Heavens Above!

I shan't go on at any length, as others have already done the job for me. Instead I'll just drop in a couple of interesting factoids about this film.

1) "Heavens Above!" was the third in a trio (a triptych??) of films satirising great pillars of the British establishment:

The military;

Industry/the trade unions;

The church.

The previous two in the series were "Private's Progress" (Ian Carmichael as Stanley Windrush - a fraightfully posh chinless wonder, drafted into the army for WWII and finding himself embroiled unwittingly in a grand scheme to steal great works of art) and "I'm Alright, Jack" (Carmichael as the same Stanley Windrush, now de-mobbed and dumped by his despairing family into the shop floor workforce at one of their factories, in the hope that he might learn the business). The Windrush family characters were dropped for Heavens Above, although Carmichael makes a small appearance as "the other Vicar called Smallwood".

2) Fans of the Small Faces should keep their eyes peeled for 'Jack' - eldest son of the huge family of itinerant scroungers who take up residence in the vicarage. It's none other than cheeky cockney mudlark STEVE MARRIOTT, fresh from his West End stint as The Artful Dodger in Oliver !

This was a marvelous little comedy that in many ways is reminiscent of the great Alec Guinness film, THE MAN IN THE WHITE SUIT. Like this other film, the movie's main theme is unintended consequences that arise from some selfless and altruistic acts of the leads.

Peter Sellers plays a rather "straight" role as a well-meaning and decent Anglican minister. Unlike Inspector Clouseau and Dr. Strangelove, this character is much more subtle and believable. He didn't play the part strictly for laughs but was more of a characterization. Sellers was a truly gifted and amazing man in how he could seemingly become the people he was playing. His gentle manner and working-class accent worked perfectly to create one of the nicest and sincere priests in film history.

The movie is exceptional in that I think the movie can be enjoyed by religious and non-religious people alike. The film is very cynical and explores human nature in such a way that everyone can take something profound from the film. It is also unusual in that while technically a comedy, it is also serious social commentary. It had a lot to say about the teachings of Jesus and just how impossible it would be to truly implement them in a basically selfish world! Aside from a bad word used here or there, none of this should put off by the film. It isn't heavy-handed or preachy and isn't meant to offend organized religion.

The only reason the film only merits an 8 is because the ending is a bit of a let-down. It really didn't make much sense and was impossible to believe and because of this it really blunted the overall effect of the movie.

"Heaven's Above!" is a wonderful, well-crafted satire that mocks not Christianity but hypocritical and cold "religious" people. It is a British version of "In His Steps" turned on its head and inside-out: what if a sincere believer (Sellers) attempts to live out the gospel in the middle of a spiritually dead English parish? Unchristian attitudes range from the Bishop who complains that Rev. Smallwood (Sellers) "keeps bringing God into everything," to two women arguing over free food they have just (undeservedly) received as handouts telling a black man (Brock Peters) "You don't belong here" under a banner that reads "Love one another."

The script is rife with topical political and social comments but the real focus is timeless: do people really believe what they say they believe? Is there a place for Christianity in a secular, materialistic society? The ending, which baffles some, gives the answer to this. All serious questions aside, "Heaven's above!" is a satirical, incisive look at human nature.

Heavens Above! has so much going for it - a wonderful and very gentle performance by Sellers, a who's who of British comedy from the late 1950s, and the Boulting Brothers at the helm. This is a film that stands the test of time and remains both fun and interesting and a fascinating take on Anglicanism. In Britain, children of a certain class went to privileged school with the eldest son being shipped off to serve as an officer, or join the Foreign Office for the larger good of the Empire, and the second son would go to the City or the Church.

Anglican vicars aren't meant to be like Peter Seller's John Smallwood - who really does hold to the Gospel rather than doctrine, and is appointed vicar, by mistake, of a decidedly complacent and snooty town. What follows gently pokes fun at the double standards.

All in all, this remains one of Seller's gentlest, truest, and straightest characterisations. Like Alec Guinness he really does become the character he's playing - from the hair to the accent to the smallest gestures, but more than that, here, is the heart. He captures something ethereal that we would all recognise as sincerity and good intentions.

When he introduces true gospel values everything, of course, starts to fall apart. Historically, this is interesting in that Billy Graham has come to Britain and there is something of that spirit about this; but it is no way heavy handed or blunt.

Heavens Above! resorts to a weak ending - wish he'd been sent to the East End of London or Liverpool - but it remains a wonderful film well worth the time to catch when it comes around.

Peter Sellers is great as the Brummie vicar whose gaucheness brings a small country town to its knees in this famous 60s satire. It's difficult to pin down the film's target; perhaps the film's so likeable because it seems to get a dig in at everybody at the same time. Among the targets are: religion, capitalism, communism, and British society and mores. The moral of the tale seems to be that no matter your efforts or intentions, you're unlikely to improve on the status quo (and could make things a lot worse). So in the last analysis maybe it's Conservative propaganda.

The film stomps merrily through all the issues with fun effect and should've quit when it was ahead. The final segment is crass and takes off some of the shine.