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El hijo de una hechicera, se embarca en una búsqueda para salvar a una princesa de un mago vengativo.El hijo de una hechicera, se embarca en una búsqueda para salvar a una princesa de un mago vengativo.El hijo de una hechicera, se embarca en una búsqueda para salvar a una princesa de un mago vengativo.
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A friend of mine lent me their copy of The Magic Sword, a 1962 film directed by Bert I. Gordon. While it's still fresh on my mind, I thought I would crank out a review.
The film is based loosely on the medieval legend of St. George and the Dragon, or so I read on Wikipedia. I don't know much about the legend myself, but I probably would after a bit of searching.
Anyway, the plot of The Magic Sword is your typical "brave knight goes on a quest to save a princess from an evil wizard" deal. The sword in the title has to do with the fact that the main character wields a sword that apparently has some kind of magical powers.
Despite the use of the tired old "save the princess" plot, the film itself is surprisingly good and was a lot of fun to watch. The acting is just a bit on the hammy side, but I think it's one of the things that made watching the film fun. The film moves along nicely from scene to scene and didn't seem to drag anywhere. The special effects, though a bit cheesy compared to what we're used to seeing these days, were still pretty good considering the time the film was done. The dragon effects near the end were really cool.
There might be a scene or three that might be deemed inappropriate for very young children. There's some boobage, though very brief, near the beginning (although the version I saw blotted it out with a mosaic... the bastards). A couple of other scenes were just due to some really disturbing makeup effects. Other than that, the film is pretty family friendly.
Overall I recommend this film. It was fun to watch and there was never a dull moment. But mostly because Basil Rathbone is such a badass as the evil wizard.
The film is based loosely on the medieval legend of St. George and the Dragon, or so I read on Wikipedia. I don't know much about the legend myself, but I probably would after a bit of searching.
Anyway, the plot of The Magic Sword is your typical "brave knight goes on a quest to save a princess from an evil wizard" deal. The sword in the title has to do with the fact that the main character wields a sword that apparently has some kind of magical powers.
Despite the use of the tired old "save the princess" plot, the film itself is surprisingly good and was a lot of fun to watch. The acting is just a bit on the hammy side, but I think it's one of the things that made watching the film fun. The film moves along nicely from scene to scene and didn't seem to drag anywhere. The special effects, though a bit cheesy compared to what we're used to seeing these days, were still pretty good considering the time the film was done. The dragon effects near the end were really cool.
There might be a scene or three that might be deemed inappropriate for very young children. There's some boobage, though very brief, near the beginning (although the version I saw blotted it out with a mosaic... the bastards). A couple of other scenes were just due to some really disturbing makeup effects. Other than that, the film is pretty family friendly.
Overall I recommend this film. It was fun to watch and there was never a dull moment. But mostly because Basil Rathbone is such a badass as the evil wizard.
THE MAGIC SWORD (1962) is a fantasy film that enthralled me as a child when I sat in a Bronx theater with a packed house of kids on a summer afternoon. We talked about it for days afterwards and acted it out in our street games. As a grown-up, when I returned to it on TV, I may have found some of the effects less than convincing, particularly the dragon, but I still found the film quite engaging and consistently memorable. The images have a bold graphic quality reminiscent of the best comic book art. Each shot cuts right to its essential information and uses whatever low-budget means at the filmmaker's disposal--make-up, costumes, color, lighting, simple optical effects--to make the image stand out. In addition, there are strong performers on hand who have a kind of comic book/fairy tale aspect to them, e.g. Estelle Winwood, as the hero's spell-casting guardian; Basil Rathbone, as the sorcerer villain; and Vampira as a beautiful woman the knights meet on the road, who turns monstrous at a moment's notice.
The film is not afraid of grotesque imagery and doles it out in small, effective portions. As an adult I was struck by the horrific nature of some of the images, e.g. the withered old hag that Vampira turns into; the acid pool that yields up the skeleton of a victim who'd fallen into it just moments earlier; the burned, reddened skins of two of the knights as they're caught in some kind of intense sun ray. But as a child, I wasn't frightened by these images; they helped make the story more believable and more involving. Filmmaker Bert I. Gordon (THE AMAZING COLOSSAL MAN) was not afraid to show us the dark, gruesome side of this mythical tale. He wasn't trying to shield the kids in the audience the way bigger-budgeted Hollywood films of this stripe would have at the time (e.g., Harryhausen films like SEVENTH VOYAGE OF SINBAD and THREE WORLDS OF GULLIVER). There was an honesty to Gordon's approach that I think we, as kids, even without being able to articulate it, appreciated and respected. As an adult, I can't get this film out of my mind, while more recent spectacles like the overstuffed LORD OF THE RINGS are but a dim memory.
The film is not afraid of grotesque imagery and doles it out in small, effective portions. As an adult I was struck by the horrific nature of some of the images, e.g. the withered old hag that Vampira turns into; the acid pool that yields up the skeleton of a victim who'd fallen into it just moments earlier; the burned, reddened skins of two of the knights as they're caught in some kind of intense sun ray. But as a child, I wasn't frightened by these images; they helped make the story more believable and more involving. Filmmaker Bert I. Gordon (THE AMAZING COLOSSAL MAN) was not afraid to show us the dark, gruesome side of this mythical tale. He wasn't trying to shield the kids in the audience the way bigger-budgeted Hollywood films of this stripe would have at the time (e.g., Harryhausen films like SEVENTH VOYAGE OF SINBAD and THREE WORLDS OF GULLIVER). There was an honesty to Gordon's approach that I think we, as kids, even without being able to articulate it, appreciated and respected. As an adult, I can't get this film out of my mind, while more recent spectacles like the overstuffed LORD OF THE RINGS are but a dim memory.
I saw this film at a matinée in 1962 when I was seven. I remembered it over the years as 70 minutes of pure excitement. I watched it again on DVD with my kids. Yes, it is low budget. Yes, it has cheesy special effects by today's standards. Yes, it has a corny plot and weak acting from some of the characters. Yet, I found it to have charm and my kids were just as enthralled as I was 43 years ago when I suspended my disbelief in the dark of the Saturday matinée. This film is, in its genre, a minor classic. Further, Basil Rathbone as the heavy is very good in the waning years of his life and career--much better than Torin Thatcher who played similar "heavy" roles in similar adventure movies.
"The Magic Sword" is one of B-movie producer/director Bert I. Gordon's best known films. Granted, it's no masterpiece, but it is enjoyable on it's own terms. The plot, very loosely based on the 'St. George And The Dragon' legend, has a princess (Anne Helm) kidnapped by evil sorcerer Lodac (Basil Rathbone) and hunted by lovesick George (Gary Lockwood). Aided by his foster mother Sybil (Estelle Winwood) a good witch, George vows to save the princess and destroy Lodac. Although this plot has been done to death, it's the acting by the splendid Rathbone and Winwood which keeps this film consistently entertaining. Add some modest, but impressive special effects, and you have a very entertaining minor adventure for the family. Beware: this public domain film is available on several cut-rate DVDs, but only the newly released one from MGM/UA home video is worth the price. They have a beautiful print of the film (it was originally released by United Artists) which contains a fun theatrical trailer. This is the one to get!
To compare this film unfavorably to the high standards we hold for today's films would be unjust. This film has to be judged by the era that made it. Great films like "Jason and the Argonauts", "Hercules Unchained" and others of that ilk were popular and had an audience albeit a limited one. I remember seeing this film at the ripe age of six and being awestruck and terrified. Basil Rathbone was sinister as the evil wizard. The dragon seemed an insurmountable obstacle to the hero. There were little people inside a large bird cage crying for help,an evil temptress witch with green glowing eyes that lured one of the good guys to his doom and a horrible bubbling swamp that ate the flesh off of one of the good knights when his horse stumbled and he fell in. I'm glad I was six when I saw this film. I've remembered it for years and just thought to pay it a visit again on this site.
¿Sabías que…?
- TriviaThe film was skewered in The Magic Sword (1992). In the "Mystery Science Theater 3000 Amazing Colossal Episode Guide" book, the show's creators admitted that "this is actually a pretty good movie."
- ErroresEven though modern Italian state did not exist until 1861, the region corresponding to it has been referred to as "Italy" since Roman times. And during the setting of this film, they would've spoken a form of Italian. And they would've been referred to as Italian-Speakers or Italians. Also, between 800 A.D. and 1806, there was an entity called the "Kingdom of Italy" which consisted of mostly of Northern and Central Italy except for Venice. It was one of the three constituent kingdoms of the so called Holy Roman Empire along with Germany and Burgundy. They were nominally ruled by the German Holy Roman Emperor, but in reality, central government was usually non-existent so the "Kingdom of Italy" only existed on paper. Still, "Sir Anthony of Italy" would not have been an incorrect title.
- Citas
Sir Branton: Was it magic?
Lodac: No. Not magic.
Sir Branton: Then how did George escape?
Lodac: I think... yes. Something stronger than magic. The power of Patrick's faith.
- Créditos curiososRoss Wheat (dragon-puppet operator) as "dragon trainer."
- ConexionesEdited into Dünyayi Kurtaran Adam (1982)
- Bandas sonorasFrere Jacques
(Traditional French Song)
Sung by pretty girl to French knight outside mill
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- The Magic Sword
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- Tiempo de ejecución1 hora 20 minutos
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- 1.85 : 1
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