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IMDbPro

Kid Galahad

  • 1962
  • Approved
  • 1h 36min
CALIFICACIÓN DE IMDb
6.1/10
3.3 k
TU CALIFICACIÓN
Elvis Presley, Lola Albright, and Joan Blackman in Kid Galahad (1962)
After completing his military service, Walter Gulick takes a job as a sparring partner at a gym, the owner of which sees potential in Walter as a professional fighter and takes him under his wing.
Reproducir trailer2:48
1 video
99+ fotos
DeporteDramaMusical

Agrega una trama en tu idiomaAfter completing his military service, Walter Gulick takes a job as a sparring partner at a gym, the owner of which sees potential in Walter as a professional fighter and takes him under his... Leer todoAfter completing his military service, Walter Gulick takes a job as a sparring partner at a gym, the owner of which sees potential in Walter as a professional fighter and takes him under his wing.After completing his military service, Walter Gulick takes a job as a sparring partner at a gym, the owner of which sees potential in Walter as a professional fighter and takes him under his wing.

  • Dirección
    • Phil Karlson
  • Guionistas
    • William Jerome Fay
    • Francis Wallace
  • Elenco
    • Elvis Presley
    • Gig Young
    • Lola Albright
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.1/10
    3.3 k
    TU CALIFICACIÓN
    • Dirección
      • Phil Karlson
    • Guionistas
      • William Jerome Fay
      • Francis Wallace
    • Elenco
      • Elvis Presley
      • Gig Young
      • Lola Albright
    • 45Opiniones de los usuarios
    • 21Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Videos1

    Official Trailer
    Trailer 2:48
    Official Trailer

    Fotos100

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    Elenco principal55

    Editar
    Elvis Presley
    Elvis Presley
    • Walter Gulick
    Gig Young
    Gig Young
    • Willy Grogan
    Lola Albright
    Lola Albright
    • Dolly Fletcher
    Joan Blackman
    Joan Blackman
    • Rose Grogan
    Charles Bronson
    Charles Bronson
    • Lew Nyack
    David Lewis
    David Lewis
    • Otto Danzig
    Robert Emhardt
    Robert Emhardt
    • Maynard
    Liam Redmond
    Liam Redmond
    • Father Higgins
    Judson Pratt
    Judson Pratt
    • Howie Zimmerman
    Ned Glass
    Ned Glass
    • Max Lieberman
    George Mitchell
    George Mitchell
    • Harry Sperling
    Roy Roberts
    Roy Roberts
    • Jerry Bathgate
    Michael Dante
    Michael Dante
    • Joie Shakes
    Richard Devon
    Richard Devon
    • Marvin
    Jeff Morris
    • Ralphie
    • (as Jeffrey Morris)
    Chris Alcaide
    Chris Alcaide
    • Danzig Hood
    • (sin créditos)
    Edward Asner
    Edward Asner
    • Assistant District Attorney Frank Gerson
    • (sin créditos)
    David Cadiente
    • Boxer
    • (sin créditos)
    • Dirección
      • Phil Karlson
    • Guionistas
      • William Jerome Fay
      • Francis Wallace
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios45

    6.13.2K
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    Opiniones destacadas

    johnnymacfox

    One of Elvis' most mellower movies

    This is about one of the coolest and mellowest movies Elvis Presley ever made. The music that Elvis performs is as mellow as the background music in the movie. It's packed with love, romance, and action. 3 important elements that makes a real good Elvis movie. I'm watching it right now and I just saw the part where Elvis polishes of the two hooldlums that busted Charles Bronson's hands. Now Galahad (Elvis) is up for the big fight of the season against Sugar Boy Romero. Who do you think shall win? I can only hope Elvis Galahad does.
    tigerman2001

    The battling grease monkey -- King Of The Whole Wide World...

    I've never seen this movie until now. I've been an Elvis fan since I first found out about the dude a year before his 1977 death, I have hundreds of hours of concert and studio recordings and concert videos, I've even seen the robe that he wore in "Kid Galahad," and yet somehow I never managed to see this 1962 movie (shot in late '61). Was it worth the wait? Well, yes...of course. Is it a classic movie, apart from its inherent cult-classic value as an Elvis film? Well, no, but it's one of his better 1960s movie and I enjoyed it.

    The movie came hard on the heels of another atypical film from Elvis, "Follow That Dream," that was in turn preceded by the 1961 box-office giant, "Blue Hawaii." "Blue Hawaii" continued the family-film travelogue kind of movie (set by 1960's "GI Blues") that would set the style for most of Elvis' '60s movie output and that would eventually lead to a downward spiral in Elvis' professional life and job fulfillment that lasted almost 'til decade's end. Elvis as race-car driver. Elvis as boat racer. Elvis as whatever. As Elvis said, after his 1969 return to the stage, it was like they made the same movie a bunch of times and just changed the backdrops. Between "GI Blues" and "Blue Hawaii" came two 'serious' films ("Wild In The Country" and "Flaming Star," both shot in 1960) that couldn't hope to match the commercial success of those glossy musicals but that showed Elvis' potential as a dramatic actor. Both "Kid Galahad" and "Follow That Dream" were also somewhat a departure from the "GI Blues"/"Blue Hawaii" formula, though less so than the two 1960 films that Elvis did for Fox, and each were pretty sparse on songs and much more generous on storyline and characterizations.

    "Kid Galahad" was an interesting role for Elvis. The producers threw in a few interesting songs to cater to the fans who'd flock to the film and they're all pleasant and of a high standard -- my favorite's always been the song that opens the movie ("King Of The Whole Wide World") though the excessive overdubbing over the film version waters down much of its magnificence. As was true of Elvis' other better films, this one profits from having a very strong supporting cast, including the likes of Gig Young, Charles Bronson, Lola Albright, and many others. There's even Ed Asner, in his second film role -- Mr Asner played another law-enforcement representative, a policeman, in 1969's "Change Of Habit" (Elvis' last scripted movie). Joan Blackman, Elvis' co-star in "Blue Hawaii," has a less solid role than does Lola Albright but she does it just fine and is certainly a beautiful young woman. Lola Albright is great in her role and Gig Young is lazily perfect for his -- though he seems almost as if he's happily drunk throughout...which, apparently, he was. Chucky Bronson is good in this film even though he's supposedly embarrassed by it. You'd think that a man who inflicted all of those terrible '80s violence movies on the world would find it hard to be embarrassed by anything, but there apparently was friction on the set between him and the easy-going Elvis. Regardless, the on-screen interaction between them is fine. Elvis actually looks like he put on some weight about this time -- also evident in "Follow That Dream" -- but his shirtless scenes reveal that he's pretty solid and he'd lost whatever extra weight he was carrying by the time he started shooting his next film a few months later.

    This film was shot on location in Idyllwild, California, which is kind of a kick for me because when I lived in Palm Springs I'd often ride my motorcycle up there and I've since been there with my wife and with my parents. It's a great little town, tucked away in the shadow of Mount San Jacinto, and -- even though I first visited it in 1987 -- I vaguely recognize some of the landmarks. San Jacinto itself certainly looks the same now as in 1961.

    The boxing scenes looked pretty convincing to me and are actually quite riveting. People who are expecting to see "Rocky" might be disappointed but, like Mr Balboa, Elvis' Galahad shows convincingly that he can take a brutal series of blows and keep on keeping on. This film came about 18 months after Elvis earned his black belt (from a real hard-case...the grading lasted several hours and involved fighting up to five black-belt opponents) and Elvis had what it took to both take punishment and to learn the physical skills necessary for his role. His well-publicized scuffles back in 1956 showed that he had a lot of heart and an effective self-defense capability, and legendary boxer and coach Mushy Callahan (brought in to train Elvis) was filled with praise for his charge. Charles Bronson didn't agree, but I guess you can't please everybody.

    As a whole, the movie's shot every nicely and it's well acted throughout, including by Elvis. I think that he was somewhat better in "Follow That Dream," but that's perhaps only because his character took full advantage of Elvis' considerable comic skills. In "Kid Galahad" another of Elvis' acting strengths -- anger, at which he's particularly convincing -- comes to the fore during a confrontation with Gig Young. For a moment there's a bit of a flashback -- was for me, anyway -- to the way in which he perfected that kind of scene in films like 1957's "Jailhouse Rock," 1958's "King Creole," and "Flaming Star." This a lighter movie than any of those but it has its moments.

    I'm glad that I finally saw this film. It's less frenetic and more involved than Elvis' typical '60s movie fare and is worth a look. The "I'm a grease monkey that don't slide too easily" line is pretty classic, too.
    7jonnyrancher

    One of my favorites!

    OK. So it's not "Gone with the Wind," but "Kid Galahad" is well written, fun, and lightly sprinkled with some very good songs (catch the twisting "I Got Lucky" and the front porch "This is Living" scenes.) "Kid Galahad" also boasts a strong supporting cast (look for a young Ed Asner in one his first screen roles;) Academy-Award winner Gig Young, Charles Bronson, and Lola Albright, in a surprisingly emotive role, add "punch" to what, on the surface, appears to be just another Presley vehicle. "Kid Galahad" also had the blessing of being completed before they counted the receipts of "Blue Hawaii." When the studio saw how much money they made off of "Blue Hawaii," the dye was cast; Elvis would be stuck doing "14 song travelogues" for another 7 years. "Kid Galahad" catches Elvis in good humor, shape, and voice; he was having fun...You will too.
    7angelsunchained

    Kid Galahad Packs A Punch

    As a big fan of Elvis Presley, Gig Young, and Charles Bronson, as well as the sport of boxing, I enjoyed this movie for those reasons alone. Elvis gives a decent performance, but is stereotyped by the script as a goofy, goo-natured, lug-head, who has a natural gift of a cast-iron chin and one-punch knockout power. Half the movie Elvis looks in a daze with his mouth open catching flies!

    Charles Bronson has a surprise role as a trainer. Not once does his show off his impressive muscular build and even gets both his hands broken by gangsters. A truly different role for him. He too is stereotyped as the ex-boxer walking on his heels.

    Gig Young gives his usual out-standing performance, but there is nothing to like at all about his character; he's a liar, a user, aback-stabber, and an over-all jerk.

    The fight scenes are poorly done and considering they were advised by former World Light-welterweight boxing great Mushy Callahan, a big disappointment.

    However, if you like Elvis, this will be an enjoyable film.
    8rpm1950-1

    One of Elvis' Best

    A very different Elvis movie. Only a very few, but quite good songs can be found in this one. Elvis as a recently discharged G.I. is looking for work, but ends up as a fighter after taking a job as a sparring partner for an up and coming fighter. This movie has a lot of heart and features a number of great actors including Charles Bronson and Oscar winner Gig Young. It also features Joan Blackman, Elvis' co-star in BLUE HAWAII. She is totally gorgeous and very sexy in this movie. A very earthy movie for its times, especially for Elvis. I have seen it plenty of times over the years but always remember sitting in my local theater in 1962 with some of my buddies watching it on a summer afternoon. At that time, it was only the second Elvis movie I had ever seen. A very good movie. Watch it whether you are an Elvis fan or not. Elvis shows some real acting chops in this one.

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    Argumento

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    • Trivia
      Edward Asner's feature film debut (uncredited).
    • Errores
      (at around 45 mins) After the "first" professional fight, Galahad knocks out the more intimidating opponent. The ref's count was extremely fast...but as soon as he counted "...ten" and waved his hands signifying the bout was over, the defeated opponent was hurriedly getting up after being "knocked out".
    • Citas

      Willy Grogan: Galahad was what they call a knight of the round table, Howie. He was also something of a square. I can't state this as a positive fact, but he probably died very young.

    • Versiones alternativas
      The 1997 VHS and DVD featured the 1990s United Artists logo while the opening and closing MGM logos are shown in the DVD.
    • Conexiones
      Featured in Elvis in the Movies (1990)
    • Bandas sonoras
      King of the Whole Wide World
      Written by Ruth Batchelor & Bob Roberts

      Performed by Elvis Presley (uncredited)

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    Preguntas Frecuentes

    • How long is Kid Galahad?
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    Detalles

    Editar
    • Fecha de lanzamiento
      • 27 de abril de 1967 (México)
    • País de origen
      • Estados Unidos
    • Idiomas
      • Inglés
      • Español
    • También se conoce como
      • Harte Fäuste, heiße Liebe
    • Locaciones de filmación
      • Idyllwild, California, Estados Unidos(Cream Valley, many sites throughout town)
    • Productora
      • The Mirisch Corporation
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Total en EE. UU. y Canadá
      • USD 1,800,000
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 36 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 1.85 : 1

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