El cuerpo y el látigo

Kurt Menliff (Cristopher Lee) returns home to his ancestral castle which he was forced to leave after he whipped a village girl nearly to death. He finds that his fiance (Daliah Lavi) has married his brother, as well as having become the mistress of his father. (Don't panic, there's worse to come). He follows her to the beach and whips her savagely. She loves it and they end the session making love. The next day Kurt is found dead and Daliah soon begins experiencing nightly flagellations at the hands of his ghost. Christopher Lee has stated that this is one of his best films. It is certainly one of the most brilliantly bizarre horror films ever made. Directed by cult icon Mario Bava, Italy's finest cinematographer (if not one of their finest directors), it rises as far above an S & M fantasy as can be imagined. It was censored in every country in the world for its sexual violence and what remained was almost incoherent for most audiences and re-released under various titles: WHAT! in the US; NIGHT IS THE PHANTOM in the UK, etc. Until video (with somewhat faded color) it was impossible to see in its original form. Even now it remains a profoundly misunderstood film and should be seen in a theater in its complete form instead of on video.

J.F.

"The Whip and the Body" is an amazingly kinky film--and it surprised me a bit in this regard. It has scenes of sado-masochism, as a female character in the film likes to be beaten before having sex. Because of this you MIGHT wanna think twice before showing this to your kids or grandma.

This is a Gothic horror film with a nice ambiance and excellent music--though the same tune is overused a bit through the course of the film. The fun begins when the long-disgraced older son (Christopher Lee) arrives after a long absence. Exactly what he'd done isn't spelled out all that clearly, but you know it resulted in the death of a servant and that he's been disinherited. Soon, Lee is off having fun, beating a member of the family and making love to her...and she likes it! Now you THINK Lee has returned to get some sort of revenge on his family, so I was surprised he took out time for this kinky tryst. And, surprise, surprise, before he can start his plans of revenge, he's stabbed to death! But, through the course of the film, it seems as if he's returned from the dead, and very bad things start to happen...along with some more kinky whippings.

The payoff for this tale is pretty good and it's a good film with a nice print. But, it's also a bit uncomfortable watching the kinky stuff, so I certainly can't recommend it without some reservations.

By the way, the DVD for this Italian film is dubbed, not subtitled. And, oddly, although you can tell that Lee was speaking English, it's NOT his voice--it, along with the rest, have been dubbed. As for me, I always prefer subtitled.

Irresistible and genuine Gothic scares, combined with atmospheric camera-work and breath-taking scenery… Welcome to yet another visual masterpiece directed by the greatest horror genius of all time: Mario Bava! "The Whip and the Body" isn't the man's most mentioned achievement, it's not even in my personal Bava-top 3 and yet I still rated it a solid 9 out of 10. That should give you somewhat an idea of how excellent his total repertoire in fact is. "The Whip and the Body" is a unique film in many ways, but particularly because of the controversial substance it dared to bring forward. Don't forget that the year of release was 1963 and Mario Bava unscrupulously introduces characters with taboo-fetishes like S & M. The story is terrifically set in the 19th century, where Kurt Menliff returns to his eminent family after being banished for several years. The family's hate towards Kurt's vile behavior is only surpassed by their fear and only the gorgeous Nevenka has a secret desire towards his wicked sexual preferences. In a particularly astonishing sequence, he whips her repeatedly (and roughly...) before continuing with making love. Terror overcomes the Menliff family when Kurt is found murdered in his room and when the tormented Nevenka begins to see his appearance in nearly every chamber of the castle. As it usually is the case in Bava's films, the plot contains quite a few holes and illogical moments, but they're totally forgivable if you acknowledge the intensity and power of the wholesome. Especially praiseworthy is Mario Bava's unequaled talent to turn totally natural things into terrifying atmosphere-elements… Blowing wind, pouring rain, footprints covered in mud...all these ordinary things turn into suspicious omens in the hands of this masterful filmmaker. With his skilled cinematographic eye, Bava perfectly knows how to raise an unbearable tension that grabs you by the neck immediately and it doesn't let go until the very last scene fades away. All the other typical Bava-trademarks are clearly present as well, namely an authentically creepy score, a minimum of stylish gore (burning, rotting corpses!!) and – last but not least – a stunning use of color shades. Mario plays with colors like he invented them and this emphasizes the spook-effect even more. "The Whip and the Body" is a more than just a shocking horror film. It's an offbeat love-story, a Gothic poem AND an unsettling horror tale all in one! If you love beautiful cinema, don't miss "The Whip and the Body".

Whip and the Body, The (1963)

** 1/2 (out of 4)

Christopher Lee plays a sadistic nobleman who returns home to terrorize his family after leaving home years earlier after forcing his girlfriend to commit suicide. Soon he is found dead with his throat slit and soon after he ghost begins to appear as more bodies start to pile up. All the praise thrown on director Bava is certainly needed because it's obvious he could take some mud and make it look wonderful but that doesn't mean all his films turn out great. I think the biggest flaw with this film is the rather weak story, which doesn't really contain any shocks and it's fairly simple to figure out what's going on so in the end, when the climax happens, there's no real shocks. Christopher Lee turns in a terrific performance, even though, for some reason, his voice is dubbed in the English language version. That fantastic look that Lee brings says all we need to know about his character. The supporting cast isn't as impressive but they fit their roles just fine. The cinematography is top notch and the use of lighting is also what makes this film stand apart from others in this era.

Sadistic scoundrel Kurt (Christopher lee), black sheep of the family, returns home to find that absence hasn't exactly made the heart grow fonder: his father (Gustavo De Nardo), brother Christian (Tony Kendall), ex-lover Nevenka (Daliah Lavi) and housemaid Giorgia (Harriet Medin) still find him utterly loathsome. Unsurprisingly, Kurt winds up being murdered, but even death cannot stop his cruelty...

In keeping with its Sadean theme, The Whip and the Body is both a pleasure to behold and a pain to endure: aesthetically, the film cannot be rivalled, with excellent costume and set design, and exquisite direction from Mario Bava, whose camera glides gracefully through pools of coloured light and ominous swathes of shadow to great effect; the story, however, is less impressive, a trite exercise in Gothic cliché, replete with a creepy cliff-top castle continually battered by strong winds and thunderstorms, a raft of morbid characters, all of whom harbour dark secrets, loads of tiresome symbolism, and some ridiculous psychological claptrap.

The sado-masochistic nature of the central relationship between Kurt and Navenka (which is surprisingly way ahead of its time) prevents the film from attaining coma-inducing levels, but with extremely long periods where nothing much of interest happens, the film is far from the perfect perverted and poetic love story that its ardent supporters claim it to be.

8 out of 10 for the lovely imagery, but 4/10 for the story—so that's an average rating of 6/10.