El caballero audaz

Swashbuckler from the renowned Hammer studio who are more famous for their classic horror movies. This movie suffers from some poor casting decisions and a general lack of dynamic action to set the pace in a genre that demands excitement. Jack Hedley just doesn't suit as the hero and Oliver Read is much more interesting as the bad guy I think Reed could have done a better job in the lead role (he did go on to play Athos in Richard Lesters production of the Three Musketeers).

The script is generally poor and no one comes out to well in the acting stakes but this could have been excused had there been some great set pieces but action is another element somewhat lacking in what is a fairly disappointing movie by any standards 4/10

Set during the civil war with the Roundheads portrayed as the baddies and the Royalists the dashing heroes. Some of the scenes are quite well shot and it's in Technicolor as well which is a plus.

Unfortunately, the heroes aren't very interesting and are overshadowed by the much better Oliver Reed and Lionel Jeffries, the heroes aren't even that likeable and June Thorburn's character is just downright nasty and annoying, she doesn't deserve anyone. Reed's character is by far the most well done and complex, he does a fine acting job too. Additionally, for an action film there's a notable lack of action and the fighting that is in is not very well choreographed or entertaining.

3/10: Worth a watch for Oliver Reed but as a swashbuckler is terrible

When Hammer's production schedule was cleared in 1956 to make way for more horror films, the plug was pulled on the long-in-preparation 'King Charles and the Roundheads'.

Having in the intervening seven years made another Robin Hood adventure and a pirate yarn, Hammer finally made their Cavaliers v. Roundheads picture with a suitably gory title and Lionel Jeffries, of course, as a roundhead (with Oliver Reed as his saturnine young henchman ironically sporting a fake scar on his face in an entirely different place from the real one he acquired on his left cheek in a pub brawl a year later). Jack Hedley makes a rather gentle leading man, and although improbably cast as Jeffries' daughter, the late June Thorburn (who gets to wear a magnificent hat) plays a far greater role in the plot than the leading lady usually does in such nonsense.

Plenty of people get killed - and Hedley is flogged at one point - but compared to Tigon's harrowing Civil War subject 'Witchfinder-General' a few years later it's a pretty placid affair, with a jaunty score by Gary Hughes.

The English Civil War much like our own in America has been fodder for numerous historical adventure stories. And the stories have been told from both the Cavalier and Roundhead sides with each taking turn at being the hero and villain of same. It was that kind of period in the United Kingdom history, subject to many different interpretations on all sides.

In this one the Royalist cavaliers are the heroes, they've been driven underground pretty much in 1648 and are now concerned with rescuing King Charles I and spiriting him away to safe exile. Charles is now in the custody of Colonel Lionel Jeffries and Captain Oliver Reed of Oliver Cromwell's Ironsides army and is on the way to London for trial and execution.

Jeffries has set up headquarters in the manor of the Beverleys who were Royalists now dispossessed of their property. Jeffries is one real pig as I recall and not living the spartan puritan life that his kind were wont to preach about. He's even got a marriage arranged for his daughter June Thorburn to Oliver Reed. But June's a secret Royalist whose heart is set on Jack Hedley the elder of the two Beverley brothers who is leader of an underground group of Royalists.

The intrigue in trying to rescue the King is tangled up with the romantic intrigue of this triangle and it leads to a lot of tragedy all around. History tells us what happened to Charles I, if he ruled rather badly, he certainly died nobly for his cause. As for the personal intrigues, you have to see the film for that.

The Scarlet Blade was playing as the second half of a double bill as I recall, probably with some Hammer horror feature. I remember at the time thinking how much more interesting Oliver Reed was as the shrewd, but villainous Roundhead than Jack Hedley was as the dashing, but rather wooden cavalier. Maybe Thorburn ought to rethink what she's doing. Of course this was before Oliver Reed became an international star, but his appeal was dead-on.

If you get a chance to see The Scarlet Blade, you'll see an average, but entertaining swashbuckler that might have been better with Reed as the hero.

This Hammer swashbuckler is one of the few films to be set during the English Civil War. Unfortunately, its treatment of the conflict is fairly simplistic ; the Roundheads are the baddies, intent on killing the king, and the Cavaliers are the romantic good guys, led by Jack Hedley, looking slightly too old to play the Robin Hood like hero.

The film suffers from the fact that the "villains" (Lionel Jeffries, Oliver Reed) are much more charismatic than the "heroes" (Hedley and an insipid June Laverick). The downbeat ending is also a surprise. Nevertheless, like most Hammer films, it is well-mounted and richly-photographed by Jack Asher. Watch out for the sequence in which the outlaws, disguised as bushes (!), creep ever-closer to the Roundhead guards. It looks like a scene from Monty Python!