new skyscraper. In fact the house is still standing with no more high-rise buildings around but those that are in shown in the film.
    • Errores
      When Charles is entering the vault, M. Grimp is standing with his face against the wall, so he can't see neither Charles nor the bags. But he gives a very detailed description to the police later.
    • Citas

      Charles: I need to pull one last caper.

      Ginette: The great caper, the fabulour business. I already heard that twice since our wedding. The first time, you came back after three years. The second time, I had to wait five years to see you again.

      Charles: So what? Two unlucky capers in a 30 year career.

    • Créditos curiosos
      The film opens with MGM's 1956-57 logo.
    • Versiones alternativas
      The colored version is shorter than the original black & white film: 13 minutes are missing in this version (original cut: 116 min, colored cut: 103 min). No complete scenes are cut, but many scenes are shortened.
    • Conexiones
      Featured in MGM Is on the Move! (1964)

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    Preguntas Frecuentes15

    • How long is Any Number Can Win?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 28 de enero de 1965 (México)
    • Países de origen
      • Francia
      • Italia
    • Sitio oficial
      • Gaumont (France)
    • Idiomas
      • Francés
      • Inglés
    • También se conoce como
      • Any Number Can Win
    • Locaciones de filmación
      • Cannes, Alpes-Maritimes, Francia
    • Productoras
      • Compagnie Internationale de Productions Cinématographiques (CIPRA)
      • Cité Films
      • Compagnia Cinematografica Mondiale (CCM)
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

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    • Total en EE. UU. y Canadá
      • USD 1,000,000
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 58 minutos
    • Color
      • Black and White
    • Relación de aspecto
      • 2.35 : 1

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