Venganza diabólica

Maniac is one of those rare Hammer films, a truly suspenseful horror. Its wonderful to watch, and so much better in widescreen. The unseen story intrigues, where the visual whets the appetite. A truly twisted story of intrigue and unrequited love, with a macabre twist that could only come from the studio that bred Christopher Lee and Peter Cushing as the ultimate horror team.

Although not as good as some of their other work, nevertheless, I was kept guessing as the plot became more complex, and enthralled by the scenery and style.

What is more, it is a contemporary film (well, 1963) and set in modern France, with real French actors!

I'm a fan of Jimmy Sangster's work and after reading a few reviews of this movie here I was anxious to see it. Unfortunately I can't give this one a rave review. The best I can say is that it's not a bad movie and it's worth seeing once. After an intriguing opening the movie proceeds at a snail's pace for the longest time. It is excruciatingly slow. Since the actors involved are all as exciting as cardboard you can imagine how much slower that makes an already slow pace feel. Finally business picks up and then we're bombarded with one plot twist after another, not one of which is particularly impressive. The only twist I didn't see coming was one that was out of left field and there were no clues in the movie beforehand so it felt like a cheat. It's like Sangster knew his twists couldn't match Psycho so he decided on quantity instead of quality. If you're a fan of Jimmy Sangster or Hammer, then check it out but keep expectations low.

Maniac is one of the lesser known of Hammer's "psychological thrillers" made in black and white around the 1960's. It's not fiendishly clever enough to be really memorable but it does have a few interesting twists. Basically the plot sees Kerwin Mathews stranded in a small French town where he books into a hotel and starts to feel attracted to the owners sexy young step-daughter. Soon after this, he also starts feeling attracted to the more mature but still sexy step-mother as well! Apart form this love triangle, there is a further problem, in that the missing family member in this scenario is the father, who is currently locked up in an asylum for a violent blow-torch murder committed years ago…now but he wants out, and our hero is about to be roped into aiding in his escape! The film doesn't hang together very well for the beginning hour or so, sadly mainly due to Kerwin Mathews' wooden performance. Seeing him flirt with the daughter and then casually drop her and turn to her mother left me feeling quite disconnected from the plot as I found him a very unlikeable character. However when the plot to spring the insane killer gets going, things get to be more fun, and its after this point that a few nice twists start being revealed. I didn't guess the ending, which I am glad to say.

The movie is nicely shot, and makes a lot of use of it's location, with some very nice location filming, especially a very odd ruin/cave which features in the finale. Although why it's set in France at all is of no consequence, they really could have used the exact same plot and just stayed put in England. Anyway it's nice to see these old movies again, and luckily this is out on DVD. It's worth a look.

When the American painter Jeff Farrell (Kerwin Mathews) dumps his girlfriend in Camarga, France, he meets the eighteen year-old waitress Annette Beynat (Liliane Brousse) in a bar and decides to stay in the town on vacation at a bed and breakfast owned by her stepmother Eve Beynat (Nadia Gray). Jeff feels a great attraction for Annette but soon he is seduced by Eve and has a love affair with her. He learns that three years ago Annette was raped by a man called Janiello (Arnold Diamond) and her father Henri (Donald Houston), who is locked in an asylum, killed the man using an acetylene torch. After visiting Henri, Eve tells to Jeff that he accepts to let her go with him provided they help him to escape from the asylum driving a runaway car to the harbor. Jeff decides to help Henri but soon he is visited by Inspector Etienne (George Pastell) and discovers dark secrets.

"Maniac" is a combination of film-noir with psychological thriller by Hammer having a triangle of love to complete the big picture. The sexual tension between Henri, Annette and Eve is constant and the relationship of Henri with the two women is unusual and strange. The plot has many twists and is engaging. My vote is seven.

Title (Brazil): "Maniac"

Maniac is directed by Michael Carreras and written by Jimmy Sangster. It stars Kerwin Matthews, Nadia Gray, Lillian Brouse, Donald Houston and George Pastell. Music is by Stanley Black and cinematography by Wilkie Cooper.

Vacationing in the Carmarque region of France, American artist Jeff Farrell (Matthews) gets more than he bargain for when he becomes romantic interest for mother and daughter Eve (Gray) and Annette (Brousse) Beymat...

Out of Hammer Film Productions, Maniac is one of a number of psychopath themed thrillers that followed in the footsteps of Alfred Hitchcock's Psycho. Filmed in black and white on location in Caramarque, the film opens with a tremendous whack as young Annette Beynat is abducted on her way home from school and raped (off camera) by the side of the road. This crime is witnessed by a local man who fetches Annette's father who promptly captures the rapist and gets medieval on his ass with a acetylene torch (again off camera). It's quite an opening, but then the film settles into a leisurely pace for the next hour as Carreras and Sangster build their story in preparation for a big finale. Then things get tricky, and I'm not just talking about for handsome Jeff Farrell...

Realising they have gone for a "major" slow build and are desperate to add some added bite into what was becoming a bona fide sub-genre of thrillers, the makers cram so much into such a short space of time it collapses under its own weight. We know there's going to be a twist, the whole story is geared towards this fact, but they instead keep twisting, and twisting until it no longer becomes interesting. While the actual finale is something of a damp squib. There's a big problem with the location as well, Carreras' flat direction is unable to draw anything substantially atmospheric from the locale. True, a chase and reveal at the climax gets a splendid back drop in which to unfold, but it's a rare moment of inspiration and you are kind of taken out of because of piecing together the threads and implausibilities.

It's a very frustrating film, one where the usually great Sangster over reaches himself and Carreras doesn't come up to the standard of Terence Fisher or Freddie Francis. It holds the interest, is decently performed, has good production value and is fleetingly attention grabbing, but this should have been much much better. Both visually and with plot machinations. 6/10