El palacio embrujado

Centuries ago in Arkham, New England, the warlock Joseph Curwen (Vincent Price) abducts young ladies from the local village and brings them to his castle to use in experiments with the Necronomicon. The local Edgar Weeden (Leo Gordon) raises a lynch mob that go to the castle and burn Joseph Curwen alive at the stake. Before dying, he curses the village, the villagers and their descendants.

One hundred and ten years later, Charles Dexter Ward (Vincent Price), who has inherited the manor, comes to Arkham with his beautiful wife Ann Ward (Debra Paget) to visit the real estate and has a cold and hostile reception by the dwellers. Only Dr. Priam Willet (Frank Maxwell) helps him and tells that the village has many mutants and the villagers believe that it is a cursed town.

When Charles arrives in the castle, he meets two former associates of Joseph Curwen that also worship the devil, and Charles is possessed by the evil Joseph Curwen that wants to revenge on the descendants of those who killed him and to bring his beloved mistress back to life. Ann and Dr. Willet try to help Charles to escape from Curwen's power.

"The Haunted Palace" is a classic Gothic horror by Roger Corman that follows the same style of the Hammer films. The plot is very simple but works perfectly well, supported by Vincent Price and the gorgeous Debra Paget. Further, this is the last feature of this beautiful actress that retired after getting married for the third time. My vote is seven.

Title (Brazil): "O Castelo Assombrado" ("The Haunted Castle")

Note: On 25 December 2020, I saw this film again.

Charles Dexter Ward (Vincent Price) arrives at a small village to visit the house he inherited from his ancestor (also Price) who died there 110 years ago.

The full title of this film is "Edgar Allan Poe's The Haunted Palace", which is not only incorrect and misleading to the audience, but an insult to H. P. Lovecraft, who had virtually no films made of his stories up to this point. Sure, in the 1980s and after Stuart Gordon championed Lovecraft... but hardly a peep before that!

Where else are you going to hear the words Cthulhu, Arkham, Necronomicon and more in one film? Talk about the Elder Gods? You are not, at least not in the 1960s. This film was groundbreaking, and Corman deserves a lot of credit for bringing the Charles Dexter Ward story to a bigger audience.

Vincent Price looks great in this film, perhaps better than ever. Certainly, this is among his most menacing roles, not only killing but threatening sexual assault. This was Debra Paget's final role, and she did excellently as the story's heroine. As Ivan Butler says, Corman has a "skill in finding beauty in the conventional misty landscapes, huge baroque rooms, unending stone-flagged passages" and more. AIP and Corman never failed to give us some beautiful sets and costumes.

Howard Maxford says the film "never quite shifts into first gear." I see his point, as the suspense is not strong and the movie seems to idle for quite a bit (to continue his analogy), but I think this can be overlooked by the great things this film has to offer. For example, the child called "it" is pretty great. So much potential here.

While this is not my favorite Corman-Price collaboration (that award goes to "The Raven"), this is still well worth checking out. Price never disappoints, and this has all the trappings of a decent film, both for its time and today. I am sad such films do not get made anymore, and that this one seems to be among the least known and appreciated among Corman's "Poe" series.

The darkest of Roger Corman's Poe chillers, though this yarn owes more to HP Lovecraft than Edgar Allan's poetry. Vincent Price gives his all time greatest performance in a dual role as possessed and possessor, aided by a wonderfully literate script by Charles Beaumont. It gives Price no leeway to indulge his tendency to sometimes ham it up.

Here, he keeps tight dramatic restraint on himself, making his gradual transformation from kindly innocent to the reincarnation of his warlock ancestor a virtuoso portrayal of inner turmoil overwhelmed by fiendish evil. Corman even provides a last good role for Lon Chaney Jr (as he'd done previously for Boris Karloff, Peter Lorre and Basil Rathbone) as a ghoulish henchman.

Undeniably, 'The Haunted Palace' does have a rather ponderous pace and music score that makes the film seem stretched as Price wanders down just one more hidden corridor. Floyd Crosby's widescreen cinematography is also unrelenting, capturing the drab, muted blue and brown pastels of a Puritan village plagued by witchcraft. And the barely glimpsed green demon lurking inside the vault was perhaps a mistake.

But Corman's skill on a 15-day schedule and a cheap budget is evident throughout. He introduces Chaney in a splendidly done sudden shock appearance that will still make unwary audiences jump (asked why he is preparing a room in the dark, he tells Price, "One becomes accustomed to the darkness... here").

True Corman fans will rank this chilling piece of American Gothic among his best. Not least where an exasperated Chaney asks the possessed Price when he will be satisfied avenging himself on the descendants of those who burned him at the stake. "Not until this village is a graveyard," Price promises Chaney sibilantly. "Not until they too have felt the kiss of fire on their soft flesh... all of them."

I don't consider The Haunted Palace one of Vincent Price's or Roger Corman's best. I do put Pit and the Pendulum, The Raven, The Fall of the House of Usher and especially Masque of the Red Death above it, but it is a very good film and worth checking out. It does get a little ponderous at times in the middle and while eerie in tone the music score is over-the-top. However it is well photographed and has beautiful sets. The writing has some fun and macabre moments and the story delivers its suspenseful atmosphere and creepy scares wonderfully even if the enacting terrible revenge angle is familiar territory. Corman's direction is secure also. The acting is very good. Debra Paget before she retired is beautiful and not too bland. Lon Chaney is wonderful, and his entrance is one of The Haunted Palace's creepiest moments. Even better is Price, he is in a double role here and he is deliciously evil. All in all, very good and very enjoyable, I just wish that it had more attention. 8/10 Bethany Cox

Roger Corman rarely gets the credit he deserves. While best known for the dozens of schlocky exploitation movies he was involved in as a producer, he also directed several underrated films, including his excellent Edgar Allen Poe series in the 1960s. 'The Haunted Palace' is really only a part of that series in name only. It takes its title from a Poe poem, but it's plot is (very loosely) adapted from H.P. Lovecraft's 'The Strange Case Of Charles Dexter Ward' by Charles Beaumont. Beaumont, a talented writer of short stories also scripted Corman's best Poe movie 'The Masque Of The Red Death'. As I said this is only loosely based on Lovecraft's original source material (a slightly more faithful version can be seen in Dan O'Bannon's 'The Resurrected', also recommended), but I'm sure most Lovecraft buffs will get a kick out of watching this, which is as far as I know the very first movie inspired by his fiction. Vincent Price stars in a duel role of Ward and his ancestor Joseph Curwen, and gives an enjoyable performance. Price really seemed to like working with Corman and gave the director some of his best work. I watched an old VHS print of this, but, like the Poe movies, it still looked like another great effort for a very limited budget. The supporting cast is worth noting - the beautiful Debra Paget, and legendary character actors Lon Chaney ('Spider Baby'), Elisha Cook, Jr ('The Killing') and Leo Gordon ('Kitten With A Whip'). 'The Haunted Palace' is another excellent Corman movie that still has a lot of entertainment value. Highly recommended to all Vincent Price and H.P. Lovecraft fans.