CALIFICACIÓN DE IMDb
5.7/10
12 k
TU CALIFICACIÓN
Tras el descubrimiento de King Kong en una isla, es capturado y llevado a Japón, donde escapa del cautiverio y se enfrenta a Godzilla.Tras el descubrimiento de King Kong en una isla, es capturado y llevado a Japón, donde escapa del cautiverio y se enfrenta a Godzilla.Tras el descubrimiento de King Kong en una isla, es capturado y llevado a Japón, donde escapa del cautiverio y se enfrenta a Godzilla.
- Dirección
- Guionistas
- Elenco
Kenji Sahara
- Kazuo Fujita
- (as Keji Sahaka)
Opiniones destacadas
Most of us saw the English language version of KING KONG VS. GODZILLA, which discarded alot of fun bits found only in the original Japanese language version of this near classic. In it's original Japanese, this is a fun movie about these rather boob-ish guys who work for a Tokyo advertising firm going to a desolate island. They encounter music loving natives who worship none other than King Kong. At the same time, Godzilla re-appears on the scene, threatening to destroy Tokyo. The film is made with wild energy, and goes with wild logic (how can you not love the scene where King Kong is knocked out with bongo music?!) Proof that director Inoshira Honda loved his audience and wanted to make them happy.
Before Freddy VS Jason, before Aliens VS Predator, even before the clash of the titans that is Puppet Master VS Demonic Toys (but after Frankenstein Meets The Wolf Man, obviously), there was King Kong VS Godzilla.
Before I proceed with this review, I should point out that the version I have seen is the American one, which is dubbed and had several scenes added featuring a United Nations news broadcast. The original Japanese release was apparently much more satirical in tone, whereas the American version removes all the comedy. It is still enjoyable as a giant monster movie, though.
This movie originally began life as a stop-motion feature entitled KIng Kong VS Frankenstein, and was conceived by Willis O'Brien as a sequel to the 1933 Kong, gradually turning into a Godzilla movie after Toho studios got involved. Although there are some brief stop-motion sequences, it is by and large a typical kaiju ega movie (in other words, it's men in rubber suits). While fans of O'Brien's still-impressive stop-motion work on the original King Kong may be irked by the idea of the big ape being played by a Japanese guy in a suit, I personally think Kong looks pretty cool (it's certainly more impressive than the suit Toho used for their second Kong film, King Kong Escapes).
There are some inconsistencies, most notably the fact that King Kong and Godzilla were radically different sizes in their respective films, but Toho got around this by the simple expedient of ignoring it. We've got two great big monsters beating each other up, so who cares about details? Also, in the original King Kong, the big ape had no special powers beyond being very strong, whereas Godzilla has radioactive breath; Toho addressed this seeming imbalance by having Kong derive strength from electricity, whereas Godzilla is weakened by touching power lines. One point that bugs me a little is the fact that, although this is the third Godzilla film, and the second to feature King Kong, there seems to be no connection to the previous movies. When the two monsters appear, the human characters act as though they have no prior knowledge of them, which seems odd when you take into account Godzilla had twice previously tried to destroy Tokyo, and King Kong did make kind of a mess of New York. King Kong VS Frankenstein was intended as a sequel to the original, but this idea was obviously dropped from the movie it became.
The climactic fight between the two monsters is great fun, sort of a giant sized version of a WWE match, only with more believable physiques and personalities. Kong shoving a tree down Godzilla's throat and the big green guy responding by walloping Kong with his tail are highly entertaining moments; obviously not as spectacular as the scenes of Kong fighting the dinosaurs in either the 1933 original or Peter Jackson's remake, but that's not the point. King Kong VS Godzilla is an enjoyable example of this type of movie; if you're new to the kaiju ega genre, it's an excellent starting point. It's just a shame King Kong VS Frankenstein never got made. Maybe if we all ask Peter Jackson nicely....
Before I proceed with this review, I should point out that the version I have seen is the American one, which is dubbed and had several scenes added featuring a United Nations news broadcast. The original Japanese release was apparently much more satirical in tone, whereas the American version removes all the comedy. It is still enjoyable as a giant monster movie, though.
This movie originally began life as a stop-motion feature entitled KIng Kong VS Frankenstein, and was conceived by Willis O'Brien as a sequel to the 1933 Kong, gradually turning into a Godzilla movie after Toho studios got involved. Although there are some brief stop-motion sequences, it is by and large a typical kaiju ega movie (in other words, it's men in rubber suits). While fans of O'Brien's still-impressive stop-motion work on the original King Kong may be irked by the idea of the big ape being played by a Japanese guy in a suit, I personally think Kong looks pretty cool (it's certainly more impressive than the suit Toho used for their second Kong film, King Kong Escapes).
There are some inconsistencies, most notably the fact that King Kong and Godzilla were radically different sizes in their respective films, but Toho got around this by the simple expedient of ignoring it. We've got two great big monsters beating each other up, so who cares about details? Also, in the original King Kong, the big ape had no special powers beyond being very strong, whereas Godzilla has radioactive breath; Toho addressed this seeming imbalance by having Kong derive strength from electricity, whereas Godzilla is weakened by touching power lines. One point that bugs me a little is the fact that, although this is the third Godzilla film, and the second to feature King Kong, there seems to be no connection to the previous movies. When the two monsters appear, the human characters act as though they have no prior knowledge of them, which seems odd when you take into account Godzilla had twice previously tried to destroy Tokyo, and King Kong did make kind of a mess of New York. King Kong VS Frankenstein was intended as a sequel to the original, but this idea was obviously dropped from the movie it became.
The climactic fight between the two monsters is great fun, sort of a giant sized version of a WWE match, only with more believable physiques and personalities. Kong shoving a tree down Godzilla's throat and the big green guy responding by walloping Kong with his tail are highly entertaining moments; obviously not as spectacular as the scenes of Kong fighting the dinosaurs in either the 1933 original or Peter Jackson's remake, but that's not the point. King Kong VS Godzilla is an enjoyable example of this type of movie; if you're new to the kaiju ega genre, it's an excellent starting point. It's just a shame King Kong VS Frankenstein never got made. Maybe if we all ask Peter Jackson nicely....
King Kong vs. Godzilla (1962) was the meeting of the silver screen monsters. Who would win the championship title of "KIng of the World"? Will Godzilla squash King Kong or will he job to the old master? Can King Kong win fair and square or will he throw in the towel? Godzilla is back from it's last film. The people of earth are shaking in fear because no matter what they do to it, the mean mutated radioactive breathing lizard keeps coming back for more (and flattening Tokyo). Some unlucky people have landed on Skull Island and have awoken the slumbering King Kong. King Kong was at peace with himself (and the painted up natives) until he felt the presence of Godzilla and wants to squash the lizard. A hopped up Godzilla awaits the challenge and the two titans duke it out, the world awaits word on who's will be the winner.
I totally marked out for the movie when I was a kid. I was disappointed when I saw King Kong, he looked so paper mache and nothing like the original. The fights the two had looked like a pro wrestling match. They even put in the posing, sneak attacks, cheating, use of foreign objects and what not. I wished they would release a digitally remastered version of this film in the original language. Now that would be cool!!
Highly recommended.
I totally marked out for the movie when I was a kid. I was disappointed when I saw King Kong, he looked so paper mache and nothing like the original. The fights the two had looked like a pro wrestling match. They even put in the posing, sneak attacks, cheating, use of foreign objects and what not. I wished they would release a digitally remastered version of this film in the original language. Now that would be cool!!
Highly recommended.
This movie is not the movie to see for an epic fight between the two legendary monsters. It's a movie to see for all the fans of badly executed special effects in the true spirit of 50's scifi b-movies. In that respect, it's a true classic. If you enjoyed the Beasty Boys' video for "Intergalactic Planetary", you'd love this movie as a Japanese feature length counterpart. They've got the same quality feel to them, and the same incredible special effects - and here, "incredible" is meant literally.
Some of the highlights of this movie for me: the toy plane a little boy sees hanging in a toystore and makes him stop because he badly wants it, is the same plane that flew in formation attacking Godzilla. And by that I don't mean the same type of plane, but it's the exact same plastic model! Also, true to the original story, King Kong comes from a tropical island. As we all know, the cliché has it such an island is inhabited by black people wearing banana-leaf skirts and toting spears. This being a Japanese production, the natives are played by Japanese, painted black and given curly wigs...
So if you enjoy laughing at the ridiculous details in movies, love to see fights between people wearing halloween suits trying to make it look like the real thing, with some mediocre fireworks in between, you have to see this movie. If you're looking for a credible classic, such as the original King Kong movie, or high-tech special effects and stunning visuals, this is not the one for you ;)
Some of the highlights of this movie for me: the toy plane a little boy sees hanging in a toystore and makes him stop because he badly wants it, is the same plane that flew in formation attacking Godzilla. And by that I don't mean the same type of plane, but it's the exact same plastic model! Also, true to the original story, King Kong comes from a tropical island. As we all know, the cliché has it such an island is inhabited by black people wearing banana-leaf skirts and toting spears. This being a Japanese production, the natives are played by Japanese, painted black and given curly wigs...
So if you enjoy laughing at the ridiculous details in movies, love to see fights between people wearing halloween suits trying to make it look like the real thing, with some mediocre fireworks in between, you have to see this movie. If you're looking for a credible classic, such as the original King Kong movie, or high-tech special effects and stunning visuals, this is not the one for you ;)
Any insults and accusations hurled against this beloved movie will fall on deaf ears with me. Admittedly, I am somewhat biased in favor of this entertaining monster romp because it was a regular television staple all during my childhood while I was growing up. It's one of the most enjoyable giant monster movies Toho Studios ever made, and it's certainly one of the best Godzilla films of all. It can be silly, it can be jokey, and it's also a hell of a lot of fun.
I have seen both the U.S. Version and the Japanese Version, and I'll have to confess that while this review will be based on the proper Asian edition, I also have a nostalgic fondness for the American Cut, which actually benefits from some added jokes ("When you and the monster meet, be sure to tell him all about your corn problems!") and the exciting Universal stock music which compliments much of the action.
Godzilla was still a bad guy at this point in time, and I'm among the group who considers his costume here my personal favorite (it was very much like the Aurora model kit, or maybe it was the other way around). It's not very original to bash the obvious awful King Kong suit, so I'll say that while it's definitely kind of ragged, I actually think it's appealing in its unusual weirdness. Kong is more or less painted as the heroic one of these two, and I have to tell you that I absolutely love that native song of worship which is chanted at him by the island dwellers who dance and pray on his home turf. I appreciate it even more when it's used as the title credits music in the Toho version.
The story is silly and simple, but it works. Godzilla is back in town after awakening from the iceberg he froze in at the conclusion of GODZILLA RAIDS AGAIN, and so a frustrated pharmaceutical advertiser decides to send a couple of his zany cronies to King Kong's Island to capture and bring back his own monster to give Godzilla some competition. Humor is very well used here, and it works well alongside the usual rampages and city stompings.
The touted "battle of the giants" has been unfairly maligned as looking too much like a "wrestling match," but I don't see how else these creatures are supposed to tangle with one another unless they opted to stare each other down for ten minutes. Not much fun there, I'm afraid! Their climactic fight is well worth the wait and fulfills all expectations. *** out of ****
I have seen both the U.S. Version and the Japanese Version, and I'll have to confess that while this review will be based on the proper Asian edition, I also have a nostalgic fondness for the American Cut, which actually benefits from some added jokes ("When you and the monster meet, be sure to tell him all about your corn problems!") and the exciting Universal stock music which compliments much of the action.
Godzilla was still a bad guy at this point in time, and I'm among the group who considers his costume here my personal favorite (it was very much like the Aurora model kit, or maybe it was the other way around). It's not very original to bash the obvious awful King Kong suit, so I'll say that while it's definitely kind of ragged, I actually think it's appealing in its unusual weirdness. Kong is more or less painted as the heroic one of these two, and I have to tell you that I absolutely love that native song of worship which is chanted at him by the island dwellers who dance and pray on his home turf. I appreciate it even more when it's used as the title credits music in the Toho version.
The story is silly and simple, but it works. Godzilla is back in town after awakening from the iceberg he froze in at the conclusion of GODZILLA RAIDS AGAIN, and so a frustrated pharmaceutical advertiser decides to send a couple of his zany cronies to King Kong's Island to capture and bring back his own monster to give Godzilla some competition. Humor is very well used here, and it works well alongside the usual rampages and city stompings.
The touted "battle of the giants" has been unfairly maligned as looking too much like a "wrestling match," but I don't see how else these creatures are supposed to tangle with one another unless they opted to stare each other down for ten minutes. Not much fun there, I'm afraid! Their climactic fight is well worth the wait and fulfills all expectations. *** out of ****
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- TriviaThe unedited original Japanese version of the film remains the highest attended Godzilla film in Japan. It is also one of the most attended films of all time at the Japanese box office as well as the most successful live-action science fantasy film with admission numbers surpassing Hollywood blockbusters such as Star Wars and Avatar. To this day it remains as the 13th most attended film of all time in Japan. The heavily re-edited US version that inserted new actors and deleted several scenes from the original was just as much of a success at the US box-office as well.
- ErroresWhen being hauled around by the balloons, Kong's right leg is twisted around painfully and sticks out of him at an odd angle. When it cuts to the suit with an actor inside it, the leg is back to its normal shape.
- Créditos curiososIn the credits for the U.S. version, actor Kenji Sahara is listed as "Keji Sahaka."
- Versiones alternativasThis USA version is re-edited from the Japanese original, Kingu Kongu tai Gojira (1962), and is vastly different. New scenes featuring Eric Carter as a United Nations reporter were inserted for the USA version, replacing some footage from the Japanese release. Most of the comedy bits featuring Shôichi Hirose and Ichirô Arishima are deleted in favor of bland action, screeching to a halt U.N. news reports which are completely dissociated from the story. In the USA version, Harry Holcombe recites a ludicrous idea that Godzilla is a cross of a tyrannosaurus (while pointing to an allosaurus in a children's book) and a stegosaurus. Most of Ifukube's magisterial score is deleted and replaced with themes from the score of El monstruo de la laguna negra (1954).
- ConexionesEdited from Misterios del espacio (1957)
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Detalles
Taquilla
- Presupuesto
- USD 200,000 (estimado)
- Tiempo de ejecución1 hora 37 minutos
- Relación de aspecto
- 2.35 : 1
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What is the Hindi language plot outline for King Kong vs. Godzilla (1963)?
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