CALIFICACIÓN DE IMDb
6.3/10
3.3 k
TU CALIFICACIÓN
Un espíritu maligno abandona a su huésped condenado a muerte y posee a un magistrado francés.Un espíritu maligno abandona a su huésped condenado a muerte y posee a un magistrado francés.Un espíritu maligno abandona a su huésped condenado a muerte y posee a un magistrado francés.
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Opiniones destacadas
Vincent Price plays Simon Cordier a kind man who is a judge. He is possessed by a Horla (never shown--you only hear its voice) who thrives on evil. It sets Price out to commit evil deeds even though he fights against it. Then he meets sweet Odette (Nancy Kovack) and things go out of control....
Well-made, colorful (some BEAUTIFUL set design here), low-key horror film. The plot is interesting and the acting is good (especially Price and Kovack). There's next to no violence in this one (the one murder scene is badly faked)...it mostly concentrates on Price fighting against the Horla. There's a few very interesting discussions between Price and the demon about good, evil and morality. It all leads up to a great climax. If you're looking for a blood and guts movie this isn't it but it is an intelligent thoughtful horror film. Recommended.
Well-made, colorful (some BEAUTIFUL set design here), low-key horror film. The plot is interesting and the acting is good (especially Price and Kovack). There's next to no violence in this one (the one murder scene is badly faked)...it mostly concentrates on Price fighting against the Horla. There's a few very interesting discussions between Price and the demon about good, evil and morality. It all leads up to a great climax. If you're looking for a blood and guts movie this isn't it but it is an intelligent thoughtful horror film. Recommended.
Although I am a fan of Vincent Price, I only caught this particular effort of his today. Watching it, I think I know why it slipped past my attention for all of these years. Don't get me wrong - it is not a terrible or bad effort. Price is in top form as always, the low tech special effects are actually pretty good, and the script's basic idea is an intriguing (if a little familiar) one. However, the actual execution of this idea by the director and the screenwriter is kind of lacking. The main problem with the movie is that at 96 minutes it seems quite long and stretched out. It would have worked better at a much shorter pace; in fact, I think the story would fit very well as an episode of the television show "The Twilight Zone" than as a feature film. If you are a Vincent Price fan, the movie is adequate, though it doesn't match up to some of his other movies of this particular era like the Poe films directed by Roger Corman. For all other viewers, it passes the time painlessly, but that's about all.
Badly titled but very entertaining Price horror film.
For a while I had seen this movie floating around but since the title reveals zero about what the movie is about - I never bothered with it! Just had my first viewing. Better late than never!
Despite being too studiobound and needing about 20 minutes of dull footage cut out, Diary of a Madman is a knockout movie. And frankly, a very odd one, but odd in a good way.
We are missing the wonderfully campy Price dialogue we got in House of Wax and House on Haunted Hill, but instead we get a deadly serious Price who is very pleasing.
Having no location filming gives it a television movie look but the rich Richard LaSalle score makes the whole thing seem rather grand.
If you think you have heard some of the LaSalle cues before, you have, in TV's Lost In Space (1965) and Land of the Giants (1968).
Despite some mild flaws, an outstanding and wonderfully oddball flick.
For a while I had seen this movie floating around but since the title reveals zero about what the movie is about - I never bothered with it! Just had my first viewing. Better late than never!
Despite being too studiobound and needing about 20 minutes of dull footage cut out, Diary of a Madman is a knockout movie. And frankly, a very odd one, but odd in a good way.
We are missing the wonderfully campy Price dialogue we got in House of Wax and House on Haunted Hill, but instead we get a deadly serious Price who is very pleasing.
Having no location filming gives it a television movie look but the rich Richard LaSalle score makes the whole thing seem rather grand.
If you think you have heard some of the LaSalle cues before, you have, in TV's Lost In Space (1965) and Land of the Giants (1968).
Despite some mild flaws, an outstanding and wonderfully oddball flick.
Vincent Price, as Simon Cordier, is possessed by an evil spirit and is forced to kill. Can he overcome the beast that haunts him inside?
Dug this out of my collection and gave it another view. I really like this one and feel it has been underrated by many. The only major problem I have with it is the story would have been better served had the existence of the Horla been left more to question. Still I really enjoyed this, especially Vincent Price in the lead. It's got that old-time 1960s AIP Horror feel to it even though it wasn't made there.
Dug this out of my collection and gave it another view. I really like this one and feel it has been underrated by many. The only major problem I have with it is the story would have been better served had the existence of the Horla been left more to question. Still I really enjoyed this, especially Vincent Price in the lead. It's got that old-time 1960s AIP Horror feel to it even though it wasn't made there.
Most horror movies made between the '50's and '70's weren't very much psychological once and featured for instance monsters, gore and tons of blood. In that regard "Diary of a Madman" is a quite refreshing movie. It lies its emphasis on the psychological aspects of the movie and uses it for its tension, mystery and just overall horror, even though the movie still features a 'supernatural' horror theme.
The movie has a well build up and constructed story, that only gets better and better as it heads toward the ending. The movie begins quite typical but soon becomes very intriguing when it becomes obvious that just is not just another average standard '60's horror flick, with Vincent Price in the lead role. The movie shows how the highly respected magistrate/sculptor slowly looses his mind when he is being possessed by a strange mysterious spirit called an Horla. Of course no one believes him at first when he starts to hear and see things. He starts to question his own sanity, until the Horla has him in his almost complete control. Good old Vincent Price however decides to fight back and we already at the start sort of know what has happened, since the movie is told in the past time, when people read his diary in which he described the strange events that had happened.
So you don't really have to expect an horror movie with monster, gore and scare effects. This movie is mostly about its build-up and overall atmosphere. It's a psychological movie, though visually the movie is also a good one.
The movie features quite some early and variating special effects and other cinematic tricks. It's quite clumsy looking all of course but at least you can say that they really tried and put some effort in it to making something new.
Vincent Price of course always had been at his best in roles such as these, so this movie forms no exception to that. He is highly convincing as the respected magistrate but also as the 'madman'. Two of course total opposite elements, which Price perfectly knows to handle, without ever making anything look ridicules or totally unbelievable.
It's a real surprisingly good and quite different '60's horror flick, that deserves to be seen and known better, starring genre-legend Vincent Price!
8/10
http://bobafett1138.blogspot.com/
The movie has a well build up and constructed story, that only gets better and better as it heads toward the ending. The movie begins quite typical but soon becomes very intriguing when it becomes obvious that just is not just another average standard '60's horror flick, with Vincent Price in the lead role. The movie shows how the highly respected magistrate/sculptor slowly looses his mind when he is being possessed by a strange mysterious spirit called an Horla. Of course no one believes him at first when he starts to hear and see things. He starts to question his own sanity, until the Horla has him in his almost complete control. Good old Vincent Price however decides to fight back and we already at the start sort of know what has happened, since the movie is told in the past time, when people read his diary in which he described the strange events that had happened.
So you don't really have to expect an horror movie with monster, gore and scare effects. This movie is mostly about its build-up and overall atmosphere. It's a psychological movie, though visually the movie is also a good one.
The movie features quite some early and variating special effects and other cinematic tricks. It's quite clumsy looking all of course but at least you can say that they really tried and put some effort in it to making something new.
Vincent Price of course always had been at his best in roles such as these, so this movie forms no exception to that. He is highly convincing as the respected magistrate but also as the 'madman'. Two of course total opposite elements, which Price perfectly knows to handle, without ever making anything look ridicules or totally unbelievable.
It's a real surprisingly good and quite different '60's horror flick, that deserves to be seen and known better, starring genre-legend Vincent Price!
8/10
http://bobafett1138.blogspot.com/
¿Sabías que…?
- TriviaFinal theatrical film of Lewis Martin.
- ErroresAt the start of the movie the date in Magistrate Simon Cordier's diary states 1886 as the year. 18-19 minutes into the movie, when he returns the picture of his dead wife and son back to the trunk upstairs, the camera pans to the right after it's open and there is a Teddy Bear. Teddy Bears weren't around until shortly after the November 16, 1902 newspaper cartoon of "Teddy" Roosevelt's based on his bear hunting trip in Mississippi earlier in the month. ("Teddy" refused to kill a baby bear after its mother was killed). Steiff bears started at the Leipzig Toy Fair in March 1903.
- Citas
[first title card]
Title Card: "... the vulture has eaten the pigeon; the wolf has eaten the lamb; the lion has devoured the sharp-tongued buffalo; man has killed the lion with an arrow, with spear, with gun-powder; but the *"Horla"* will make of man what man has made of the horse and of the ox; His chattel, His slave, and His food, but the mere power of His will. Woe to us!"... Guy de Maupassant
- Créditos curiososOpening credits are revealed by a knife cutting through red fabric.
- ConexionesFeatured in Creature Features: Diary of A Madman (1970)
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Detalles
Taquilla
- Presupuesto
- USD 350,000 (estimado)
- Tiempo de ejecución
- 1h 36min(96 min)
- Relación de aspecto
- 1.66 : 1
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