Jeronimo

On the Arizona-Mexico border in 1883, Apache warrior Geronimo surrenders himself and his tribe to the US Calvary in exchange for food and shelter on government land; naturally, the villainous, despicable whites sell the ground out from underneath the Indians after a greedy land baron sees they have turned the hard dirt into fertile soil for farming, leading to an unwinnable war between the fading Apaches and the Americans. Mixing "fact and legend", screenwriter Pat Fielder shamefully reduces history to textbook eye-for-an-eye business. Western-adventure from United Artists is further hurt by a TV cast and budget. Chuck Connors' Geronimo wages war on the Cavalrymen, though from what we can see it's really just Pat Conway's smirking Captain who's against him. Conway, decked out with an ostentatious neckerchief, unmercifully struts his way through this thing like a smug peacock...but, at least he wasn't forced to wear a ratty black wig like most of his co-stars. Some good scenes, such as an impromptu chicken dinner at the house of a strict widow, almost makes up for the general lack of story and character development. ** from ****

Well meaning but wooden story of how Geronimo, with fifty Apaches, came to stand off the U.S. Army. Chuck Conners gives a creditable performance as a wooden Indian, and his soon-to-be real life wife plays the woman who loves him. Most amusing for Ross Martin as a wise-cracking sidekick and Adam West, four years before he became a wooden Batman, as a sympathetic army officer.

There's really nothing to distinguish GERONIMO from any standard Hollywood western about outlaws, except that this time it's a lone outlaw against the U.S. cavalry at a time when Indian treaties were being broken and the Indians wanted to fight over territorial rights. Nothing complex here, just a fictionalized account of Geronimo's love for an Indian woman who bears him a son before the fadeout and after the final battle.

Blond and blue-eyed CHUCK CONNORS isn't anyone's idea of an Indian so it's hard to tell what the casting director was thinking, but he does a commendable job of looking like one, thanks to make-up and costumes, except for the blue eyes. He makes no attempt at any sort of native accent but his stoic manner and steely-eyed gaze does help the characterization. KAMALA DEVI is good as the Indian woman who bears his child and ADAM WEST has a pivotal role as a sympathetic officer.

Nicely photographed but short on battle skirmishes, it makes passable entertainment but is hardly an outstanding western by any yardstick, dull in some stretches with a less than inspired script.

Although this movie has stale writing, uninspiring acting, and a cheesy plot, an understanding of the Historical context of the film adds much to one's viewing enjoyment. The movie, by no means, claims to be historically accurate (Geronimo is played by a white guy with make-up!), but it is a socially commentary on a century of unmoral and assimilationist Indian Policy in the United States. During the early 1960s President John F. Kennedy proposed a revision of this policy, calling for the recognition of Native Americans as distinct Nations. Kennedy's proposition was a dramatic diversion from the Indain Policy of administrations before him. This movie highlights, the poor conditions of the reservations, the forced conversion of Aboriginals to Christianity, and the policy's attack on the Aboriginal culture and way of life. This historical context, coupled with Adam West (who rocks my socks!) adds to the enjoyment of this film.

I should admit that I have no idea how accurate this biopic is of the legendary Native American called Geronimo. It's probably just loosely based on the real events surrounding him, so I probably should judge the movie on its entertainment level. I thought for the most part it was an okay western. While I would have preferred a real Native American to play the title role, I have to admit Chuck Connors did well, giving his character an intensity and charisma that keeps you watching and interested despite the script problems. The script problems include the movie not really going deep in his character, and ending at a point that will make you wonder what happened in real life to Geronimo afterwards. But despite these and other script problems, I have to admit that I was never bored, so I'll give this movie a pass.