Incident in an Alley

Between 1959 and 1962, director Edward Cahn made MANY very-low-budget films for a production company that went under a few different names, but all were produced by Robert Kent. TCM did a salute to Cahn in 2001 and dug many of these up, including this one, INCIDENT IN AN ALLEY. Chris Warfield plays a police officer who breaks up what he thinks is a robbery and possibly an assault in an alley, and shoots one of the suspected robbers who runs away. That takes place in the first five minutes. After that, the film surveys exactly what happened, looks at the incident from multiple perspectives, has a trial where the officer is charged with manslaughter, and THEN starts another plot which becomes just as exciting as the first one, and finally it all comes to wild but satisfying close in just over an hour! Pardon my vagueness, but I don't want to give anything away. This film, written by the great Rod Serling, is a completely unexpected gem that does not go in any direction you expect it to. Shot on a few small sets, b-movie veteran Cahn keeps an exciting pace going, and the acting makes each character seem individual and real. In some ways this seems more like a play than an action film, but that's not surprising considering Serling's background in 1950s live TV and Cahn's background in VERY low budget films where talk and atmosphere make up for scenes that would be too expensive to shoot. As I wasn't expecting anything special, just a b-grade crime film, I was very pleasantly surprised at the care taken in the making of the film and in the many serious and complex issues it dealt with both intelligently and realistically. Bravo to writer Serling, director Cahn, and star Warfield for his little-known gem of a film.

"... The highlights and streaks are hurting my eyes." Yes, this is a pretty lame story about bad teenagers. The pivotal figure looks like Troy Donahue: More a surfer than a tough guy. Of course, times have changed in 25 years. But "The Blackboard Jungle" came earlier. And it still packs a wallop.

I love low-budget trash. This is low-budget but it seems to be part drive-in juvenile delinquent movie and half an urban "Tammy." The plot is OK. Not new by any means but it worked before and it works here. The actor playing the obsessed police officer is decent. His wife is done up so she looks more like a b-girl than a loving wife. She wears very short skirts, has a vacant look. All she needs is some gum to snap.

What I'm trying to say is that it all seems bogus. It doesn't feel as if the producers' hearts were in it. It was a quickie that might pull in a few bucks. And sometimes that Results in an exciting little movie. This one is little but it's not exciting.

This unsung little movie released over 60 years ago by United Artists manages to be both an intelligent, very convincing crime film as well as delivering the pleasures of a traditional B-movie. Its Rod Serling story delivers psychological motivations that hold up well, while low-budget expert Edward L. Cahn wraps it all up0 neatly in a whirlwind final reel of sheer pleasure.

With an outstanding performance by Virgina Christine as the mother of a young teen shot dead fleeing by our hero, a soulful, neurotic cop,the script smoothly shows both sides of a deadly situation: the difficulty of the police to make split second decisions, and the sentiment accorded the victims. Our hero clearly did the best he could but almost everyone turns against him because he shot a 14-year-old in the back.

He's feeling pags of guilt, even though acquitted in a trial for manslaughter that makes both sides of the case equally defensible. Only gimmick that the film relies on is his yeoman efforts to solve an adjacent robbery/homicide which explains and ties up all loose ends.

To manipulate an audience, both B-movies and increasingly Hollywood blockbusters strain credulity with arbitrary motivation and weird plot twists to maximize thrills. This sober little picture goes the opposite route, treating the viewer fairly and giving one something to think about by movie's end.

An usual sidelight here helps bolster my theory about the continuum represented in the entertainment industry. Made by a B-movie team with extremely low-budget, this film was nevertheless released by United Artists, one of the major film distributors, not an exploitation company. And the star giving a sensitive performance playing the cop was Chris Warfield, who several years later became a sexploitation movie producer and director, starting in softcore and graduating to XXX porn, with several excellent Adult movies in his resume. It's all part of showbiz.

A bunch of five young hoodlums break into a music shop to steal some precious instruments, they are surprised by the owner who is an old lady who is knocked down and never recovers consciousness before she dies, the five young scoundrels escape but the alarm is ringing, they just have time to hide their loot in an old deserted department store, when the police catches up with them, four manage to get away, but the fifth, a mere kid, runs into a lady who happens to go out at that moment, she screams, the boy continues running, the police shouts a warning that he will shoot if the boy doesn't stop, he doesn't stop, the police takes careful aim at his legs, but instead the boy is hit in his back and is instantly dead. The police officer is indicted for homicide, but all this is just the beginning.

The trial is very interesting, Virginia Christine as the mother of the dead boy giving a very sensitive and unforgettable performance, and she will return later in the film. Naturally Chris Warfield as the police officer can't stop worrying and brooding about the case, feeling guilty although he was acquitted, the trauma of his father's death, also a police officer shot by hoodlums, haunting him, until gradually the sky clears by a meticulous reconstruction of the entire incident, the fact that Chris Warfield's character as a very honest officer playing an important part. This is a jewel in the gutter of the asphalt jungle of the big city, tortured constantly to death by innumerable crimes all around the clock. A film like this, although a B-feature, is worth watching carefully indeed.

The talents of up & coming TV scriptwriter Rod Serling and veteran 'B' director Edward L. Cahn made for pretty strange bedfellows in this Allied Artists quickie made with effective and low-keyed intelligence.

The title is really a misnomer as there (SLIGHT SPOILER COMING:) are in fact two incidents in the same alley that bookend the film, which actually devotes over half of it's running time to a courtroom drama in which the incident that gives the film its title - in which a trio of hoodlums rob a musical goods store with violence - which although in screen time is all over in less than five minutes is thereafter the subject of painstaking forensic analysis.

Bearing a passing resemblance to the case of Craig & Bentley this time its the policeman who pulled the trigger and has to deal with the consequences. To anyone familiar with Serling the depiction of office politics within the police department is characteristically sardonic.