CALIFICACIÓN DE IMDb
5.5/10
527
TU CALIFICACIÓN
El matrimonio del jugador de caballos Steve Flood se ve amenazado por sus apuestas. Desesperada, su mujer Melanie se convierte en su corredora de apuestas y pide ayuda a Clint Morgan. La bue... Leer todoEl matrimonio del jugador de caballos Steve Flood se ve amenazado por sus apuestas. Desesperada, su mujer Melanie se convierte en su corredora de apuestas y pide ayuda a Clint Morgan. La buena racha de Steve provoca complicaciones.El matrimonio del jugador de caballos Steve Flood se ve amenazado por sus apuestas. Desesperada, su mujer Melanie se convierte en su corredora de apuestas y pide ayuda a Clint Morgan. La buena racha de Steve provoca complicaciones.
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Jay Adler
- Man in Car Accident
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Leon Alton
- Elevator Passenger
- (sin créditos)
Don Ames
- Elevator Passenger
- (sin créditos)
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Opiniones destacadas
Wouldn't you know it? Dean Martin has a gambling problem, or at least his wife Lana Turner thinks so, in this relatively unknown but worthwhile movie. This Lana/Dean teaming is an hilarious hoot to watch. While it may seem a bit incredible to believe, if you just sit back and relax, you'll find plenty of laughs. With a great cast featuring Walter Matthau, Paul Ford, Eddie Albert, Eddie's wife in real life Margo, as the maid, and Nita Talbot as Lana's next door neighbor with great taste in decorating. Dean's presence gives the film the why-do-I-care-about-anything feel to it, and Lana's misadventures make for chaos in this madcap tale of betting on the right horse!
Listless little comedy which drags on and on for an hour and a half.Lana Turner,one of the queens of melodrama -"The bad and the beautiful","Madame X","Peyton Place",the sublime "imitation of life"- or film noir ("the postman always rings twice") has not the great comical presence the part asks for.Walter Matthau steals the show:ahead of his time,his character uses a big computer;although a dirty man,he lectures his subordinate about his poor old mother,whom he must support even at his own expense.
A distant relative of "the sting" .People who are allergic to bets,bookies and stuff like that ,take to your heels.
A distant relative of "the sting" .People who are allergic to bets,bookies and stuff like that ,take to your heels.
This is an example of what Hollywood was doing, or becoming, in the 60s. Basically television.
The opening scenes of this motion picture were bizarrely generic. A middle aged couple leaves an apartment building for a cab ride to a restaurant all of which plays under the opening credits. It's dialogue-free and the couple turns out to be Dean Martin and a matronly Lana Turner. The silly nothings continue as Dean is interrupted, continually, by phone calls from (his bookie?) and his romantic date, with his wife, goes down the... I don't know this is where I bailed.
Hollywood was trying to squeeze the last drop of revenue from existing resources (sound stages, big name stars and supporting actors, technical and administrative support). I didn't recognize Lana Turner even after she started talking. Never a big fan but aware of her work. The middle-aged Turner was not instantly recognizable, like Joan Crawford or Bette Davis or more recently Jane Fonda or Helen Mirren. This was essentially a domestic sit-com with lies, misapprehensions and bizarre inferences (no doubt) throughout. Supporting cast upholds the resource theory: mostly contract support players from the 40s and 50s.
Post-war Hollywood was teeming with "guys" who could write this stuff, with experience dating back to the 30s, and endless reserves of pretty people who could sell the same old three-act formula ad infinitum, hour-long for dramas, 30 minutes for comedies.
It went on through the 70s before new formats began to emerge in the evolution of what we now call long-form serial entertainment. So this movie? Blech.
The opening scenes of this motion picture were bizarrely generic. A middle aged couple leaves an apartment building for a cab ride to a restaurant all of which plays under the opening credits. It's dialogue-free and the couple turns out to be Dean Martin and a matronly Lana Turner. The silly nothings continue as Dean is interrupted, continually, by phone calls from (his bookie?) and his romantic date, with his wife, goes down the... I don't know this is where I bailed.
Hollywood was trying to squeeze the last drop of revenue from existing resources (sound stages, big name stars and supporting actors, technical and administrative support). I didn't recognize Lana Turner even after she started talking. Never a big fan but aware of her work. The middle-aged Turner was not instantly recognizable, like Joan Crawford or Bette Davis or more recently Jane Fonda or Helen Mirren. This was essentially a domestic sit-com with lies, misapprehensions and bizarre inferences (no doubt) throughout. Supporting cast upholds the resource theory: mostly contract support players from the 40s and 50s.
Post-war Hollywood was teeming with "guys" who could write this stuff, with experience dating back to the 30s, and endless reserves of pretty people who could sell the same old three-act formula ad infinitum, hour-long for dramas, 30 minutes for comedies.
It went on through the 70s before new formats began to emerge in the evolution of what we now call long-form serial entertainment. So this movie? Blech.
This one isn't all that bad...really! Dean Martin was well-cast as a guy whose gambling addiction causes his wife, played by Lana Turner, to concoct a scheme to keep him out of debt by secretly becoming his "bookie." Trouble is, he hits a winning streak and she has to sell off jewelry, furnishings and other baubles to pay off his windfall. Before Walter Matthau became a major name-above-the-title headliner, he played "Tony Gagoots," big-time bookie with an elaborately concealed electronic control room for his illegal empire, and he's partnered with Nita Talbot, as his main squeeze, "Saturday Knight," and she's one of this film's comic highlights. There are also Eddie Albert and his wife, Margo, on hand to lend amusing and very professional support and the whole thing is prettily mounted in Panavision (which means that the VHS version is probably "formatted" - not a plus!) and Technicolor. It's an early-Sixties example of what TIME magazine, in a fairly positive review, called a "yak derby" and, if you're a fan of those two always-funny character actors, Paul Ford and John McGiver, they have a few moments in this one that lend to the proceedings some genuinely winning laughs.
"Who's Got the Action" is a forgettable time-passer. I wasn't totally surprised, as the film starred Lana Turner...and by 1962 the quality of her films had diminished considerably. I was surprised, however, to see a major star at the time, Dean Martin, in such a slight film.
Martin plays a husband who loves to gamble on the horses. He's not very good at it and the wife wants to teach him a bizarre lesson...she sets herself up as a bookie for him because she KNOWS he'll lose a lot of money. The problem is that he starts winning big...and others notice and join him in betting with this mystery bookie. Soon, real gangsters are noticing they're losing clients and they are NOT happy.
The film is supposed to be a comedy but there really weren't many laughs. Add to that one of Walter Matthau's worst performances and you've got a movie that should have been better but wasn't.
Martin plays a husband who loves to gamble on the horses. He's not very good at it and the wife wants to teach him a bizarre lesson...she sets herself up as a bookie for him because she KNOWS he'll lose a lot of money. The problem is that he starts winning big...and others notice and join him in betting with this mystery bookie. Soon, real gangsters are noticing they're losing clients and they are NOT happy.
The film is supposed to be a comedy but there really weren't many laughs. Add to that one of Walter Matthau's worst performances and you've got a movie that should have been better but wasn't.
¿Sabías que…?
- TriviaAccording to newspaper movie gossip columns of the day, Anne Bancroft originally sought to play second female lead under Lana Turner.
- ErroresAfter Tony sits down to talk with Melanie in the kitchen, the items on the table change position between shots. Most notably, a bottle of tomato ketchup appears out of nowhere.
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Who's Got the Action?
- Locaciones de filmación
- The Talmadge, 3278 Wilshire Blvd., Los Ángeles, California, Estados Unidos(Exteriors of the Flood's apartment)
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 3,488,000
- Tiempo de ejecución1 hora 33 minutos
- Relación de aspecto
- 2.35 : 1
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