Mi novia es de otro mundo

Wry satire skewing the government, the military, and the space program at a time when there wasn't that many films taking aim at those agencies. This was the Kennedy era after all, and Disney didn't make that many satires. Tom Tyron ("Texas John Slaughter")is good as the astronaut but French actress Dany Saval ("Boeing, Boeing") makes the film worth watching. The support actors fail to bring the script alive (good actors but dry direction lets them sway in the wind). Tommy Kirk appears in a very small, but adult role.

As the director of many films for the Disney Studios, both comedic and dramatic, James Neilson never livened up; his name in the credits usually means a picture with a steady, sometimes leaden pace. "Moon Pilot" is no exception, and one can only imagine family audiences from 1962 dozing through the movie's more sluggish sections. Tom Tryon was a good casting choice for the part of an Air Force captain chosen to orbit around the moon, yet his hot-tempered superiors on the ground (Edmond O'Brien and the usually-reliable Brian Keith) do nothing but bark at him and at each other. Dany Saval twinkles like a manic pixie playing a flirtatious young woman who may be a spy--maybe not. For the Disney faithful, there's also a monkey clowning around. Production values solid, theme song "Seven Moons" very sweet, though this is still an awfully slow rocket-ride into space. *1/2 from ****

While the technical aspects of this "space age" comedy from the early 1960's are understandably dated, the major problem with watching "Moon Pilot" now lies in its slow pacing. Virtually every scene runs longer than it should and the conversations within each scene are too often marked by needless pauses and languid delivery. The result is a 70-minute story that's been s-t-r-e-t-c-h-e-d into a 98-minute movie.

Tom Tryon seems an unusual choice for the title role. His dark, brooding, sexually-ambiguous looks would qualify him to play "Heathcliff" but "Moon Pilot" is virtually his only foray into farcical comedy. However, his innately serious quality helps him to anchor the movie more securely than would a Dick Van Dyke or a Dean Jones, but he really doesn't shine in this kind of material. His image as a juicy slab of "beefcake" remains intact, however, since even this family-oriented Disney comedy finds an excuse to strip him down to his boxer shorts in order to display his hairy chest in two separate scenes.

I'd missed out on this one as both as a VHS rental and on local TV in the past but which, bafflingly, hasn't been available anywhere else (not even on DVD) until now…or, perhaps, not so strange – since it's considered pretty much an outdated early movie about the space program!

That said, the film has always enjoyed a reputation as one of the better Walt Disney live-action efforts – an opinion I was happy to share after watching it for myself (especially given my recent disappointment with such other popular albeit ultra-juvenile fare as THE GNOME-MOBILE [1967] and the two "Witch Mountain" outings). In fact, this has very few concessions to the typical Disney 'cuteness' (basically extending to the inevitable romance and an over-eager member at the space center breaking into a would-be hip "Go, man, go!" routine with every shuttle launch) and is clearly elevated by the presence of strong actors – Tom Tryon is ideally cast in the lead, though it's Brian Keith as his constantly exasperated superior and Edmond O'Brien as the dogged yet bewildered Federal Security man who dominate much of the proceedings (especially when the two engage in shouting matches between themselves).

Anyway, as can be gleaned from the title, the plot involves attempts by the U.S. to orbit the moon: the first guinea-pig is a chimp which, however, goes berserk on returning home; undeterred, a human volunteer is requested – Tryon, of course (though he's actually air-sick!). Soon after, he begins to be followed by a petite girl of obvious foreign origins (Dany Saval, whose gaucheness starts off by being corny but eventually proves disarming) – who not only knows all about his supposedly top-secret mission but actively wants to impart to him vital information about his safety 'up there'; however, he believes her to be a spy and tries his best to avoid her! Still, she manages to turn up at the most unexpected places (even after O'Brien has him 'kidnapped' to a hotel) and eventually confesses to being an alien – clearly possessing advanced knowledge and who, atypically for the sci-fi genre, intends to extend help to Earth people rather than conquer them!

MOON PILOT, then, resorts agreeably to such well-worn albeit effective suspense/spy movie trappings as the "McGuffin" (in the form of the missing element which would allow humans to adapt to the atmosphere in outer space), chases, impersonation and, it goes without saying, the growing affection between hero and heroine thrown into this unusual situation. Apart from the obvious space gadgetry, the sci-fi aspect of the film is evident in the scene in which, to demonstrate her powers, Saval gives Tryon a foretaste of his/their future. As always with Disney films, however, comedy is as much an intrinsic ingredient of the formula: best of all are the running 'unreliable elevator' gag with Tryon and O'Brien, and the potentially campy suspects' line-up of beatniks (under whose guise Saval has descended to Earth – clearly a sign of the times). Keith's queasy look during the latter sequence is priceless…as is his final flustered off-screen outburst when Tryon and Saval sign off in space courtesy of a Sherman Brothers love song!

This film is cute little trick of a film. In the early days of space flights, it was time for a send-up. And the great character actor edmond O'Brien, was terrific as the "hard as nails" security agent. A treat for us Disney fans.

The comic highlight of the film is the "parade of usual suspects", when San francisco beatnik chicks are brought in for review. A real HOOT!

The alien chick is disarmingly funny, and I wish she could have had more films after this one. She was so fine, I wanted to sign up for astronaut training.

The pacing is slow, and the humor is formulaic, but I still get a chuckle out of this minor classic.