El rostro sin nombre

I first saw this film at the ABC Golders Green on 26th September 1962.It was a film that stuck in the memory.I watched it again last night and I have to say that it has lost none of its atmosphere over the years.I have been going to Brighton for over 50 years so I remember the Brighton of the era shown in this film.The film was a very straight forward plot which it tells exceedingly well.It isn't that difficult to guess the murderer but that doesn't spoil it.The only performance out of kilter is that of Donla who is allowed to go well over the top for no good reason.One interesting point is that there is little in the way of forensics in this film just plain legwork.

Despite the presence of Jack Warner as a senior policeman, the world of "Jigsaw" is a far cry from the cosy atmosphere of "Dixon of Dock Green". Effective camerawork makes Brighton a faintly sinister setting for this murder mystery. The standard of acting is generally high, (although I found Yolande Donlan's performance a little overwrought for my taste) and a strong script from Guest ensures that the detailed police investigation contains enough action (and unexpected revelations) to hold the viewer's interest to the very end.

British actor Michael Caine once complained that many of the movies his country made were not "moving pictures", and instead were often more or less "illustrated radio" productions. To some degree, this applies to this movie. "Jigsaw" is a very talky movie, with no real action at any point, with the results being a script that wouldn't need much change to make it suitable for the radio. And as a result, the movie is sometimes dry enough that viewers may really be wishing for a little excitement.

However, despite the overly talky script, the movie still has some interest. It does accurately illustrate that murder investigations in real life are usually not exciting and involve a lot of hard and boring work. The various ways the police in the movie investigate without modern day techniques such as computers and DNA are interesting at times. And the movie's frankness concerning pre- marital sex - which you wouldn't get in a Hollywood movie of this period - is interesting. Viewers who are in a patient mood will probably find this movie interesting enough.

Writer/Director Val Guest had a Long and Varied Career. A Low-Budget Filmmaker that always tried to make His Films look Professional and was Not Afraid to Improvise and Loved Playing with the Tools of Cinema.

His most Successful Films Critically were done for Hammer Studios in the Sci-Fi Genre. Here He made a "Police Procedural" and in the True Definition of the Genre. It is Nothing More than that and that's Exactly what it is and it Never Strays from Format.

What Guest does to make it seem More than that, is the Pacing. It has a Frenetic Style of Rapid Dialog and Quick Moving Scenes. No Passage of Banter or Anything is wasted. It's Economically Energetic and has a Sense of Urgency befitting the Lack of Clues, and the Legwork, and Heavy Lifting needed to Piece Together this "Jigsaw".

The Movie is a bit Long but Never Seems Dull or Boring. Helped by one of England's Actor Icons Jack Warner, who made His Name doing exactly what He is doing here. Solving Crimes on the Telly.

Worth a Watch for Val Guest's Intense Crafting, Jack Warner as an Aging and Cynical Policeman, and for its Crackerjack Plot. You have No Clue throughout what Prize Piece of the Puzzle will Pop Up or When.

JIGSAW is a well-shot, engaging crime story inspired by the true story of the Brighton Trunk Murders that took place back in the 1920s. Brighton always makes a picturesque backdrop for films - I guess that's why so many directors make use of it in their movies - and Hammer veteran Val Guest (THE QUATERMASS XPERIMENT) makes the very best of his surroundings.

Otherwise, this is a taut, well-focused detective investigation type film that plays out as a police procedural. We watch the gruff Jack Warner and his team as they go around following up leads and gathering clues, and there's never a moment for distraction or anything here that feels padded. Guessing the identity of the murderer is a tough business indeed, which is why JIGSAW keeps you watching from beginning to end.

The supporting cast is also a delight, featuring as it does performances from Ronald Lewis (THE BRIGAND OF KANDAHAR), Ray Barrett (THE REPTILE) and Michael Goodliffe (A NIGHT TO REMEMBER) alongside a John Le Mesurier cameo. Guest's real-life wife, the statuesque Yolande Donlan, has a major role and is fine in it.