Agrega una trama en tu idiomaAn incompetent barrister is assigned to defend an accused wife murderer.An incompetent barrister is assigned to defend an accused wife murderer.An incompetent barrister is assigned to defend an accused wife murderer.
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- Nominada a1 premio BAFTA
- 1 nominación en total
Madge Brindley
- Mother Chiding Her Son
- (sin créditos)
David Drummond
- Policeman
- (sin créditos)
Victor Harrington
- Paper Tearing Man
- (sin créditos)
John Junkin
- Dock Brief Barrister
- (sin créditos)
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Opiniones destacadas
an underrated flick , unfolding a powerful drama about the relation of a less fortunate attorney whose inner portrait is revealed when he is assigned to defend a man accused of murder. Witty dialogue and social satire, as well as excellent performance by Peter Sellers and Richard Attenborough.
Sometimes good movies fall through the cracks of the pavement. They disappear, forgotten about. 'The Dock Brief' (or 'Trial And Error', fluidity of title is another symptom) is one such film. Despite starring Peter Sellers and made in his glory period, it seldom reaches the television screens, seldom, if ever, talked about.
Watching this is nothing more than a revelation. The plot is simple, Morganhall (Sellers) a barrister, is given his first case in forty years, as he is chosen to defend Henpecked Herbert Fowle (Richard Attenbourgh), a grey, drab, bird lover, who has murdered his over-bearing, guffawing wife (Reid) because she wouldn't leave him. It is not an important case (the 'Dock Brief' of the title means that Fowle has no money for a lawyer, established barristers avoid them like the plague), but Morganhall sees this as an escape from the prison of his own life, 'Oh Fowle! The wonderful new life you've brought me!'
Morganhall and Fowle are little men, confined long before they are cell-bound (this film is full of images of confinement, prison cells, bird cages, claustrophobic houses, ) and the joy of the movie comes from their relationship, dull, grey Fowle takes wing as he falls under the spell of Morganhall's imagination. Sellers is wonderful, Morganhall is a tragic character, a defeated man, but never pathetic. In his dreams he is a great lawyer, but, naturally, his one great day in court ends in ruins, 'I had only to open my mouth and pour out words'.
Fowle is reprieved and released, due to Morganhall's incompetence and the barrister's dreams are dashed. Put like that, it is a bleak ending, yet the joy of the movie is that it ends in hope, in Morganhall's and Fowle's friendship. For the first time, as the leave prison and walk across Westminster Bridge, they are free from confinement (I love the little jig Sellers performs in long shot).
Both Sellers and Attenbourgh are on top form (though I've mostly singled out Sellers, Attenbourgh's lonely bird lover really is beautifully played) and lover's of gentle, bitter-sweet comedy, should seek out this movie. I think it's going to remain with me for the rest of my life, a truly life-affirming experience.
Watching this is nothing more than a revelation. The plot is simple, Morganhall (Sellers) a barrister, is given his first case in forty years, as he is chosen to defend Henpecked Herbert Fowle (Richard Attenbourgh), a grey, drab, bird lover, who has murdered his over-bearing, guffawing wife (Reid) because she wouldn't leave him. It is not an important case (the 'Dock Brief' of the title means that Fowle has no money for a lawyer, established barristers avoid them like the plague), but Morganhall sees this as an escape from the prison of his own life, 'Oh Fowle! The wonderful new life you've brought me!'
Morganhall and Fowle are little men, confined long before they are cell-bound (this film is full of images of confinement, prison cells, bird cages, claustrophobic houses, ) and the joy of the movie comes from their relationship, dull, grey Fowle takes wing as he falls under the spell of Morganhall's imagination. Sellers is wonderful, Morganhall is a tragic character, a defeated man, but never pathetic. In his dreams he is a great lawyer, but, naturally, his one great day in court ends in ruins, 'I had only to open my mouth and pour out words'.
Fowle is reprieved and released, due to Morganhall's incompetence and the barrister's dreams are dashed. Put like that, it is a bleak ending, yet the joy of the movie is that it ends in hope, in Morganhall's and Fowle's friendship. For the first time, as the leave prison and walk across Westminster Bridge, they are free from confinement (I love the little jig Sellers performs in long shot).
Both Sellers and Attenbourgh are on top form (though I've mostly singled out Sellers, Attenbourgh's lonely bird lover really is beautifully played) and lover's of gentle, bitter-sweet comedy, should seek out this movie. I think it's going to remain with me for the rest of my life, a truly life-affirming experience.
10kjff
This is Peter Sellers at his ridiculous best, before he became Inspector Clouseau, even before he invaded the US in the Mouse That Roared. A quiet, satirical comedy that has an aging and inept English barrister defending his first case - an open and shut murder with Richard Attenborough as the husband whose wife drove him over the edge. Since he's clearly guilty, his lawyer imagines a variety of improbable and unsuccessful defenses. Attenborough hopefully joins in Sellers' mental machinations as they act out their courtroom tactics. The ending is a treat -- and we'll leave it at that. If you are a Peter Sellers fan but are not familiar with the numerous, small movies he made before becoming a star in the US, try this one out. You won't be disappointed.
Minor and small scale this screen version of John Mortimer's "The Dock Brief" may have been but it's frequently very funny and boasts two outstanding performances from a BAFTA nominated Richard Attenborough as the mundane, mild-mannered and mostly morose husband accused of murdering his wife, (a rumbustious Beryl Reid), and Peter Sellers as his mediocre if well-meaning barrister. It was perhaps a strange little movie for these two stars to have made at the time and it wasn't really a success but it's likable in its stagey way and there is a very nice supporting performance from David Lodge as a somewhat over-enthusiastic lodger.
Mr. Morganhall (Peter Sellers) is excited, as he became a barrister decades ago and has just sat in his office ever since....never getting to try a single case in court. To put it bluntly, he's not especially bright or a good lawyer...and now he's hoping a murder case he's been assigned to might open up the door for more trials. The problem is that his client, while a nice guy in many ways, DID murder his wife and freely admits it. He also, reluctantly, admits that the only reason he picked Morganhall was that he chose him at random! Does the defendant stand a chance with this boob of a lawyer?
This film is not a laugh out loud comedy and is quite subtle. The story also isn't super important, believe it or not. It's more a chance to watch the very talented Sellers show off his skills as an actor...and he's lovely in the lead. Richard Attenborough is also very nice as the killer...and the film is enjoyable and an unusual departure for them both. Well worth seeing....and I really loved seeing the clever way the director did those flashback scenes.
This film is not a laugh out loud comedy and is quite subtle. The story also isn't super important, believe it or not. It's more a chance to watch the very talented Sellers show off his skills as an actor...and he's lovely in the lead. Richard Attenborough is also very nice as the killer...and the film is enjoyable and an unusual departure for them both. Well worth seeing....and I really loved seeing the clever way the director did those flashback scenes.
¿Sabías que…?
- TriviaThe film was shot over an eight-week period on a budget of approximately £150,000.
- ErroresWhile Morgenhall is waiting for his "first case," a series of crossword puzzles are shown, as "time passes." Unfortunately, the puzzles are not in numerical order --- their numbers go up and down, never continually increasing, as they should as the months and years go "passing by."
- Citas
Morgenhall: What is your name?
Fowle: Herbert Fowle.
Morgenhall: The surprise witness.
Fowle: Oh, you... you mean I'd need a different name?
Morgenhall: Yes, precisely.
Fowle: Hmm. That's where we're stuck now..
- ConexionesReferenced in Cuando sólo el corazón ve (1965)
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Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- Trial and Error
- Locaciones de filmación
- Shepperton Studios, Shepperton, Surrey, Inglaterra, Reino Unido(studio: made at Shepperton Studios, England)
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución
- 1h 28min(88 min)
- Color
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