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Gypsy

  • 1962
  • Approved
  • 2h 23min
CALIFICACIÓN DE IMDb
7.1/10
7.3 k
TU CALIFICACIÓN
Natalie Wood, Karl Malden, and Rosalind Russell in Gypsy (1962)
Home Video Trailer from Warner Home Video
Reproducir trailer3:35
1 video
76 fotos
Classic MusicalBiographyComedyDramaMusical

Basada en el éxito de Broadway sobre la vida y la época de la bailarina de burlesque Gypsy Rose Lee y su agresiva madre, Mama Rose.Basada en el éxito de Broadway sobre la vida y la época de la bailarina de burlesque Gypsy Rose Lee y su agresiva madre, Mama Rose.Basada en el éxito de Broadway sobre la vida y la época de la bailarina de burlesque Gypsy Rose Lee y su agresiva madre, Mama Rose.

  • Dirección
    • Mervyn LeRoy
  • Guionistas
    • Arthur Laurents
    • Gypsy Rose Lee
    • Leonard Spigelgass
  • Elenco
    • Rosalind Russell
    • Natalie Wood
    • Karl Malden
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.1/10
    7.3 k
    TU CALIFICACIÓN
    • Dirección
      • Mervyn LeRoy
    • Guionistas
      • Arthur Laurents
      • Gypsy Rose Lee
      • Leonard Spigelgass
    • Elenco
      • Rosalind Russell
      • Natalie Wood
      • Karl Malden
    • 96Opiniones de los usuarios
    • 37Opiniones de los críticos
  • Ver la información de producción en IMDbPro
    • Nominado a 3 premios Óscar
      • 1 premio ganado y 12 nominaciones en total

    Videos1

    Gypsy
    Trailer 3:35
    Gypsy

    Fotos76

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    Elenco principal99+

    Editar
    Rosalind Russell
    Rosalind Russell
    • Rose Hovick
    Natalie Wood
    Natalie Wood
    • Louise Hovick
    Karl Malden
    Karl Malden
    • Herbie Sommers
    Paul Wallace
    Paul Wallace
    • Tulsa
    Betty Bruce
    • Tessie Tura
    Parley Baer
    Parley Baer
    • Mr. Kringelein
    Harry Shannon
    Harry Shannon
    • Grandpa
    Morgan Brittany
    Morgan Brittany
    • 'Baby' June
    • (as Suzanne Cupito)
    Ann Jillian
    Ann Jillian
    • 'Dainty' June
    • (as Ann Jilliann)
    Diane Pace
    • 'Baby' Louise
    Faith Dane
    • Mazeppa
    Roxanne Arlen
    Roxanne Arlen
    • Electra
    Jean Willes
    Jean Willes
    • Betty Cratchitt
    George Petrie
    George Petrie
    • George
    Ben Lessy
    Ben Lessy
    • Mervyn Goldstone
    Guy Raymond
    Guy Raymond
    • Pastey
    Louis Quinn
    Louis Quinn
    • Cigar
    Trudi Ames
    Trudi Ames
    • Scottish Girl in Uncle Jocko Scene
    • (sin créditos)
    • Dirección
      • Mervyn LeRoy
    • Guionistas
      • Arthur Laurents
      • Gypsy Rose Lee
      • Leonard Spigelgass
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios96

    7.17.3K
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    Opiniones destacadas

    7carolpage

    Not as bad as some think, in fact pretty good!

    It's been nearly 50 years since I first saw this film, and at the time I thought it was good. Over the years since, many criticisms have been hurled at this film version, and it has suffered a bad reputation. Yes, it would have been great to have a film record of Merman performing one of her most famous roles, but Merman was not as good on film as on the stage. In subsequent years, I have seen the Bette Midler TV version (Midler was much more miscast than Roz Russell! And Midler seemed to really struggle vocally in the part). I have also seen Tyne Daly on stage (great acting, vocally a stretch for her), and most recently, Patti LuPone's Tony winning, mesmerizing performance on stage. LuPone had both the acting and singing ability required and then some - it would be interesting to see how she would fare in a film version. So, when TCM recently showed this, I thought it was time to revisit the film and see what my view was after nearly 50 years. My verdict is that Rosalind Russell is not that bad really, she really acts the part, and as for Lisa Kirk dubbing some of her songs, I think it is a good fit and not at all distracting. All of the supporting roles are excellently played, too, especially my favorite Paul Wallace as Tulsa. In short, I think Russell deserves a lot more credit than she is often given for her performance!
    7Pat-54

    Get Off Roz's back!

    For years I have read that Rosalind Russell was miscast as Mama Rose in this film production of "Gypsy." I disagree. I thought she brought great humanity to this hard-boiled character. Russell proves that no person's persona is black or white, but a mixture of both. In short, her performance is excellent and very touching.
    laffinsal

    Terrific Film Musical

    This is a terrific filmization of the 1959 Broadway show which starred Ethel Merman. Although some may argue that Rosalind Russell is not effective in the role of Mama Rose, I can't see how anyone could complain. Russell is excellent in the role, she's funny, entertaining, and sincere. Although I understand her singing voice was dubbed, it still sounds more pleasant to me then the loud, brash singing of Merman that I heard from the Broadway soundtrack album.

    As for the others, Karl Malden is great in his role, as is Ann Jillian as June. The real star here, to me, is Natalie Wood who is both believable in her role as the neglected Louise, and stunning in her transformation to Gypsy Rose Lee. The moment where she looks in the mirror prior to her first solo performance ("I'm pretty!"), is one of the best screen moments ever.

    The songs and musical scenes here are all wonderful too, "If Mama Was Married" is a great duet between June and Louise, "Everything's Coming Up Roses" is terrific too, as is "Rose's Turn" and most of the others. If there is one complaint to be made about this film, it's that the wonderful "Together, Wherever We Go" number was cut out. Worse then that, no prints with that number intact seem to exist on 35mm. Other then that, though, it is a great film with excellent Technicolor photography and excellent music. If you love musicals, see it, and be sure to see it in the wide screen version.
    movibuf1962

    Well, I liked it.

    No, it didn't have Ethel Merman. Most films didn't have Ethel Merman. That's because Ms. Merman was always something of a Sherman Tank personality- regardless of vocal strength- and her vocals and mannerisms would've been entirely too big on film. The jury will be forever out as to whether or not Rosalind Russell did her own singing or was partially looped by Lisa Kirk, but it ultimately doesn't matter. She captures perfectly the nuance of a driven stage mother whose ambitions cause her daughters to simultaneously love her and be frustrated by her. (In hindsight, the best possible Rose probably would've been none other than Judy Garland, named in an early casting package. Can you imagine?) As it is, I thought the most amazing performance came from Natalie Wood- who appears to age roughly fifteen years throughout the film. Note her first appearance in the film celebrating a lonely birthday with a baby lamb; she looks roughly thirteen years old. All through the troupe's vaudeville adventures she remains in the background until the train depot sequence; she then grows up overnight- first as a counselor to her mother (as 'Rose-Louise'), then begins to find her voice in the Wichita burlesque sequences as a seamstress and bit player with the strippers, then finally in the "star strip," we actually see her turn into Gypsy Rose Lee- all grown up and gorgeous. Wonderful support from manager Karl Malden and sister Ann Jillian.
    8silverscreen888

    Interesting, Lively Fictionalized Biography; Fascinating...

    "Gypsy" is a very difficult movie to have achieved from a writer's standpoint. As is true of "Dr. Zhivago" and "The Searchers", much of the film is told from the point of view of a younger person, who serves as the viewer's alter ego within scenes while the central character does little. This book, play and film was the result of Rose Louise Hovick's biography of herself and her mother before and at the beginning of her celebrity as "Gypsy Rose Lee", burlesque icon. The film is filled with famous songs and comedy scenes, alternating with moving confrontations that for once gain by having been real ones. Among the songs are "Some People", "Everything's Coming Up Roses", "All I Need is the Girl" and "You Gotta Have a Gimmick", "Small World" and more. The memorable comedic scenes involve the repetition of Dainty June and her boys coming onstage in various guises, with a two-person cow dancing behind her; the three strippers who try to teach Louise how to succeed; the children singing, "Momma Get Married"; and "Please Mr. Goldstone" in gratitude to the producer who inexplicably likes their corny act. The moving scenes are Herbie, Mama's boyfriend, trying to convince her to give up her hard-minded pursuit of show business fame, Louise realizing the girl a young boy dancer says he needs is not she; her realization just before she goes onstage at a burlesque theater at her mother's insistence that she has one talent--she is a pretty girl, etc. the songs by Jule Styne all work, but only some are classics. the direction of the film by Mervyn LeRoy is very good, economical, and only occasionally look staged the device of theatrically closing out a scene by artificially dimming the lights for me works in this fictionalized biography; we get as viewers the feeling we are seeing glimpses of an interesting life, partly because of this device. Costumes by Orry-Kelly, Howard Shoup and others, the cinematography of Harry Stradling, Sr., excellent period sets, art direction and more are major assets to this colorful but never-splashy musical success. not the last of director LeRoy's here is that we see theatrical scenes and scenes in a theater as well or better handled than in any other film I know. The actors including the three strippers, Faith Dane, Betty Bruce and Roxanne Arlen are wonderfully funny; Benny Lessy as Mr. Goldstone, Louis Quinn, Guy Raymond and Harry Shannon get all they can out of their small parts. the children who play Rose's girls are all good, particularly Ann Jillian as June. As Herbie, Karl Malden is energetic and first-rate at conveying his love and his desire for a normal life, for the children and himself. Natalie Wood is too thin-voiced to be great but she is a seasoned performer and underplays Louise intelligently. As Rose, Rosalind Russell occupies the active center of almost every scene. There is another way to play Rose other than as someone coldly obsessed with fame; I saw Giselle Mackenzie do the role onstage as a caring obsessive, one who would not be denied justice for her children as she was for herself. But Rosalind Russell is alternately brassy and wheedling, working everyone for exactly what she needs while pretending to be pushing for the sake of her daughters. She is intelligent, always interesting and frequently epic in her hunger for what has eluded her in her own performing career. And in "Rose's Turn" we see that her extraordinary charisma and courage were indeed something special. This is a show business biography of unusual believability and intelligence for all its laughter. And a memorable musical biography that works differently on film, but does work very effectively.

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    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      The real Gypsy Rose Lee visited the set and gave Natalie Wood some tips on her stripping routines.
    • Errores
      During the birthday party scene, when the landlord comes in the shadow of a boom mike is visible on the wall.
    • Citas

      Louise "Gypsy Rose Lee" Hovick: I said, turn it off! Nobody laughs at me! Because I laugh first. At me! Me, from Seattle! Me, with no education. Me, with no talent, as you kept reminding me my whole life! Well, Mama look at me now. I'm a star! Look! Look how I live! Look at my friends! Look where I'm going! I'm not staying in burlesque! I'm moving, mabye up, maybe down! But wherever it is, I'm enjoying it. I'm having the time of my life! Because for the first time, it is my life! And I love it. I love every second of it! And I'll be damned if you're gonna take it away from me! I am Gypsy Rose Lee! And I love her! And if you don't, you can just clear out now!

    • Créditos curiosos
      Opening credits are superimposed on a closed stage curtain, below which is an orchestra and conductor, performing the film's overture. The overture has been truncated from the stage version's original overture, but is otherwise quite faithful to it.
    • Versiones alternativas
      The song "Together, Wherever We Go", along with the second duet part of "You'll Never Get Away from Me" was cut after the film was first released and was, for the most part, forgotten (both songs feature Karl Malden). it was supposed that all prints of these songs had disinigrated (the video version even says that they are no longer available). Recently, a film collector was found who had an old print of Gypsy with these songs intact but in very poor condition. They are included on the dvd in the "bonus" section.
    • Conexiones
      Featured in Superestrella (1999)
    • Bandas sonoras
      Overture
      (uncredited)

      Music by Jule Styne

      Lyrics by Stephen Sondheim

      Performed by the Warner Bros. Pictures Studio Orchestra Conducted by Frank Perkins

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    Preguntas Frecuentes

    • How long is Gypsy?
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    • What is 'Gypsy' about?
    • Is 'Gypsy' based on a book?
    • Does Natalie Wood do her own singing?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 2 de abril de 1964 (México)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • También se conoce como
      • La reina del Vaudeville
    • Locaciones de filmación
      • Stage 19, Warner Brothers Burbank Studios - 4000 Warner Boulevard, Burbank, California, Estados Unidos
    • Productora
      • Mervyn LeRoy Productions Inc.
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

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    • Presupuesto
      • USD 4,000,000 (estimado)
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

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    • Tiempo de ejecución
      2 horas 23 minutos
    • Color
      • Color
    • Relación de aspecto
      • 2.35 : 1

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