El rostro sin nombre

brilliant atmospheric film set on the Brighton coast in 1962. Jack Warner (66 years of age in real life) is the slightly caustic but nevertheless kindly commanding officer who runs the investigation. Great support from Ronald Lewis and a dazzling role from Michael Goodliffe(spooky to think that they both committed suicide in reality).See if you can spot the killer before Jack, believe me it is a shocker. Also there is a nice little twist at the end. The cast is top notch and there is a general seediness at the locations that the Brighton tourist board must have had concerns about.For a taut procedural police study this film is right at the top of the tree matched only by the Long Arm(Jack Hawkins) an absolute corker of a film and thanks to Nigel for providing me with a DVD of this film. This film is a must see.

Writer/Director Val Guest had a Long and Varied Career. A Low-Budget Filmmaker that always tried to make His Films look Professional and was Not Afraid to Improvise and Loved Playing with the Tools of Cinema.

His most Successful Films Critically were done for Hammer Studios in the Sci-Fi Genre. Here He made a "Police Procedural" and in the True Definition of the Genre. It is Nothing More than that and that's Exactly what it is and it Never Strays from Format.

What Guest does to make it seem More than that, is the Pacing. It has a Frenetic Style of Rapid Dialog and Quick Moving Scenes. No Passage of Banter or Anything is wasted. It's Economically Energetic and has a Sense of Urgency befitting the Lack of Clues, and the Legwork, and Heavy Lifting needed to Piece Together this "Jigsaw".

The Movie is a bit Long but Never Seems Dull or Boring. Helped by one of England's Actor Icons Jack Warner, who made His Name doing exactly what He is doing here. Solving Crimes on the Telly.

Worth a Watch for Val Guest's Intense Crafting, Jack Warner as an Aging and Cynical Policeman, and for its Crackerjack Plot. You have No Clue throughout what Prize Piece of the Puzzle will Pop Up or When.

British actor Michael Caine once complained that many of the movies his country made were not "moving pictures", and instead were often more or less "illustrated radio" productions. To some degree, this applies to this movie. "Jigsaw" is a very talky movie, with no real action at any point, with the results being a script that wouldn't need much change to make it suitable for the radio. And as a result, the movie is sometimes dry enough that viewers may really be wishing for a little excitement.

However, despite the overly talky script, the movie still has some interest. It does accurately illustrate that murder investigations in real life are usually not exciting and involve a lot of hard and boring work. The various ways the police in the movie investigate without modern day techniques such as computers and DNA are interesting at times. And the movie's frankness concerning pre- marital sex - which you wouldn't get in a Hollywood movie of this period - is interesting. Viewers who are in a patient mood will probably find this movie interesting enough.

Fast paced and wordy, Jigsaw tells the story of what appears to them to be a baffling murder.

Very much ahead of its time.

As in Dixon of Dock Green, Jack Warner seems too old and lacking in mobility to play a policeman, but he was good in the role and had a lot of machine-gun dialogue.

The film is shot in and around Brighton and features Saltdean and Lewes as well, which is of interest to me as I live in the area.

The film finishes very abruptly and I didn't consider the final piece of the jigsaw as being particularly significant when making a a case.

I did guess the perpetrator, although the person concerned did not really fit the role of a lothario with women swooning over him.

I first saw this film at the ABC Golders Green on 26th September 1962.It was a film that stuck in the memory.I watched it again last night and I have to say that it has lost none of its atmosphere over the years.I have been going to Brighton for over 50 years so I remember the Brighton of the era shown in this film.The film was a very straight forward plot which it tells exceedingly well.It isn't that difficult to guess the murderer but that doesn't spoil it.The only performance out of kilter is that of Donla who is allowed to go well over the top for no good reason.One interesting point is that there is little in the way of forensics in this film just plain legwork.