El diario de un loco

Badly titled but very entertaining Price horror film.

For a while I had seen this movie floating around but since the title reveals zero about what the movie is about - I never bothered with it! Just had my first viewing. Better late than never!

Despite being too studiobound and needing about 20 minutes of dull footage cut out, Diary of a Madman is a knockout movie. And frankly, a very odd one, but odd in a good way.

We are missing the wonderfully campy Price dialogue we got in House of Wax and House on Haunted Hill, but instead we get a deadly serious Price who is very pleasing.

Having no location filming gives it a television movie look but the rich Richard LaSalle score makes the whole thing seem rather grand.

If you think you have heard some of the LaSalle cues before, you have, in TV's Lost In Space (1965) and Land of the Giants (1968).

Despite some mild flaws, an outstanding and wonderfully oddball flick.

The late and great comedian Flip Wilson had a sketch he did on his popular TV show in which, when confronted by tell-tale evidence, he would look into the camera and exclaim, "The Devil made me do it." In "Diary of a Madman," Simon Cordier (Vincent Price) attempts to exonerate himself from murder in flashback fashion with the excuse, "The Horla made me do it." In Cordier's tale, the evil force manifests itself to its victims and takes control of their minds. When under the Horla's powers, the victim's eyes emit a strange light indicative of possession. The special effects are not bad for 1963 except for this light which now looks cheap, almost humorous, in execution.

Cordier is a well-respected judge who wants to understand what drives humans to cold-blooded murder. His police friend, Captain Robert Rennedon (Stephen Roberts), has a more pessimistic view of human nature, believing killers are born that way, sort of a bad seed type outlook. When Cordier visits a murderer that he has sentenced to die, the condemned man tells Cordier of the Horla, physically attacks Cordier and in the scuffle the man dies. The Horla leaves the man's body and takes up residence in Cordier. Cordier is advised by his doctor to renew his old hobby of sculpturing to rid himself of his anxiety (caused by the Horla). In the process of obtaining a model for his new endeavor, a beautiful yet crafty and greedy woman, Odette Mallotte DuClasse (Nancy Kovack), enters his life. He falls in love with her not knowing that she is already married to a young artist, Paul (Chris Warfield), who finds it difficult to satisfy her pecuniary needs. The Horla intervenes with other plans for Odette and her husband.

Price, already an established actor for over twenty years, turned more and more to horror films following his success in the 1953 3-D thriller, "House of Wax." Price was no stranger to the genre. One of his first lead roles was in "The Invisible Man Returns" in 1940. Price was such a versatile actor that he did comedy as expertly as he did drama. Most of his exercises in the macabre were played with a tongue-in-cheek rascality that movie goers loved. He became associated with Roger Corman and later with Michael Jackson for his "Thriller" masterpiece.

"Diary of a Madman," loosely based on a story by Guy de Maupassant, is a typical Vincent Price flick from the 1960's with lots to recommend for the lovers of this type horror show. If you are, like me, an avid fan of Vincent Price, it is a must-see.

DIARY OF A MADMAN opens with the burial of Magistrate Simon Cordier (Vincent Price), who has left behind a diary. The reading of the diary tells the story. Cordier, a respected man of the law, is called upon to visit an infamous, doomed prisoner, and discovers the truth behind the man's murderous rampage. He's told of something called "The Horla", a demon of sorts. Cordier soon finds himself possessed by the same dark force that drove this man to commit his crimes.

Price is terrific in this movie, going from affable man, to homicidal madman with ease. For its time, it's fairly gory, including a stabbing and -implied- decapitation. Nancy Novack co-stars as the conniving Odette. The voice of the Horla is provided with wicked glee by Joseph Ruskin. This movie belongs on every Vincent Price fan's watchlist...

During the 1960s, Vincent Price became super famous as a horror actor--starring in countless low budget horror flicks. Many of them were very cheap and rather forgettable but he also did a few dandies that were quite watchable. In that latter category I would place this film. It's very enjoyable and despite the plot being awfully far-fetched, it is carried off well. Price plays a nice judge who visits a madman about to be executed. At this meeting, the evil spirit controlling the maniac jumps into Price's body and as a result, he goes from a saintly life of a life of evil and depravity. The acting and writing are good, but I must admit this sort of fare isn't going to be for everyone--deep intellectual stuff this isn't! But, if you like a good scare, give the film a viewing.

I'm a big fan of Vincent Price and all of his films are a must see for me. Normally, this endeavour leads me to see some of the finest horror films of the fifties, sixties and seventies; but every now and again, it will turn up a lesser entry in the great man's filmography, and unfortunately - this is the case here. Based on stories by Guy de Maupassant, Diary of a Madman is a film without much to differentiate it from a number of similar films, and so to someone like me who has seen a great many horror movies; this one does fall a bit flat. Other bad elements include a rather long running time, which ensures that the flimsy plot always feel far too drawn out. The plot follows judge/sculptor Simon Cordier, a man who goes to visit a man put to death in his cell. He was put to death for various murders that he committed, and which he claims were under the influence of evil spirit Horla. However, after the death of the murderer; the evil spirit has nowhere to go, and so decides to take up residence inside the judge...

It's a seriously good job that this film stars Vincent Price, as with almost anyone else in the lead role it would have been a complete dead loss. Price doesn't excel himself here; but even an average Price performance is great to watch, and the great thespian continually saves the film from tedium. Price is the only real star of the film, and that's not a problem in a way as he has more than enough to carry a film on his own; a film like this could really do with a few more distractions. The locations look nice, however, and the Technicolor cinematography excellently captures them. There's not a great deal of actual horror in the film; sequences that see Vincent Price's mirror reflection disappear, and a few where he has green eyes are about as horrific as it gets. The idea of an evil demon possessing someone isn't exactly original, but the basics of the story get good handling here; so it's a shame that the rest of the film wasn't better. Overall, this has it's moments I suppose; but aside from Price's performance, there isn't much to recommend it for. Interesting fact, though; a quote towards the start of the film was used by Rob Zombie in his song "The Return of the Phantom Stranger"!