El rostro sin nombre

Fast paced and wordy, Jigsaw tells the story of what appears to them to be a baffling murder.

Very much ahead of its time.

As in Dixon of Dock Green, Jack Warner seems too old and lacking in mobility to play a policeman, but he was good in the role and had a lot of machine-gun dialogue.

The film is shot in and around Brighton and features Saltdean and Lewes as well, which is of interest to me as I live in the area.

The film finishes very abruptly and I didn't consider the final piece of the jigsaw as being particularly significant when making a a case.

I did guess the perpetrator, although the person concerned did not really fit the role of a lothario with women swooning over him.

Despite the presence of Jack Warner as a senior policeman, the world of "Jigsaw" is a far cry from the cosy atmosphere of "Dixon of Dock Green". Effective camerawork makes Brighton a faintly sinister setting for this murder mystery. The standard of acting is generally high, (although I found Yolande Donlan's performance a little overwrought for my taste) and a strong script from Guest ensures that the detailed police investigation contains enough action (and unexpected revelations) to hold the viewer's interest to the very end.

British actor Michael Caine once complained that many of the movies his country made were not "moving pictures", and instead were often more or less "illustrated radio" productions. To some degree, this applies to this movie. "Jigsaw" is a very talky movie, with no real action at any point, with the results being a script that wouldn't need much change to make it suitable for the radio. And as a result, the movie is sometimes dry enough that viewers may really be wishing for a little excitement.

However, despite the overly talky script, the movie still has some interest. It does accurately illustrate that murder investigations in real life are usually not exciting and involve a lot of hard and boring work. The various ways the police in the movie investigate without modern day techniques such as computers and DNA are interesting at times. And the movie's frankness concerning pre- marital sex - which you wouldn't get in a Hollywood movie of this period - is interesting. Viewers who are in a patient mood will probably find this movie interesting enough.

I first saw this film at the ABC Golders Green on 26th September 1962.It was a film that stuck in the memory.I watched it again last night and I have to say that it has lost none of its atmosphere over the years.I have been going to Brighton for over 50 years so I remember the Brighton of the era shown in this film.The film was a very straight forward plot which it tells exceedingly well.It isn't that difficult to guess the murderer but that doesn't spoil it.The only performance out of kilter is that of Donla who is allowed to go well over the top for no good reason.One interesting point is that there is little in the way of forensics in this film just plain legwork.

Anyone who enjoys British TV crime drama such as Softly Softly, Taggart or Frost will be right at home with this unfamiliar and rarely shown film. It's wonderful to see a rather seedy early-sixties Brighton, and other than some rather choppy camera work which makes it look more like a 60s TV production than a film, it's surprisingly modern in it's pacing. Jack Warner is on good form, and despite playing a Detective Inspector on the verge of retirement, still looks a little old - even though this was filmed at least a decade before he finished playing Dixon of Dock Green! John Le Mesurier shines in a small role as a distraught father. I thought one or two of the cast perform a little too stiffly to make this a real classic, but its enjoyable nevertheless.