Eegah, el gigante

Watching this movie is an experience akin to being run over by a dairy truck...it leaves you dazed and confused, with an overwhelming memory of cheese.

'Eegah!" is one of those enjoyably wretched films of a long gone era, made in a time when anyone thought they could make a film, and indeed, anyone could. (See "Manos" or "Teenage Strangler" for further examples.). The script is so disconnected and incoherent, the actors so unconvincing and affected, the whole vibe so amateurish and transparent in its effort to be cool and hip and with it, while having no clue as to what 'hip' really is....that you almost want to affectionately pat the cast and crew on their little heads and comfort them. "There, there, Arch Hall Sr., you did your best, that's all that matters," you want to say.

That is, when you don't want everyone associated with the film dead.

Arch Hall Jr. has been the target of numerous remarks comparing his face and appearance unfavorably to everything up to "a pile of napalmed squirrels heaped around a parking meter" (Rick Johnson from Creem magazine). In his defense, I am sure that he probably didn't look all that bad in person. But there is that unfortunate blond Pompadour and an unfortunate snub nose and too much skin bronzer, and the results on camera are indescribably uncompelling. So the camera hates him, and the poor kid is completely out of his depth; he can't act, he can't sing, and he can't do action, and the director keeps forcing him to do all those things front and center for the entire movie. You can only wonder if the kid actually thought his performance in EEGAH was going to make him the new Fabian, or if he knew that he would be lucky not to get lynched by the public when the film was released.

There are three songs 'performed' (along with an swinging band instrumental piece) by AH Jr in this film, and they are all guaranteed classics of unintended low comedy. The most side splitting is the one where Arch and his amps are poolside, and he starts lip-syncing to a song about about 'Vicki'.A coloratura soprano voice kicks in behind him a measure later, doing solfeggio on the melody line a full two octaves above his thin little voice and completely overpowering it. It's the goofiest, most overblown, inappropriate thing possible to do to this simple little ballad, but they tear right into it with gusto. What was the arranger smoking when he came up with this? (Or what did he start smoking in order to get through having to arrange it in the first place???)

The plot is also endearingly pathetic in its attempt to work in a 'Beauty and The Beast' motif between the female lead and Eegah himself...Roxy is apparently supposed to be torn between her fear of Eegah and her sympathy for him as an innocent. Or else she's supposed to be torn between Eegah and Arch Hall Jr. However...I have no idea what the young lady playing the girl was like in real life, but there has rarely been a poorer choice to play an ingénue. She does faint on cue real good, though.

Any time a film chooses to end with a quote from the Bible, you can bet that the filmmakers knew they were in trouble and wanted to invoke a 'class act' so they could gain validity from association. Given how creepy and self important Arch Hall Sr's performance was during the film, his quote from the Old Testament about "There were Giants In the Earth' , which was meant to serve as Eegah's eulogy comes completely out of nowhere, and leaves you going..."What? Huh?" And the final embrace between Archy and Roxy, where he dubs in the line "Remember...I love you" and no ones' lips move is fully as bad as "Watch Out For Snakes"...but because it comes after the movie has bludgeoned the viewer fully into a coma, I don't think people remember it as often.

Watch EEGAH! at least once. You'll have a great time heaping scorn on it.

I agree with Dave Sagehorn's review in Bad Movie Nights. See it by clicking the Reviews button. I saw this at a U.S. Naval Station theatre when it came out in 1962 for an admission charge of ten cents. It was overpriced. It was so bad that the sailors enjoyed booing, hissing, cheering, and throwing empty popcorn boxes at the screen at appropriate moments (you don 't get to share such moments with home video).

Years later, on the radio I heard a review of a book called "The 100 Worst Movies of All Time". The movie that the author rated as the No. 1 Worst Movie of all time was Eegah! On the IMDb ratings search, only 23 other movies have ratings that equal or fall below the 2.1 user rating achived by Eegah! So this is not just a bad movie. It is so flamboyantly bad that it has earned a permanent niche in the history of the cinema. I recommend it only if you and a group of friends are in the mood to hiss, boo, and throw popcorn boxes.

This would have been an okay sixties monster movie with a decent monster performance by Kiel, who manages to almost pull of scary and nearly pull off sad. However there was one fatal flaw in the making of this film. That flaw was Arch Hall Sr., who co wrote, directed, acted in, and I think produced the movie. I don't know what he was thinking when he put this thing together, but it was demented. First off, the movie is just stupid. The dialogue is horrible, there are big parts that make no sense, very little happens, and the characters are all annoying and retarded. Furthermore, there are lots of really weird voice over problems, like when the three main people walk past the screen and a voice from the sky shouts at extra high volume while no one is speaking, "Watch out for snakes!". Then there's the fact that Arch Hall Sr. cast himself as the father of the girl who gets kidnapped. Maybe she was really his girlfriend in real life or maybe Arch Hall Sr. is just weird, but whatever it was, the two act really bizarre together. First of all, they do a lot of strange, "semi-sexual but in a weird and kind of gross way" things. Also, Arch, as the father, keeps pimping his daughter out to Eegah.

But the WORST thing about this movie is Arch Hall Sr.'s most painful contribution to the film. Arch Hall Jr. All I can say is that Arch Hall Jr. is probably one of the worst actor's I've ever seen, and probably one of the most horrendously ugly people who's ever lived. His face is so creepy it made me shiver ever time he smiled. Of course he was the hero.

The good thing about Eegah? Made a great episode for Mystery Science Theater 3000. The show that makes bad movies good. Watch for the living room with an oven on the wall. Check this one out. But not without MST3K to protect you. It wouldn't be worth the pain.

Thanks to this movie, I had Arch Hall Jr's terrible singing voice singing about Vicky for a week. It almost drove me mad. If your one who easily gets songs stuck in ones head, this is a movie you would do well to avoid.

Other than that, it had some real camp value.. Not enough Go-Go Dancing though.

This. Movie. Hurts. A LOT!

In the early 1960s, bug-eyed space cadet Roxy drives out into the desert and directly into the path of a club-wielding giant with a fake beard glued to his face. It's EEGAH, a poor caveman who has somehow survived the Neanderthal age and is living just outside of L.A. in a cardboard cave. No one believes Roxy's tale, except for her incredibly greasy dad and her icky boyfriend. Dad decides to hike out into the desert to see if he can discover the truth behind Eegah, but when he is late coming home, Roxy and icky boyfriend Tom drive out in their wacky dunebuggy to search for him. Soon, Roxy and her dad are held prisoner in Eegah's garbage bag-draped cave and Tom must find them before Roxy falls victim to a caveman's lust!

Gag. This is pretty bottom-of-the-barrel godawful stuff. It's silly, goofy, stupid and cheap, and at it's worst it makes for some pretty uncomfortable viewing. See Roxy shave daddy and Eegah! See Roxy try to pry herself out of Eegah's slimy embrace whilst sweaty dad looks on and does nothing! Ugh, it's pretty gross. Even the MST3K version is hard to sit through, even though Joel and the Bots do their best to make the nauseating sequences more bearable. There's some decent music in here for fans of 1960s beach-twisty crud, and fans of schlock will be delighted to see a cameo appearance by Ray Dennis Steckler and then- wife Carolyn Brandt as the Couple By The Pool. But other than that, this film has little to offer in the way of entertainment and may only be appreciated by true hardcore fans of bad movies.